Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: JD Souther - Natural History

Songwriter revisits classic songs from the heyday of West Coast rock

share this article

Old kid in town: JD Souther reworks classic California soft rock
Old kid in town: JD Souther reworks classic California soft rock

Having arrived in the Golden State via Detroit and Amarillo, Texas, John David Souther became one of the architects of the Californian soft-rock sound. It didn't hurt that he shared an apartment with future Eagle Glenn Frey and lived upstairs from Jackson Browne. Souther never became a superstar in his own right, but thanks to his high-profile collaborations with assorted luminaries, his songwriting royalty cheques must have been artefacts of many-zeroed beauty.

Natural History is a collection of songs from the Souther catalogue, tastefully recorded with a skilful chamber-rock ensemble using mostly piano, guitars and a smattering of brass. Souther's voice is a mellifluous croon with a hint of huskiness round the edges, perfect for drifting ballads like the opener, "Go Ahead and Rain", or the plaintive "You're Only Lonely" (Souther's big 1979 solo hit).

Of chief interest will be the songs made famous by the Eagles, Linda Ronstadt and others. The most revealing of these is "The Sad Café", which was the closing track on the Eagles' The Long Run but somehow never sounded quite like an Eagles song. Souther's treatment of it is subtle and soothing, but shot through with an infinite wistfulness that the celebrated aerial predators didn't quite capture. Similarly, "Best of my Love" benefits from having its Eaglish gloss stripped away. On the other hand, the Eagles made a ferociously accomplished version of "New Kid in Town", and while Souther treats the song like a dusty border ballad with pinging Spanish guitar, you find yourself wishing someone would fill in the little details and harmonies from the group's version.

From the Ronstadt years there's a late-night version of "Prisoner in Disguise" built from voice, guitar, sax and clarinet, and a lucid interpretation of "Faithless Love" which displays a distinct tincture of Jackson Browne. To be honest, much more of Souther's midnight mellowness might make you want to throw up, but he accomplished what he set out to do, as he reveals in a sleeve note to his producer, Fred Mollin: "Thanks for helping make a crooner album that is proud to call itself thus."

Watch a video about the making of Natural History

rating

0

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A father mourned and a lover found, all in one extraordinary breath
A subtle, potent raging against the dying of the light from a low key great
The US singer-songwriter offsets glacial shimmer with a dive into electric-guitar freakiness
The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families