Reviews
David Nice
“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in Henryk Górecki’s rhetoric-free symphonic memorial and Crystal Pite’s response to the dynamism under its seemingly static surface. 44 dancers of all ages, soprano, orchestra and design all work towards a timeless work of art, resonating now but bound to hold up in whatever future remains to us.A confession first: until last night, I’d never heard the Polish composer’s Symphony of Sorrowful Songs, his Third, in a live performance. The media circus around the Read more ...
Rachel Halliburton
“Who’d be a woman?... Who in their right mind would choose all that?” The question comes towards the end of a conversation where two former lovers are comparing notes on their tumultuous recent past.One of them, Jo, has just had a baby. The other, Harry, has taken hormones to transition from being a man to being a woman. In answer to the question, Harry replies, “No-one does though, do they? No-one chooses… Some of us just come the long way round.”The humorous understatement of the exchange is typical of a script that’s as fresh as a sea breeze and as lyrical as birdsong. Playwright Chris Read more ...
Demetrios Matheou
Just like Britain’s ‘stiff upper lip’, that indominable spirit in the face of adversity, Brazil has a dominant personality trait – open-hearted, ebullient – that tends to obscure the reality of its many social, economic and political travails. There’s also a part of the Brazilian national psyche that resists reflection, which is why, perhaps, its filmmakers have dwelled less on their years under military dictatorship, between 1964 and 1985, than you might expect and certainly less memorably than, say, their counterparts in Argentina and Chile. But now Walter Salles, one of his Read more ...
Adam Sweeting
It seems that esteemed former US President George Mullen is subsiding gently into retirement on his luxurious country estate, with a publishing contract for his memoirs if he can ever manage to knuckle down and write them, when fate throws a curve-ball.Without warning, the USA suffers a total blackout of power, communications and computer systems. The resulting chaos in air, road and rail transport, not to mention medical facilities, causes thousands of casualties, and nobody has a clue how it happened.This blackout only lasted a mere 60 seconds, but the perpetrators have sent out ominous Read more ...
Rachel Halliburton
Over the last few months, celebrity-driven West End productions have suffered some inglorious crashes. So there was a certain degree of trepidation at the opening night for this star vehicle for Tom Hiddleston and Hayley Atwell. For five minutes, it must be confessed, this reviewer was worried; it seemed so over-miked, so hyper, so, well PINK. But between the diamond-sharp banter and the endorphin fizz, something started to happen, and suddenly it erupted into one of the best parties in town.Lloyd’s shamelessly hedonistic production seizes on the carnivalesque spirit of Shakespeare’ Read more ...
Sarah Kent
In 2013 the American artist, Noah Davis used a legacy left him by his father to create a museum of contemporary art in Arlington Heights, an area of Los Angeles populated largely by Blacks and Latinos. But his Underground Museum faced a problem; it didn’t have any art to put on display and none of the institutions approached by Davis would loan him their precious holdings.The solution? Davis set about creating clones of famous artworks that feature mass produced items. Collectively titled Imitation of Wealth (pictured below) they now occupy a gallery in his Barbican retrospective. Marcel Read more ...
Gary Naylor
The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought. My second was, “Ah, yes”.Sure enough, Akhila Krishnan’s video and Adam Cork’s sound floats us on a sea of troubles, as Denmark’s ship of state is battered by storms, literal and metaphorical, in a roiling Atlantic. After a fortnight in which that ocean has never looked wider nor choppier, a three hour examination of how a psychologically unstable man could eviscerate a polity seemed both timely and scarily portentous. But that, 425 years on, is why the play Read more ...
Helen Hawkins
The return of Mike White’s hit series can be celebrated for one major reason: its extraordinary music. That may sound like a minor reason, but this third iteration of the show confirms that the show's sound world is key to its success.Composer Cristobal Tapia de Veer has, in each season, created uniquely bewitching sounds that are variously sinister, playful and melodramatic. Inventively using pan pipes and flutes plus a menagerie of feral noises and vocals, fleshed out with synthesizers, this audio backdrop mirror the location, its fauna as well as its musical traditions. Over the opening Read more ...
aleks.sierz
Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you are a believer or not, it’s hard to deny the attractions of religion for billions around the world. Sounds portentous? Yeah. Okay, you’re now in the zone for Beau Willimon’s new play East Is South, currently at the Hampstead Theatre, a work which suggests that the digital world can also be mystical place. In our ChatGPT universe, the playwright, who created House of Cards for Netflix and inspired the George Clooney political thriller The Ides of March, explores contemporary ideas Read more ...
Adam Sweeting
Dying is easy, comedy is hard, according to the Georgian actor Edmund Kean. Luckily, everybody involved with the much-awarded Hacks understands precisely the creative anguish that top-flight comedy demands, and in its third season the show puts further expanses of clear blue water between itself and the competition.Constructed on the fraught and frequently hostile relationship between septuagenarian superstar Deborah Vance (Jean Smart) and her young and ambitious scriptwriter Ava Daniels (Hannah Einbinder), Hacks is a forensic examination of the showbiz life and the showbiz business. The Read more ...
Tim Cumming
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the liminal, predatory dangers of associating in any way with the sly “Reynardine”, with Matt Robinson on piano and electronic keyboards and Alec Bowman-Clarke’s bass evoking the twilit murk of the magical faerie song, recorded by Sandy on Fairport’s Liege & Lief.From that opening performance, Clarke had the room, the charm was cast, her own distinctive voice and stylings merging with Sandy’s originals – filling the vessel but in doing so assuming her own shape Read more ...
India Lewis
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist Shon Faye’s second book Love in Exile? In part an examination of her own life, loves, and loss, Faye is exacting and passionate in her dissection of how we, as a society, understand the state of love: an unwieldy term that hides many painful mysterious, and which, too often, is subject to our unquestioning reverence.While Love in Exile takes love as its overarching theme, it is structured more as a series of interlinking essays. These essays routinely Read more ...