New music
Thomas H. Green
Anyone remember Haddaway? Or Dr Alban? These were flash-in-the-pan early-Nineties pop stars who combined European dance music with tints of R&B and Afro-Caribbean pop. Who'd have thought their sound would be the template for mainstream American pop for the early 2010s. From Black Eyed Peas to Jennifer Lopez, everyone's into low-calory trance-house cheese with a side order of gutless electro.And now here's Chris Brown riding the tepid gravy train. The US R&B superstar's fourth album is overflowing with under-par rave leftovers, vocoders everywhere but flavour and bite duly neutered, as Read more ...
Kieron Tyler
Jet Harris was one of the architects of British rock'n'roll. His death rams home just how distant that era now seems. A former skiffler, he joined The Shadows after a spell backing Terry Dene, British rock's first bad boy. In time, Harris became a bad boy too, setting the template for the self-destructive lifestyle that would become a cliché. But his moody image will survive too. His rumbling bass guitar will forever be synonymous with those evocative Shadows' hits.The Shadows' world-changing moment came in August 1960 when they topped the British charts with “Apache”. Everything in British Read more ...
bruce.dessau
Follow that. It's the inevitable two-word mantra after a band has released a defining debut. The Strokes delivered their seminal statement of intent with Is This It in 2001, proving that a decent leather jacket, attitude and a rock riff will never let you down. Well, a decade on and with their fourth album out on Monday, there is much muttering of rock letting you down. Can Angles do anything to stop the rock rot?The simple answer is no. The more complex answer is maybe, if only the New York quintet would pull their fingers out and deliver something more cohesive. The opening track, “Machu Read more ...
peter.quinn
It's not every night that an artist proposes locking the doors and having “one giant orgy of love”, but then Dee Dee Bridgewater has always had a singular take on things. This sold-out gig at Ronnie Scott's was one of those rare, did-that-really-happen-or-am-I-dreaming evenings where performer and audience reciprocally move into some kind of magical, harmonious alignment.The singer was performing material from Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee Bridgewater, chosen as one of my Albums of the Year in theartsdesk's 2010 New Music Round-up and a worthy Grammy winner Read more ...
Kieron Tyler
Arnaud Fleurent-Didier’s La Reproduction was one of the most striking albums of last year. The news that he and his band are playing the UK for the first time next week at the Institut Français is exciting as La Reproduction was more than great musically. It was also a cultural benchmark, putting the Mai 68 generation under the microscope and taking them to task for being inward-looking – they made great mayonnaise at the expense of paying attention to their kids.La Reproduction is Fleurent-Didier’s fourth album, his first for a major label. His songwriting draws on the classic romantic arc Read more ...
joe.muggs
Googling for academic articles about Britney Spears is one rabbit hole I've managed to avoid falling down thus far, but one imagines there are reams of the things. From demonically driven Disney child star via pigtailed Lolita and sex-droid air hostess to shaven-headed loon lunging aggressively towards her public through the paparazzo's lens, she's provided no end of provocative and iconic images, and stirred up all kinds of problematic issues around post-feminism, celebrity and voyeurism, while remaining an odd non-presence at the centre of it all.
Not an obvious provocateur like Madonna or Read more ...
howard.male
Why do bands still insist on dabbling in drum’n’bass? It was always an absurd, overwrought style, even when it first assaulted our eardrums in the mid-1990s. It’s more like a technological malfunction of the drum machine than a natural, felt groove, hurtling along, as it tends to, at a ridiculous 200 beats per minute. Ironically, Marseilles’s Watcha Clan probably think it’s one of their strengths that they throw a couple of tracks into their live set powered by this anachronistic rhythm, but they are much more effective when utilising less familiar grooves.Rich Mix is a relatively new north- Read more ...
Peter Culshaw
Blancmange is a sweet pudding commonly made with milk or cream and sugar thickened with gelatin, cornstarch or Irish moss, and often flavored with almonds, says Wikipedia. Not sure about the Irish moss bit. Blancmange is also, as any fule no, a fabulous Eighties synth duo, playing on a tour for the first time in 25 years. I know there are a few of you out there who prefer your Pet Shop Boys. Personally, I find the PSBs too much. Every track rammed full of too much stuff, eventually they make you as sick as if you had stuffed your face with dessert all night.Despite their name (originally they Read more ...
Thomas H. Green
One of the great adventures of the 20th century is the story of LSD. A warped, unlikely slice of history not taught in schools, it has flavoured many aspects of life to this day. The countercultural explosion of the Sixties influenced the broader Western world - art, music, politics, religion, social issues and much more - and at its vanguard were key figures who believed that enlightenment might be found through the use of psychedelic drugs. These utopian mavericks were from all sorts of different backgrounds and they wanted nothing less than to turn society completely on its head, to change Read more ...
Kieron Tyler
Judging by the ballyhoo London’s Vaccines generated at the beginning of the year, it seemed a dead cert that they’d be pretty spiffy. If not the best thing since sliced bread, then they’d at least be fairly toothsome. Based on this, though – their debut album – it’s impossible to see what the fuss was about. What Did You Expect From The Vaccines? is alright, a bunch of familiar indie building blocks reassembled in a way that neither thrills nor surprises.Of course, there’s nothing wrong with music that reconfigures existing templates. If it sparkles, has verve and panache, and – cut-up Read more ...
carole.woddis
Feminism is a dirty word. Ask anybody. Do they want to be tarred with the label? Do they, hell. The word still carries connotations of man-haters. Even today’s young women fighting against harassment in tube carriages, horrified by the easy access and the violence of pornography, even they complain that fessing up to being “feminist” lays them open to ostracisation and isolation. Yet with rates of violence against women, unequal pay, the lack of women on boards, pregnancy as a cause of job dismissal, sex trafficking - rightly or wrongly, feminism is on the march again.I know, I’ve seen Read more ...
Adam Sweeting
This impressive debut from the Devon-born Bray teems with allusions to a raft of classic British songwriters, not least Nick Drake and John Martyn, though Bray also claims to have had his synapses jangled by everyone from Led Zeppelin and Nirvana to Crosby Stills & Nash and Joni Mitchell. It's his English Pastoral mode which leads off the disc in the shape of opening track "The River Song" (obviously no possible relation to Drake's "Riverman"), with its wistful acoustic guitar, strings and harmonica.
It's followed by the gorgeous "Rise", a rolling elegy to memory, nostalgia and Read more ...