Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: P!nk - Beautiful Trauma

Seventh album from US star fails to go beyond the now ubiquitous self-empowerment anthemic

share this article

Alecia Moore stops for some gas

P!nk is a likably gobby superstar who has consistently maintained her position at the top of the pop tree for an impressive 17 years. Amping up her feisty one-of-the-boys persona, she’s been a template for a generation of girl-pop stars who followed. Her live shows are eye-wowing circus events, setting the bar high for stadium gigs of any type.

Unfortunately, though, her seventh album is a fizzle, rather than a firework. In a year when both Katy Perry and Kesha have put out albums containing a decent share of gems – not to mention the extraordinary Lemonade from Beyoncé last year – Beautiful Trauma’s preditably constructed empowerment songs simply aren’t strong enough.

With the usual who’s who of super-producers appearing, notably Max Martin, the default position throughout is wailing ballads that explode into giant lighter-waving anthems and/or acoustic guitar-flecked tropical house stodge. This wouldn’t be so bad if there was a distinct sense of identity. P!nk, after all, is not short of character. There are some stinking lines on board, too. Top of the pile are “I wanna know where does love go to die/Is it some sad empty castle in the sky?” from “But We Lost It”, or how about “I wish I could go back to playing Barbies in my room/They never say that you’ve got to grow up quite this soon” from “Barbies”.

P!nk's voice is, as ever, a rousing rhythm'n'blues belt, and there are a couple of dynamite tracks too. “Revenge”, the new single, rides a low-slung organ funk and is witty, sassy, and boosted by a typically snappy guest turn from Eminem. “Secrets” is even better. Vaguely in the vein of Katy Perry’s “Swish Swish”, it's hung on a sturdy house pulse and has a fine sing-along chorus. Finally, and although it’s not to my taste, the closing ballad “You Get My Love”, a stark piano’n’vocals affair, is quite a thing.

The charts are currently full of new young women’s self-empowerment fare – Dua Lipa, Anne-Marie, Maggie Lindemann, etc – and while none of them has P!nk’s charisma or attitude, her new album blends too easily into their samey oeuvre.

Overleaf: Listen to "Revenge" by P!nk featuring Eminem

There are a couple of dynamite tracks

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A father mourned and a lover found, all in one extraordinary breath
A subtle, potent raging against the dying of the light from a low key great
The US singer-songwriter offsets glacial shimmer with a dive into electric-guitar freakiness
The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families