Album: The Shires - 10 Year Plan

Successful UK country duo's slick sound fails to set our reviewer on fire

share this article

Some carefully weathered corrugated iron sheeting and The Shires

Seems odd now, but there was a time when many Brits found country music laughable. It was a common thing. For instance, when Keith Richards embraced country, Jagger initially thought it a joke. By the time I was coming up in the Eighties, post-punk still a long shadow, my peers and I mostly felt the same; country was corny schmaltz dominated by middle-aged rhinestone blandness. I soon realised the error of my ways, but The Shires’ fifth album reminds me that, back then, we did also have a point.

On their debut, The Shires sang, “We can build our own Nashville underneath these grey skies.” The duo comes from Hertfordshire and Bedfordshire and their name fuses Englishness with Americana. Rather than grey skies, though, they bring a Home Counties musicality, a pristine sound intended for high-end car stereos on the daily commute. There’s bluegrass pluckin’ in there and pin-sharp harmonies too – no-one could deny the technical talent of Chrissie Rhodes and Ben Earle – but the former is submerged in M.O.R. country-rock and the latter ultra-produced until any smear of raw feeling has been polished away. Which is not to say it won't be successful. It will be. Their last three albums went Top Five.

Thematically, 10 Year Plan is summed up by a line from closing lighters-in-the-air ballad “When It Hurts”: “Real love… takes guts, to keep on fighting through the years/There’s gonna be heartache and tears for the both of us.” But there are no entertaining C&W yarns, just pleading, post-Sheeran/Capaldi solipsism. When Earle’s theatrically emoting voice sings, on “A Bar Without You”, that he could drink bourbon and wine but not enough “to get you off my mind”, it sounds more like he’d run it off down the gym after a frappuccino.

One tune, “Wild Hearts”, has a preposterous stadium kitsch, an enjoyably catchy anthem with an ironic singalong vibe akin to 1980s Bon Jovi monsters, or maybe Lady Gaga at her most outré. But that’s your lot. The rest is squeaky clean, earnest, super-produced, X Factor-ish suburbia music to be filed next to Fleetwood Mac’s Greatest Hits and brought out when the divorce case looms after Geoff runs off with Dawn from Accounts.

Below: Watch the video to "I See Stars" by The Shires

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Squeaky clean, earnest, super-produced, X Factor-ish suburbia music

rating

1

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time