Reviews
Boyd Tonkin
It’s no surprise that the theme of fakes and forgery appeals so much to writers, who traffic in plausible illusions and often believe (in María Gainza’s words) that truth is “just another well-told story”. From the age of Balzac and Zola to modern iterations in the novels of authors such as Michael Frayn, Donna Tartt and Maylis de Kerangal (in her recent Painting Time), shelves of fiction have drawn their plots around the fine pencil line that divides authenticity from imposture in art. In this, Gainza’s second novel, the Argentinian author – and former art critic – adds a fresh item to a Read more ...
Veronica Lee
Sarah Millican is clearly glad to be back on stage, and the noisy reception she gets at the Winter Gardens in Margate suggests her fans are glad to have her back too. Bobby Dazzler is a crowd pleaser in much the same vein as her previous shows – unflinching honesty about women's bodies, and scatological filth.The first half of the show is mostly taken up with chatting to the audience about some of their dafter lockdown hobbies – knitting and yoga being two of the shout-outs. It's always a risk that people will be shy or that everyone did the same thing – knitting and yoga – but in Margate Read more ...
Laura de Lisle
Steven (David Ames) is having a birthday party. He’s invited his closest friends – two of whom have recently started dating their personal trainer, Steve – and his partner, of course: Stephen (Joe Aaron Reid). Their eight-year-old son, Stevie, is being babysat by his grandma. Even the handsome Argentine waiter (Nico Conde) is called Esteban.As homages to Stephen Sondheim go, Steve, a play by Mark Gerrard previously seen Off Broadway and now inaugurating the Seven Dials Playhouse, is pretty obvious.Andrew Keates’ direction and Lee Newby’s set design make great use of the theatre Read more ...
Lizzie Hibbert
A garden is a space defined by its limits. Whatever its contents in terms of style and species, and however manicured or apparently wild its appearance, what distinguishes a garden from its equivalent quantity of uncultivated land is its enclosure within an uninterrupted border, which might be a wall, a hedge, a fence, or else natural dividers such as streams or woodland.The border creates the garden by shutting it off from the rest of the encroaching world. What is allowed to pass in and out of this bounded space is then up to a gardener: over this small portion of a chaotic planet, he or Read more ...
Robert Beale
There was no overt reference to the world outside in this concert, and yet the poignancy of its content could hardly have been clearer if it had been planned: two symphonies and a song cycle each touched by the tragedy of war.It was the launch event of RVW150, a national and international celebration of the music of Ralph Vaughan Williams, stretching from this year well into next, to mark the 150th anniversary of his birth. In Manchester the Hallé and BBC Philharmonic are presenting all his symphonies in concerts over the next 11 weeks, a cycle entitled “Toward the Unknown Region”. And in the Read more ...
Adam Sweeting
They say this will be the final series of Peaky Blinders (BBC One) and its documenting of the tumultuous progress of the Shelby family, though creator Steven Knight promises there’s a feature film in the works. This opening episode kicked it off in style – perhaps a little too much style, since the show is now so self-consciously art-directed and signposted with iconic images that it’s difficult to find much human warmth within. Scenes are shot in portentous slow motion and overlaid with the sounds of super-amplified heavy breathing, while interiors are shot and lit like sets from grand opera Read more ...
Kieron Tyler
This new edition of People Move On, Bernard Butler’s April 1998 debut solo album, takes what was issued then to up to four CDs. Nothing unusual in that. Box set-isations of a single album customarily add alternate versions, outtakes, non-album tracks from singles, demos, live tracks, recordings from tracking sessions.However, the new People Move On takes a fresh tack. Disc One is the album as it was issued back then. Disc Two is the album – but with new vocals. Butler added them in 2021 to DAT recordings of the backing tracks, most of which differ from what was issued as they were not the Read more ...
Simon Thompson
“You’ll have to forgive me”, said Sir Andrew Davis at the start of this concert’s second half, “but I’m going to sit down.” As he lowered himself onto his podium stool, he let it slip that this was the first concert he had conducted in more than two years.All the more excellent to have him back, then. Davis has had some first-class concerts with the Royal Scottish National Orchestra over the last decade or so, but none more memorable than their Walküre and Götterdämmerung as part of the Edinburgh International Festival’s 2016-2019 Ring cycle. He strikes sparks off the orchestra and they play Read more ...
Sebastian Scotney
The Duke, directed by the late Roger Michell (1956-2021), is a delight. At its heart is a towering, defining performance from Jim Broadbent and an unforgettably surprising role for Helen Mirren.Broadbent plays a real-life character, the Newcastle taxi driver Kempton Bunton (1904-1976), who stole Francisco Goya's "Portrait of the Duke of Wellington" from the National Gallery in 1961. He returned the picture much later and also confessed to the theft.There is a wonderfully ironic plot-line running through the film. The police pompously, plummily speculate about who might be Read more ...
Ian Julier
Although the large auditorium of Lighthouse, Poole may not offer the most favourable scale and intimacy for a chamber recital, the high quality of communicative chemistry and performance readily reached out to engage and hold the audience spellbound for the whole evening. For those still unaware, Felix Klieser has been making much news in recent times. Appointed last year as the BSO’s new Artist-in-Residence, he has already impressed in a performance of Mozart’s Horn Concerto No.4 with the orchestra conducted by Kirill Karabits. As well as concerto performances and chamber recitals, his two- Read more ...
Demetrios Matheou
At first glance, it was the most unlikely of friendships, even for the solipsistic milieu of the New York art scene. Andy Warhol: crown prince of Pop art, uber-celebrity, one of the most iconic figures in the world; and Jean-Michel Basquiat, the rebellious, dreadlocked, graffiti artist turned neo-expressionist wunderkind. One white, middle aged, his star fading, the other black, in his twenties and on the rise. And yet, for a few years in the Eighties, they were friends, inseparable ones, as well as highly productive collaborators. Their relationship has been frequently Read more ...
Nick Hasted
Edmond Rostand’s familiar story of ventriloquised love becomes a sensual, sacrificial tragedy, in Joe Wright’s heady cinematic Valentine, adapted by screenwriter Erica Schmidt from her own stage musical, with music by members of The National.The setting is somewhere between the 17th and 18th century, earthy history and fairy tale. We begin in the boudoir of Roxanne (Haley Bennett), as her maid explains the female facts of life: “Children need love, adults need money.” Cash comes from the sinister Duc de Guiche (Ben Mendelsohn), who sweeps her off to the theatre; en route, Wright builds a Read more ...