Reviews
Jenny Gilbert
Marshalling a mass of bodies around a stage is what all choreographers do. But nobody does it quite like Crystal Pite, the Canadian whose half-hour piece "Flight Pattern" – a comment on the global refugee crisis – was a hit for the Royal Ballet five years ago, earning an Olivier Award.She now returns with a full-evening extension of that material, adding two new sections that address equally big subjects, not least the rights of children to life and safety. This, along with a final section dealing with what Pite calls “the ultimate border crossing”, makes sense of the work’s over-arching Read more ...
Adam Sweeting
Ben Vanstone, the showrunner for Channel 5’s hit revival of All Creatures Great and Small, originally foresaw it as stretching over four seasons, but has subsequently revised his opinion. With the third series ending and the fourth already in preparation, he now foresees broader horizons. “Everything in this show plays out slower than you think it would,” he commented.Fortuitously, All Creatures… has proved to be the ideal tonic – or maybe that should be “sedative” – for a world where the wheels are apparently coming off. Amid economic turmoil, political madness and a European war which might Read more ...
Helen Hawkins
This is not a play for the squeamish: here be blood and cum and unsavoury descriptions of genitalia, male and female, that make you wonder why humans relish sex so much. And it’s all played out in the close quarters of the small in-the-round space of the Orange Tree.The set is dominated by a large Tracey Emin-ish unmade bed, on which the two actors play out their past and present. Above the seating, on all four sides, are long panels where a graphic display shows a pulse line that suddenly flatlines. When the dialogue starts, the text is projected here too.Not that we spend that much Read more ...
Liz Thomson
Among those making her Cambridge Folk Festival on the diminutive Club Stage back in the summer was Angeline Morrison, a Birmingham-born singer, songwriter, and multi-instrumentalist who these days makes her home in Cornwall, drawn at least in part by its folk music. Her short solo performance was noteworthy, and earlier this month it was announced that Morrison has been awarded the Christian Raphael Prize 2022, presented in association with the Festival. She is the fourth honouree, the roster including Katherine Priddy and Nick Hart.Last night, Morrison and her three excellent musicians ( Read more ...
Saskia Baron
The London Film Festival ended with the announcement of assorted prizes, all well-deserved. My colleague Demetrios Matheou has already written here about the Chilean political thriller, 1976, which won Best First Feature, and we’ll be writing in depth about the Best Film winner, the Austrian historical drama Corsage, when it opens at the end of the year. I was most pleased that All that Breathes was awarded the Grierson Award for Documentary. This moving, subtle, and beautifully made portrait of two brothers in Delhi who dedicate their lives to saving Read more ...
Saskia Baron
As 10-year-old Satsuki observes as she arrives in the countryside with her little sister Mei, “We’re not in Tokyo anymore” – and they’re not in Kansas either, but there is a tang of Oz in the air. The 1988 Studio Ghibli film, My Neighbour Totoro has the classic status of The Wizard of Oz for a generation of youngsters brought up on whimsical Japanese animé. It’s a brave British theatre that transposes Hayao Miyazaki’s fantastical creatures from the screen to the stage. In the main, the RSC has pulled it off with style, charm and huge panache. From the Read more ...
Boyd Tonkin
Good conductors should surely be seen as well as heard. Positioned behind Emanuel Ax’s piano in Brahms’s first piano concerto, with the two flanks of the London Philharmonic’s strings spread wide on either side across the stage, Karin Canellakis sometimes looked from the stalls of the Royal Festival Hall as if she were directing the chamber ensemble of horns and woodwind just in front of her. Thankfully, the sounds she spun from the LPO and her much-loved veteran soloist told a much more comprehensive story. Ax embraced the work like the old friend it is to him, perhaps holding back Read more ...
Veronica Lee
Although PowerPoint has been around since 1987, and several comics have incorporated it into their shows, it's Dave Gorman who remains king of the form. And here he is again in PowerPoint to the People, an amiable evening in which he, as ever, delves into the nooks and crannies of modern life that the rest of us might overlook, and charts a delicious long-form joke for the audience to enjoy long after they have seen the show.He starts by telling about his lockdown which, two years on, could seem lazy; but not with Gorman, who constructs wonderfully elaborate stories that are never hack and Read more ...
Guy Oddy
Folk music? It’s all old blokes in shapeless clothes wailing on about ploughmen and fishermen, isn’t it?Not in the hands of the Bonfire Radicals it isn’t. In fact, their sophomore album launch at the Hare and Hounds not only challenged this somewhat outdated and clichéd view of Europe’s traditional roots music, but completely blew it out of the water. For south Birmingham’s self-proclaimed un-traditional folk band brought out reels, jigs, a murder ballad and plenty of global grooves – which had their audience bouncing around from the first notes to the final fade out at the unveiling of Read more ...
Adam Sweeting
Netflix can’t get enough of Ryan Murphy, whose list of productions with the super-streamer includes Halston, Ratched and recent hit Monster: The Jeffrey Dahmer Story. Now here he is again with The Watcher, a teasing little mystery based on a true story about a couple moving into their dream home in New Jersey only to be confronted with anonymous threats and hair-raising goings-on.Murphy’s seven-episode version is a mix of haunted-house chiller, Polanski-style horror and domestic drama, as well as (strangely) a kind of essay on obsessive, nimby-ish property ownership. Dean and Nora Brannock ( Read more ...
David Nice
A 150th birthday cornucopia was anticipated: vintage chamber and vocal Vaughan Williams in a big Wigmore Hall three-parter alongside music by other great Brits. It turned out, instead, to be a handsome if overlarge horn sounding several cracked notes.None of those had to do with the performances, which were first-class throughout: could it be otherwise with players from the Nash Ensemble, baritone Roderick Williams and 14 other remarkable British-based singers? Let’s get the moans out of the way first. This was proof that VW’s Five Mystical Songs and Serenade to Music, typical of his taste in Read more ...
Jonathan Geddes
Rarely will the bar staff at the Glasgow Barrowland have had an easier night. The crowd for Beabadoobee was so youthful that the vibe felt more like a school disco at times, right down to clusters of parents at the back and on the sidelines alternating between keeping a wary eye on proceedings and burying themselves in their phones. Their offspring, meanwhile, were racing to the front eagerly, leaving the usually busy bar areas deserted.Given wild cheering greeted a roadie checking a guitar, it was no surprise that the actual appearance of Beatrice Laus brought on hysteria, both vocally and Read more ...