Help keep arts journalism alive.

We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement.

SUBSCRIBE TODAY 

CD: Kylie Minogue - Golden

Nashville reinvention for the People's Princess doesn't sit well

share this article

Well executed, but a million miles from her best work

Oh this is annoying. One really doesn't want to be mean about the People's Princess. Kylie is one of the great pop stars of our time: charming, witty, a survivor, with several dozen proper classic songs under her belt, she has never stopped sparking with star quality. And the way she talks about her creative process, it's clear she still cares, so it's very easy to believe that she still has an album in her that can stand with her best and cement her status as one of the best to do it.

This isn't it, though. This is a country album, recorded in Nashville. Not that that's anything bad in itself. A Kylie country album could be a great thing – one could perfectly imagine her going rootsy and acoustic, or doing a slick album of Bobbie Gentry style MOR country-soul, or doing a record of country-disco like her friends The Scissor Sisters' “I Don't Feel Like Dancing”. But this is country-pop in the modern, Taylor Swift style – even including a couple of key Swift collaborators – with lots of “woah woah” chantalong choruses

It's well executed – of course it is, Kylie doesn't do things by halves – and unusually for her, the lyrics have a personal, even confessional feel. But somehow all the intimacy that could have conjured is lost among the bombast, which seems a million miles from the slinkiness of her best work. All of the Millennial affectations just feel like they're beneath her, and though they might well hit commercial paydirt, they make all the songs strangely forgettable. Kylie very likely does have a great album (or albums) still in her, but imitating artists half her age really isn't the way to get to them. 

All the intimacy that could have conjured is lost among the bombast

rating

2

share this article

more new music

The latest chapter in a Sci-fi concept series that revels in its ridiculousness
Science, art, geography, sign language and abstract music collide in Manchester
Cut-up masters tackle consumerism’s sinister power over childhood in 31 tracks
A Yorkshire community choir’s journey from a ragbag of young singers to world champions
From rock heroes to the group's next chapter, Wagner talks influences, instincts and creative evolution
Self-examination and catharsis on the iconoclastic Californian's third album
The Aussie pop auteur has only partially moved on from previous glories
A Korean and French septet move beyond boundaries at London’s K-Music Festival
UK duo's brutally effective formula is adaptable to most things... except possibly guitars