New music
joe.muggs
For some people, dubstep has an identity problem. Its suburban origins and recent global spread, its propensity for hybridity, the relatively genial nature of the scene, and perhaps worst of all its popularity with – whisper it – students lead some commentators to regard it with suspicion. A common attack is to compare it unfavourably with either its antecedent jungle (the wild polyrhythmic early-mid 1990s precursor to drum & bass), or its first cousin grime (the fearsomely jagged, lyrically ultra-violent sound of London's pirate radio stations in the first part of this decade): next to Read more ...
joe.muggs
Glasgow-born, south London resident Steve Goodman – better known to discerning lovers of modern music as Kode 9 – has a unique and privileged position in relation to the ever-shifting UK dance music underground. In the mid 90s he formed part of the slightly cultish Cybernetic Culture Research Unit (CCRU) founded by Sadie Plant and Nick Land at the University of Warwick, where he gained a PhD in philosophy.The CCRU cooked up a rich gumbo of postmodern theory, situationism, science fiction and HP Lovecraft, occultism, rave music (particularly jungle / drum & bass) and high-tech Read more ...
robert.sandall
Reputations, it seems, can grow in ways that elude even their owners. When the original five members of Mott The Hoople finally decided to re-form, 35 years after they drifted apart, they booked two shows at the Hammersmith Apollo in October and crossed their fingers. According to their 70-year-old vocalist Ian Hunter, “we realised if we were ever going to do it, it was now or never, but we still thought we’d be lucky to fill the second night.”The response astonished them – and me. Two sold-out nights at the Apollo rapidly turned into five, with talk of an American tour to follow. A list of Read more ...
Peter Culshaw
They played their first concert in 1969, and 40 years later the TP Orchestre Poly Rythmo de Cotonou, to give them their full name, had their UK debut last night at the Barbican as part of their first European tour. They are the latest expression of a growing cult of classic bands who hit their peak in 1970s Africa. The music of Nigeria’s Fela Kuti has never been more popular, strange jazz from 1970s Addis Ababa has been selling impressively on the Ethiopiques series of records, while Senegal’s Orchestre Baobab have reformed to great acclaim.Three cult albums, culled from a repertory of over Read more ...
theartsdesk
Welcome to the first in theartsdesk's monthly CD round-ups of new music. The selection is of the most interesting releases (and re-releases) to come our way in the last month, and spans Metal to Muse, ambient Krautrock to folk, via voodoo funk from Benin and the latest electronica. Some of these have been covered in the national prints, others overlooked. Feel free to comment on the selection or the reviews, or both.CD of the MonthDavid Sylvian, Manafon (Samadhi Sound)by Robert SandallAt first sight the cover of David Sylvian’s new record looks like a sly, camp joke on its elusive creator. Read more ...
joe.muggs
Dinosaur Jr never change. Formed in 1984, the trio added a heavy dose of rock classicism to the then-current sound of US hardcore, inadvertently inventing grunge in the process. Since then, members have come and gone around lead singer/guitarist J Mascis – eventually returning in 2005 to their original lineup featuring Lou Barlow (also leader of Sebadoh and Folk Implosion) on bass and “Murph” on drums – and the Mascis has calmly watched scenes come and go.Hardcore, grunge, nu-metal and emo all rose and fell, but Dinosaur Jr just kept on keeping on with their formula of Mascis's Read more ...
joe.muggs
Orbital occupy a singular position in the pantheon of Nineties dance live acts that made it to arena-show status. Paul and Phil Hartnoll's trademark shaved heads and specs-with-headlights gave them a massively spoddy image that belied an everyman quality to their music, but although their early releases unquestionably helped form the distinctively British sounds of rave and hardcore, they never quite became part of those scenes.On the other hand, if their insistence on remaining vocalist-free meant they couldn't match the Chemical Brothers, Underworld or The Prodigy for hit singles after the Read more ...
Thomas H. Green
With his latest campaign to become Governor of Texas just kicking into gear, Kinky Friedman should probably be at home in the US, rather than on the south coast of Britain. The man himself says that he's been "sent out of state so I wouldn't screw up". In 2006 he took 13 per cent of the vote as an independent candidate but next year he has the backing of the Democratic Party so it's more than just the eccentric whim of a Jewish country singer.Friedman is also here to promote his new book Heroes of a Texas Childhood. The book's subject matter is a change from his Read more ...
Adam Sweeting
They say you don’t know what you’ve got until it’s gone, and despite its sometimes erratic quality control, the loss of The South Bank Show (ITV1) is going to be like having a leg sawn off TV's arts coverage.The final season got off to a thunderous start last week with Tony Palmer’s film about the Wagner family. Wives, children and grandchildren elbowed each other aside in their eagerness to accuse each other of barbaric behaviour or rabid anti-Semitism. When Richard Wagner composed Parsifal, apparently he was creating nothing less than the complete blueprint for the Third Reich. Who knew? Read more ...
joe.muggs
Club music has always been a mongrel creation. By definition, DJ-driven music – assuming the DJ is any good – is about combination, recombination and juxtaposition. But even allowing for all that, we are currently going through an uncommonly fecund time in the clubs as disparate fringe innovations of the last decade collide and combine.London's pirate radio stations and blacked-out VW Golfs are pumping out the sound of “UK funky”, a deliriously upbeat reboot of 1990s UK garage, fusing house music, dancehall, calypso, African rhythms and grime, its whipcrack rhythms supporting Read more ...
tom.russell
To mark the release of Tom Russell's superb new album Blood and Candle Smoke this week, the cowboy singer-songwriter reports on his trip earlier this month to the Mexican city of Juarez, one of the most dangerous cities in the world, just over the border from where he lives in El Paso, Texas.
"Down below El Paso lies Juarez, / Mexico is different, like the travel poster says…" Burt Bacharach and Bob Hilliard, "Mexican Divorce"That was the summer of "birds falling out of trees," as the Apaches might say. Looming weirdness. I'm in a beat-up Juarez taxi cab, inching slowly away from the Read more ...
edward.seckerson
“If you feel like singing along... don’t.” Michael Ball knows his audience – I mean, really knows his audience - and only he could turn a rebuke into a well-timed gag. About that audience: the age range is a good half-century but at its heart are the hardcore Ballites, the mums and grandmums who adopted the fresh, smiley, dimple-faced, leading juvenile 25 years ago and have been on his tail ever since.The defining moment for them was probably a number called “Love Changes Everything” from the Andrew Lloyd Webber/Charles Hart show Aspects of Love. Not one of Lloyd Webber’s best numbers ( Read more ...