New music
theartsdesk
This month's roundup of new music CDs is a selection of the most interesting releases and compilations to come our way in October, from Céu to Mariah Carey, Patrick Cowley to Julian Casablancas, Bob Dylan to Seasick Steve. Our reviewers this month are Peter Culshaw, Adam Sweeting, Joe Muggs, Robert Sandall, Thomas H Green, Russ Coffey, Veronica Lee, Sue Steward and Marcus O'Dair.If you are enjoying theartsdesk.com, please spread the word on your sites, e-lists, Twitters, Facebook etc.
CD of the Month
Céu, Vagaros (Six Degrees Records)
by Peter Culshaw
The São Paulo scene, dubbed in some Read more ...
joe.muggs
The first signs were good. I've been to a lot of shows by “heritage bands” in my time, but I don't think I've ever seen a crowd for a band of Fleetwood Mac's vintage that had such a relatively even age distribution. Sure, it was weighted towards the greying end of the scale, but every age group down to teens – including teens there in groups under their own steam, not just with parents – was well represented, right across class boundaries too.But then Fleetwood Mac have always been a lot of things to a lot of people. From the bluesy sixties underground Peter Green era, through the spectacular Read more ...
Thomas H. Green
The exploratory outer edges of jazz have been rich and fecund in recent years. Among other things, bands such as MoHa and The Thing have pushed jazz into avant-garde noise and heavy rock, wild-haired drummer Seb Rochford has come up with project after project that fascinates far outside the jazz community and even Radiohead have been accused of dabbling. It's in this area that Bellows reside, musical territory that doesn't yet fall under strict genre categorization but touches on post-rock, electronica, cinematic orchestration and, of course, jazz.The Brighton four-piece, signed to Cake Read more ...
joe.muggs
Browsing through various past reviews of The xx, two adjectives which occur time and again are “fragile” and “tentative”. These are wrong – but understandable. Certainly the young south-west London band (the members have all turned 20 in recent months), habitually clad entirely in black and quietly spoken if they speak at all, give the superficial impression of diffidence – and the construction of their music is skeletal to say the least, never more so than last night playing as a three-piece with keyboard/guitar player Baria Qureshi absent (whether temporarily or permanently was not made Read more ...
Peter Culshaw
"Hip-hop has been a commercial proposition since the release of 'Rapper’s Delight' in 1979. That’s 30 years, a long time for any genre," writes Sasha Frere-Jones in this week's New Yorker. The genre, according to Frere-Jones, is on the way out. Not so for Chap-Hop, however, which has been going for about six days since the video below was put up on YouTube, featuring Gentleman Rhymer Mr B.The eponymous Mr B, who lives in Hove but comes from Surrey (of course) accompanies himself on his idiosyncratic banjolele, and manages in the video to telescope the history of hip-hop into five minutes. As Read more ...
howard.male
Helen Chase’s biography of post-punk band Magazine is in some ways a textbook example of how to do the job correctly. In fact, with its classically austere cover (designed by Malcolm Garrett, who did many record sleeves for the band) this handsome paperback even looks like a textbook. Back in the late 1970s Magazine never quite made the same impact as the grim and intense Joy Division or the emptily anthemic Simple Minds, who went on to huge cult status and stadium glory, respectively. As for why things turned out this way, to a large degree Helen Chase just lets Devoto and co tell their own Read more ...
robert.sandall
Before Matthew Herbert’s triumphantly anarchic appearance in the second half, stiflingly good taste ruled at last night’s concert at the Barbican. Middle-aged suits were out in force to celebrate the British Council’s 75th anniversary and a comfortable faith in liberal values permeated the hall, and the bill.Most of the acts featured were well-meaning collaborations designed to emphasise the spiritual and musical harmony shared by musicians from different continents or contexts. This is exactly the kind of cross-cultural exchange the august institution that is the BC has been promoting since Read more ...
robert.sandall
It’s taken David McAlmont over 15 years to find the right outlet for his remarkable voice and songs but, fingers crossed, it looks as if he's finally done it. In prospect, McAlmont's collaboration with Michael Nyman and his band, which received its first public airing last night at the Union Chapel, seems rather random. What, you might well ask, has a man with the vocal chops of a soul legend such as Curtis Mayfield got to say to a minimalist composer and soundtrack specialist with a gift for classical pastiche? Seldom have the musical codes of the street and the salon been more obliquely Read more ...
robert.sandall
It’s taken David McAlmont over 15 years to find the right outlet for his remarkable voice and songs but, fingers crossed, it looks as if he's finally done it. In prospect, McAlmont's collaboration with Michael Nyman and his band, which received its first public airing last night at the Union Chapel, seems rather random. What, you might well ask, has a man with the vocal chops of a soul legend such as Curtis Mayfield got to say to a minimalist composer and soundtrack specialist with a gift for classical pastiche? Seldom have the musical codes of the street and the salon been more obliquely Read more ...
Adam Sweeting
It's over-egging it a bit to equate Krautrock with the entire rebirth of Germany. It's also slightly jarring to entitle the film Krautrock when its narrator then blames the World War Two-obsessed British music press for inventing such a disparaging term (cue supplementary evidence of Spike Milligan and John Cleese pretending to be Nazis.)Nonetheless, I liked this film so much I watched it twice. There were loads of insightful and entertaining interviews, and most of the music was great, though the extracts weren't long enough. In fact the whole film wasn't long enough, and how often do Read more ...
Adam Sweeting
Astonishingly tall and surmounted by a luxuriant clump of dramatic red hair, Brett Dennen couldn't be mistaken for any other singer-songwriter. It's possible to detect any number of musical echoes in his songs - Neil Young, Dylan, Paul Simon - but thanks to his huskily soulful voice and a gift for conveying complicated sentiments in a resonant phrase, he manages to stand apart from the crowd here too.As a songwriter, Dennen was a late developer, hardly getting started until he was 21 or 22. "I think it's one of those things where it was just brewing for a while," reflects the tunesmith from Read more ...
robert.sandall
The success of Spandau Ballet's ecstatically received reunion lies in no small part in its impeccable timing. The band could hardly have chosen a better moment to re-form and revisit their well stocked catalogue of 1980s hits. Not only are their original fans now stuck firmly into middle age and feeling the usual nostalgia for the soundtrack of their youth, but a younger generation of listeners has at last decided that Eighties pop is cool.LaRoux, Florence and the Machine and Friendly Fires are just three of today's hot acts who derive their musical influences and fashion cues from Read more ...