New music
Thomas H. Green
Camp Bestival is overrun with children, even the night is alive with them. Where WOMAD is full of old hippies, Camp Bestival is full of raver-parents who refuse to stop shaking a party limb, even if they must haul little Finlay around on an exotic, duvet-filled gurney to do so. It creates a unique atmosphere, a bit bourgeois but just the right amount of wild, inner children meeting actual children to wobble about to Benga basslines.I attended all four days of it with my girlfriend and my two daughters, 10 and 15. The rain held off, the sun mostly shone and we set up a proper grown-up camp Read more ...
Thomas H. Green
This is a buoyant, likeable album but – to be dismal and pessimistic – maybe the moment has passed for The Polyphonic Spree. This would be a shame as they’re more interesting than 90 per cent of the wannabe guitar pop stars out there. However, a dozen years and four albums (five, if you include the Christmas one) into their career they appear no closer to catching on. Yes, It’s True is not a great deal different in quality or style from any of their previous albums. The band are experts in light psych-pop that beams out a benign smile and melodic warmth. This is no slight on their music, just Read more ...
Jasper Rees
Since the announcement that he is suffering from Alzheimer’s, the music industry has splashily paid tribute to Glen Campbell: a big celebration at the Country Music Awards, a lifetime achievement Grammy. Campbell himself went out on the road to make a more personal farewell. This album is clearly his last word. The title – See You There – invokes the religious faith that has worked its way into Campbell’s songwriting since he turned away for the unholy country trinity of drink and drugs and divorce.When Campbell was recording Ghosts on the Canvas in 2011, he also re-recorded the vocals for Read more ...
Thomas H. Green
In the late Eighties one of the most sonically unhinged bands of all time came together in East London. Terminal Cheesecake caused few commercial waves but gathered a devoted coterie of fans for their unholy racket at pummelling concerts. Their sound was initially crunching riff-rock smeared with head-frying psychedelia and deranged electronic effects but throughout a career of five albums – Johnny Town-Mouse (1988), VCL (1989), Angels in Pigtails (1990), Pearlesque Kings of the Jewmost (1992) and King of All the Spaceheads (1994) – they gradually drifted into monstrous exercises in marijuana Read more ...
peter.quinn
Think of the ingredients you look for in a great jazz record – inspired, exploratory improv, the complete reinvention of standards, ear-catching arrangements, sonorities you've never heard before – and this new big band recording from Mike Gibbs delivers them all. By the bucketload.In a career that's spanned four decades, the 76-year-old composer, arranger and trombonist has worked and recorded with many of the music world's leading lights including Pat Metheny, Bill Frisell, Joni Mitchell, Peter Gabriel, Kenny Wheeler and Django Bates. This latest addition to the Gibbs discography Read more ...
Kieron Tyler
The prettiest-sounding album so far this year, the glistening Moon Tides evokes the ghostly atmosphere of The Cocteau Twins and the intimacy of Eighties melancholia fashioned by Liverpool’s Black. But it’s more than a revivalist album, since it’s firmly rooted on Earth and its melodies are fresh. Pure Bathing Culture are neither spaceheads nor nostalgists.Pure Bathing Culture are the Portland-based Daniel Hindman and Sarah Vesprille, a duo who have previously surfaced in Vetiver. The only sonic link between that incarnation and Moon Tides is the muzzy, Tango in the Night-era Fleetwood Mac Read more ...
Kieron Tyler
Nilsson: The RCA Albums CollectionThe irony with Harry Nilsson is that despite being one of pop’s most distinctive and lauded songwriters, his two best-known singles were cover versions. In 1969 he hit the American and British charts with “Everybody’s Talkin’”, written by the ill-stared Fred Neil. Nilsson’s rendering was helped on its path by being featured in the film Midnight Cowboy. Then, in 1972, his interpretation of “Without You” topped the charts on both sides of the Atlantic. It was penned by Tom Evans and Pete Ham of the Beatles-propagated band Badfinger, both of whom would Read more ...
Russ Coffey
No-one does slick, commercial folk music quite like the Americans. And there are few better examples than Barton Hollow, the Grammy-winning debut from Nashville's The Civil Wars: a record that most felt was pretty and smooth, if occasionally bland. This year’s release, however, was expected to be cooked from a slighty different recipe. It has been widely reported that Joy Williams and John Paul White can no longer stand the sight of each other. Many hoped that such conflict might have resulted in some chilli being added to the mix.However, that’s not quite how it turned out. At least not for Read more ...
Lisa-Marie Ferla
It’s been a few years and a handful of albums since Booker T Jones did the well-played heritage artist comeback thing, which has to be the only reason that Sound the Alarm has not been greeted with the hype you would expect. It’s his first on Stax Records, the Memphis label where Jones & the MG’s spent much of the 1960s as the house band, since 1962’s Green Onions.Paying homage to those roots, as well as building on the many intriguing collaborations Jones has been involved with throughout much of his long career, Sound the Alarm features contributions from a range of contemporary talent Read more ...
Kieron Tyler
Characterising a country’s music by its most successful exports or what seem to be typical local styles is inevitable. With Iceland, the home of Björk and Sigur Rós, it’s easy to assume that ethereality, otherworldliness and plain oddness rule the roost. Of course, that’s not the case. The artists awarded the Kraumur prize for the best albums released in 2012 testify to Iceland’s broad musical palette. On the next page, our look at the Kraumur winners ranges from the hotly-tipped Ásgeir Trausti to, among other surprises, home-grown reggae.Scandinavia as a whole doesn’t always escape similar Read more ...
sue.steward
The rain had vanished and there were whispers that the Afro-Brazilian gods were keeping it at bay as time got closer to the appearance of the headliner. The international superstar, singer, songwriter, environmentalist and former Minister of Culture ambled on stage like a cat, in a loping, slo-mo dance move, carrying his red electric guitar over his shoulder. Gil came dressed for a festival – no gorgeous silk suits but loose, pale t-shirts over beige tapered trousers. The dreadlocks long since cut are now replaced by short, fluffy grey hair resembling Mandela’s.He greeted us by saying he Read more ...
Thomas H. Green
The latest album from blues veteran Buddy Guy is a must for air guitarists. At 77 years of age he fires out a double CD set, one’s Rhythm, the other Blues. Both sound similar in that the main feature is Guy’s extended solos and background fret-widdling over a boogie-rockin’, piano-tinklin’, good-time jam. It’s a retro and very American sound - in excelsis - performed by a long term expert who doesn’t need to break a sweat to nail it.Guy made his name in the late Fifties and early Sixties as the man who joined the dots between rock’n’roll and the blues. At live shows as early as 1958, despite Read more ...