Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Dolly Parton - Run Rose Run

Dolly's ebullient soundtrack to her first-ever novel, written with James Patterson

share this article

Dolly: smart lines, punchlines and folky wisdom

I tried, I really did. Took a shot at my best, and fell short, Yup, I couldn’t get beyond the opening chapters of Dolly Parton’s first novel, written with that veteran of popular page-turnin’, James Patterson. The best bit for me was on the first page, and it was pure Dolly, but in 22 little words, not 80,000. “Is it easy? No it ain’t. Can I fix it? No I cain’t. But I sure ain’t gonna take it lying down.”

That, more or less, is the country zen koan that encapsulates the adventures of the young heroine singer, Ms AnnieLee Keyes, budding on the precipice of stardom and catastrophe that is the plot of Run Rose Run. There’s no doubting there are secrets from the past for our heroine to escape from and run into, but as the chorus of one of the songs goes, “I’m gonna woman up and take it like a man”.

The album itself is good-quality Parton, 12 new original songs that provide the skeleton and sinews of the plot, the setting and the characters the novel stretches out to 400-plus pages. The music’s a hot mix of bluegrass and acoustic, down-home country, and her voice rubs its far-reaching purity with the gravel of age.

These 12 lean, vivid songs fit in to fewer than 40 minutes of playing time, starting off with the opportunity-grabbing “Run” before pitching into the soft country rock of “Big Dreams and Faded Jeans” that sets our heroine on the road - “put out my thumb and wish for luck” - and towards the album’s best duet, on the singalong “Demons” with Ben Haggard, one of the Sons of Merle, and he sure sounds like his old man. The high-octane “Driven” is a Dolly hymn to striving over surviving, complete with demon fiddle, while “Woman Up And Take it Like a Man” is sassy, funny, and twists its own country take on the gender wars with a big shout-out chorus. Oh, and don't skip the infectious bluegrass wisdom of “Dark Night, Bright Future”.

These are songs inbued with smart lines, punchlines and folky wisdom not a million country miles down the road from her old bosom buddy Willie Nelson’s recent run of albums with Buddy Cannon. They’ve duetted together, Dolly and Willie, but as far as I know, they’ve not sat down and written together and then got up and sung it. That would be something to write a novel about.

Tim Cumming's website / @CummingTim

The music’s a hot mix of bluegrass and acoustic, down-home country, and her voice rubs that far-reaching soprano with the gravel of experience

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A subtle, potent raging against the dying of the light from a low key great
The US singer-songwriter offsets glacial shimmer with a dive into electric-guitar freakiness
The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds