Help keep arts journalism alive.

We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement.

SUBSCRIBE TODAY 

CD: Fini Bearman - Porgy & Bess

Compelling arrangements breath new life into classic material

share this article

Drawing out untold depths of loneliness and longing: Fini Bearman

The weapon of choice of wannabe jazz chanteuses the world over, the fact that London-based singer, songwriter and composer Fini Bearman chose to deliver the ubiquitous “Summertime” as a wordless meditation almost made me weep with gratitude.

The closing song of this eight-track homage to Gershwin's operatic masterpiece, “Prayer (Summertime)” typifies the way in which Bearman and her superb quintet cast fresh light on material that has long since been imprinted on our consciousness. Beginning with scattered phrases in free time, it builds inexorably. As Bearman's voice soars ever higher, the different layers gradually coalesce around a cavernous snare whose entry is pointedly delayed until around the four-minute mark.

Creating the most imaginatively apposite backdrop, the quintet excels here

Beginning with slowly fading-in snare rolls and shimmering, reverb drenched guitar, album opener “Gone, Gone, Gone” features a bracing gear change from the funereal to the deeply swinging courtesy of drummer John Blease's brightly pinging ride cymbal. In “My Man's Gone Now”, Bearman draws out untold depths of loneliness and longing, with Matt Calvert's electric guitar solo dialling up the tormented atmosphere a few extra notches.

By contrast, "I Got Plenty of Nuttin’" couldn't be more carefree, while, set against chiming guitar harmonics, Bearman’s voice is at its most vivid and sensuous in “Porgy, I'm Your Woman Now”. Following the hard driving blues of “It Ain't Necessarily So” and an ethereal “I Loves You Porgy”, the album reaches its high-water mark with “There's A Boat That's Leavin' Soon”. Creating the most imaginatively apposite backdrop, the quintet excels here, with Ross Stanley contributing some mellow, lazily funky Wurlitzer, and bassist Jon Cox and drummer Blease laying down a groove as deep as the ocean. Bearman has never sounded lovelier.

Overleaf: Watch Fini Bearman perform 'I Loves You Porgy'



Bearman and her superb quintet cast fresh light on material that has long since been imprinted on our consciousness

rating

4

explore topics

share this article

more new music

US noise merchants travel back to the mid 1980s
Exquisite marriage of human and digital magic from Simon Green
Handy overview of the early days of a beloved US indie band
1995's 'Mellon Collie and the Infinite Sadness' is given a major make-over
The London born quintet sounds tighter than ever