Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: The Stranglers - Dark Matters

Eighteenth album from punk crossover originals combines the elegiac with the punchy

share this article

A statuesque conclusion

Following the death last year from COVID-19 of keyboard player Dave Greenfield, it appears the The Stranglers’ five decade journey may finally be drawing to a close. They bucked all odds by maintaining a path after singer Hugh Cornwall left in 1990, and the last two decades, especially, have seen them hold steady, both as a live draw and with critically respected albums. Dark Matters, their eighteenth, is a decently wrought, sometimes elegiac conclusion to a career that’s taken them from pre-punk to post-everything.

Eight of the 11 songs were recorded before Greenfield’s death but the single “If You Should See Dave…” is a sweetly melancholy tribute, grounded in mellow, pastoral psyche-pop of the type the band have made their own when not returning to their Seventies punk roots. The final segment where the band's last original mainstay, JJ Burnel, announces, “This is where your solo would go,” before bars of blank strumming, is especially poignant.

There are a couple of other well-calibrated slowies - the gentle acoustic “Lines”, about ageing, and the haunted but hopeful, piano-led “Down” – but much of the album sees The Stranglers in punchy, rockin’ form, often musing on lost love, as on “This Song”, while the closing “White Stallion” and “Breathe” have a triumphant air, the latter an air-pumping, bombastic, stadium-styled slowie that sings of fighting “to the bitter end”. Along the way are other catchy cuts with Greenfield’s keys displayed to good effect, notably the contagious, quirky “If Something’s Gonna Kill Me (It Might As Well Be Love)” (“You wake up one morning and the world has changed/It’s war and the Martians have arrived”) and “No Man’s Land”, which sounds like a more punky, aggressive Madness.

Over the decades The Stranglers have created music that’s as good as anything in the pop/rock canon (“Golden Brown” is surely a standard by now, and songs don’t come much better than “Hanging Around”!). They have built their own cult following, blending punk’s snarl with something of The Doors’ Baroque psychedelia. If this is their end point, it’s a decent farewell rather than a fizzle-out, peppered with a few songs that fans may find themselves returning to again and again.

Below: Watch The Stranglers performing an acoustic version of "If Something's Gonna Kill Me (It Might as Well be Love)"

If this is their end point, it’s a decent farewell rather than a fizzle-out

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk