New music
Adam Sweeting
Despite his "interesting" haircut and fondness for the undeleted expletive, violinist Nigel Kennedy is a man of exceptional taste and discernment. While recording his new jazz album Shhh! at Rockfield studios, he took time out to hail theartsdesk and greet the 'desk's Adam Sweeting.This is a hectic year for Kennedy. He's currently playing a programme of J.S. Bach and Duke Ellington on a German tour with his newly-formed Orchestra of Life, comprising young musicians from Kennedy's adoptive home, Poland, and at the end of May he hosts a weekend of Polish music (and other activities) on London's Read more ...
howard.male
With Lou Reed’s Metal Machine Trio landing on these shores this weekend, I found myself remembering one of the most memorable listening experiences of my life; the first time I heard Reed’s 1975 album Metal Machine Music. How do you get your bearings in music that comes at you like amplified tinnitus, neither anchored by rhythm nor pulled into focus by vocals? Metal Machine Music is the authority that you must either surrender to, or flee the room from. Back in the Eighties, a friend of mine would listen to it almost ritualistically, so I felt obliged to approach it with similar reverence. Read more ...
howard.male
“I can’t fucking hear yer!” are not the welcoming words one expects to hear from a world music favourite, it has to be said. But the audience at Dingwalls don’t look like the usual world music crowd either. This Brooklyn trio have clearly crossed over into the more lucrative club global category, and their hyperactive light show is further evidence of this. But good luck to them, because they are certainly the best of the bunch at doing this whole funky, jazzy, ragga, reggae thing, as well as being far more interesting than the more pantomime-like Gogol Bordello (of which Tamir Muskat used to Read more ...
david.cheal
“I want to tell you a story. About a story.” Thus spake Laurie Anderson at the beginning of her new show, Delusion, which is running for four nights as part of the Barbican’s Bite season. It was a typically cryptic, teasing prologue from a woman who, for more than 30 years, has created her own unique brand of performance art from a combination of music, poetry, stories, visual effects and electronic sounds.Here she was accompanied by two musicians, on sax and violin, who spent most of the evening silhouetted behind two screens; by her own electric violin; by pre-recorded and sampled sounds; Read more ...
Thomas H. Green
Ben Drew, who records as Plan B, is busy on the promotional rounds. He has spent the day at the BBC's Maida Vale Studios being interviewed by Fearne Cotton and others for TV and radio, and performed his new single "She Said" as well as an ebullient cover of Charles & Eddie's "Would I Lie to You?" He's accompanied by a nine-piece band, including three gospel backing singers, and is as sharp-suited as the promo photos you see here.Drew, 26, grew up in Forest Gate, East London, one of two children in a single-parent family. He never fitted in at school, was often in trouble and was expelled Read more ...
Peter Culshaw
This week's birthday musicians include Dusty Springfield singing “Son of a Preacher Man”, Joel Grey advocating polygamy, Mikhail Pletnev playing Rachmaninov, early hip hop from Herbie Hancock and Afrika Bambaataa, Henry Mancini and Bessie Smith. Videos below. 16 April 1939: Dusty Springfield in her Southern soul phase singing “Son of a Preacher Man”. {youtube}dp4339EbVn8 {/youtube} 11 April 1932: Joel Grey has two ladies in arguably the best song from the film Cabaret. {youtube}oPOiaAU_vJg {/youtube} 12 April 1940: Herbie Hancock had one of the earliest hip-hop-influenced hits “ Read more ...
david.cheal
Earlier this week, when the line-up for Richard Thompson’s Meltdown festival was announced, one name in particular will surely have raised a few eyebrows: Paolo Nutini. Among the appearances by serious old folkies and earnest young Wainwrights and an “evening of political song” that Thompson has planned for his stint as curator of the annual festival on London’s Southbank, a show from this young Scottish singer and songwriter seemed a bit of a lightweight choice; perhaps even a controversial one.With two hit albums to his name and a fascinating back-story – he was spotted when he made an Read more ...
Peter Culshaw
Laurie Anderson's new show Delusion opens at the Barbican in London next week. Since the late 1960s she has been at the forefront of artistic innovation. From early pieces where she appeared in art galleries (wearing ice-skates in a block of ice that slowly melted), to her epic opera United States I-IV, she has carved out a niche as something between a poet, artist, technician, humourist, pop star and magician. We chatted over a coffee for breakfast in Paris last week, after I had seen Delusion the previous night.Anderson's last show, Homeland, was partly a response to the fact Read more ...
Peter Culshaw
We have lost one of the great cultural catalysts of our time, a brilliant provocateur, a different kind of artist. Malcolm McLaren was a dear friend, who will be painfully missed – we spent, for example, Millennium Eve together with a few friends in France. When Malcolm hit on the “serious joke” of running for Mayor of London in 2000, he roped me into being his agent. It was a lost cause, of course, but at times it was a surreal and often comic adventure. But then one of his favourite sayings was “Any fool can be a benign success, it takes real courage to be a failure”.He was 64 when he died Read more ...
Peter Culshaw
This week’s birthdays of musicians include a couple of disturbed geniuses, Billie Holiday and Joe Meek, underrated rock’n‘roller Carl Perkins, country legend Merle Haggard, as well as Doris Day, Pharrell Williams and bluesman Muddy Waters, whose mojo is working overtime. Videos below.9 April 1932: Carl Perkins was never the most famous rock’n’roller, but among aficionados is one of the best. Shot on a fuzzy Canadian TV show from 1956. 7 April 1915: Billie Holiday, one of the greatest singers of the 20th century, sings “My Man”, about an abusive relationship that was all too Read more ...
Anonymous
Like Hugh Masekela, pianist Abdullah Ibrahim first emerged as a member of The Jazz Epistles - that seminal, if short-lived, group who at the start of the 1960s were the first to offer a South African take on modern jazz. Both under the stage name Dollar Brand and, following his conversion to Islam, as Abdullah Ibrahim, it's an instinct he's been honing ever since. As early influences such as Ellington and Monk have gradually become less tangible, he has emerged as one of the most distinctive artistic voices of his generation.In his old age, however, Ibrahim seems to have re-embraced Ellington Read more ...
kate.connolly
Over four days I've gorged on some world-class music. If you take a pretty city in the full swing of spring, add a dose of Southern US hospitality, some exquisite venues, and a music promoter able to garner the cream of musical talent from across the genres, you have arguably found the perfect ingredients for a top-class musical extravaganza - and a wonderfully restorative experience for a music-lover ready for anything.The Savannah Music Festival (SMF) in the port city of Savannah, Georgia, which is now into its second week and has a week to run, has all that and more. It boasts a proud line Read more ...