Nneka, ULU | reviews, news & interviews
Nneka, ULU
Nneka, ULU
The new musical voice of Nigeria knows how to get her message across
Thursday, 05 November 2009
Nneka: 'pop stardom beckons whether she likes it or not'
Many hip-hop artists go on about “respect” ad nauseam, but perhaps you need to be outside the Western consumerist bubble before such language can be turned from mere solipsistic hot air into a heartfelt plea on behalf of a continent. May I point you in the direction of a YouTube clip in which a surprisingly camera-shy Nneka shares a Nigerian proverb with the interviewer: “One day the bushmeat go catch the hunter,” she says in pidgin English. In other words, one day the prey of the hunter will catch the hunter. This proverb’s specific resonance to Nneka is only hinted at by the twinkle in her eye and the way she playfully wags her finger. But it illustrates the fact that this young German-Nigerian singer-songwriter knows that you don’t get your message across by ramming it down people’s throats.
Many hip-hop artists go on about “respect” ad nauseam, but perhaps you need to be outside the Western consumerist bubble before such language can be turned from mere solipsistic hot air into a heartfelt plea on behalf of a continent. May I point you in the direction of a YouTube clip in which a surprisingly camera-shy Nneka shares a Nigerian proverb with the interviewer: “One day the bushmeat go catch the hunter,” she says in pidgin English. In other words, one day the prey of the hunter will catch the hunter. This proverb’s specific resonance to Nneka is only hinted at by the twinkle in her eye and the way she playfully wags her finger. But it illustrates the fact that this young German-Nigerian singer-songwriter knows that you don’t get your message across by ramming it down people’s throats.
Add comment
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Here comes the flood: Bob Dylan's 1974 Live Recordings
Night after night: Sony's latest gargantuan release from the vaults
Album: Joan as Police Woman - Lemons, Limes and Orchids
A deep, delicious dive into the many facets of love by the master songwriter
Music Reissues Weekly: Sean Buckley & The Breadcrumbs
Dagenham mod-beat band’s first recording surfaces - 60 years late
Album: Floating Points - Cascade
High energy techno and rave from the synth craftsman needs your best speakers
Album: Snow Patrol - The Forest is the Path
Struggling to find the good in this hugely successful band's lovelorn stadium plod
Album: Tindersticks - Soft Tissue
More poetic heartbreak from Stuart Staples' mob
Album: Juniore - Trois, Deux, Un
Parisian trio showcase an elegant if deliberate retro-futurist garage-pop
Music Reissues Weekly: Lee 'Scratch' Perry and Friends - People Funny Boy: The Upsetter Singles 1968-1969
Meticulous investigation of the early self-determined years of the eminent sonic architect
The Allergies, Hare & Hounds, Birmingham review - funky hip-hoppers fire up the weekend
Breaks, funky basslines, horns and plenty of dancing
Album: LL COOL J - THE FORCE
OK you can call it a comeback
Gossip, SWG3, Glasgow review - powerhouse voice provokes only an intermittent party
Beth Ditto was on superb form, but her band's sound struggled to find a groove
Album: Fat Dog - WOOF
One of the year's word-of-mouth live sensations fires out their debut
Comments
...