Album: ALT BLK ERA - Rave Immortal

Nottingham siblings' debut buzzes with amalgamated drum'n'bass and hard rock energy

share this article

Dressed for the rave?

The utopian messiness of 1990s dance music culture is now so far back in time that what remains, for those under 40, is an idea, a meta myth. It is one that ALT BLK ERA embrace. Where the Nineties was a smorgasbord of futurism, vanguard electronic exploration and hedonic madness, the excellently titled debut album Rave Immortal reimagines it through the prism of catchy TikTok snippets and rampant rock punch. The result is not, perhaps, the intended, explosive Prodigy-play-Download riot, but buzzy ebullient pop.

Nottingham sisters Nyrobi and Chaya Beckett-Messam, who are both teenage or nigh-on, make music that, loosely speaking, sits somewhere between Rudimental’s pop drum & bass and early Paramore, with a dash of Bring Me The Horizon. Which is to say that they’re on the metal spectrum, as one would expect, since they’re on their hometown’s venerable extreme rock label, Earache. Mostly, though, with their extrovert image and sassy lyrics, they are purveyors of hard-edged bubblegum.

Rave Immortal has a bunch of highlights, including the fab chewing gum electro-punk of “My Drummer’s Girlfriend”, which has the great opening line, “She’s snorting cocaine every other weekend/She’s probably insane, she’s my drummer’s girlfriend”; the “Gaga-“Poker Face”-esque “Hunt You Down”, the goth-industrial slowie “Catch Me if You Can”, the Knife Party-like banger “Upstairs Neighbours”, and the two party invasion tunes “Crashing Parties” and its sequel, the nursery rhyme sing-along “Run Rabbit”.

ALT BLK ERA might have aided their cause by replacing a couple of lesser songs with other recent-ish singles, such as “I’m Normally Like This” and their collaboration with Brat-punker Delilah Bon, “Witch”, but, as it is, this still a snappy, enjoyable debut album that fizzes with a very contemporary kind of energy.

Below: Watch the video for "My Drummer's Girlfriend" by ALT BLK ERA

 

Add comment

The content of this field is kept private and will not be shown publicly.
They’re on the metal spectrum but, mostly, they're purveyors of hard-edged bubblegum

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A total deconstruction of pop-alternative dichotomies, and a 360° immersive overload
Enviably consistent box set dedicated to female-sung British pop from 1962 to 1970
His latest collaboration with Buddy Cannon comes with a rare Dylan co-write
A homage to Jimmy Heath, Ron Carter, Wayne Shorter...
Tapping into soul, ska and rocksteady revivifies the Mersey troupers
Long awaited return from Yorkshire rockers Marmozets is energetic with a renewed flair
The undeniable force of a musical original shows signs of wear
A set which wittily lacerates old loves and celebrates new confidence
Celebration of first-rate but obscure Chicago soul
One of the world's most successful pop stars reappears with more unhelpful dross
Calming and atmospheric desert blues is defiant in the face of oppression