New music
Guy Oddy
Anyone who came across Band of Skulls' sophomore album, Sweet Sour, in 2012 would have heard the sound of a band that was more than conversant with the Led Zeppelin songbook but who had no intention of staying put in the early Seventies. The chugging guitar was there alright, but there was plenty more than that going on in the likes of “Bruises” and “You’re Not Pretty but You’ve Got It Going On”. Follow-up, Himalayan, breaks still further from the strict blues-rock template with the introduction of a bucketful of other textures. That said, the echo of Jimmy Page’s crunching riffs and Robert Read more ...
Thomas H. Green
The other day I woke up with Shakira’s “Hips Don’t Lie” fracking my mind. Round and round it juddered, wouldn’t leave me alone - horrid production, killer chorus - and much too much of that bloke whose career used to be endlessly repeating, “One time, one time” on Fugees tunes. Turns out it’s not just me. “Hips Don’t Lie” is globally the best-selling song of this century. When I discovered that fact, it fried my head.Then again, it’s possible for Europeans to forget what a massive deal Shakira is, one of the top-earning female entertainers of all time. The petite Colombian burst out of the Read more ...
Guy Oddy
Goldfrapp have already toured new album, Tales of Us, having hit the road in the UK and Europe last autumn. However, they are back for some more and on the first date of the spring leg of their live shows, Alison Goldfrapp and her five-strong backing band take to the stage at Birmingham’s Symphony Hall as the spoken introduction to Peter and the Wolf fades out with “Are you comfortable? Then let us begin.” Gone, it seems, are the clown, Marlene Dietrich and military kitsch of previous tours, as the tastefully black-clad group opened with “Jo” and slipped straight into the magic realism- Read more ...
Peter Culshaw
It’s strange that probably most of the best-known Brazilian artists here are over 60 and from one state, Bahia - those being Caetano Veloso, Gilberto Gil, Maria Bethania and Tom Zé. Brazil is the size of Europe, though, and of course there are younger generations from other states. One of the leading new voices is Karol Conka, whose Brazilian electronica is as fresh as anything you are likely to hear this year. Her breakthrough hit “Boa Noite” kicks off and ends the album (see video, overleaf) in which she raps that she is “totalmente livre e leve ao mesmo tempo que ferve” (“totally free and Read more ...
James Williams
There was something of a Canadian invasion at the O2 last night, but this is about as far from lumberjacks and mounties as it comes. Abel Tesfaye, better known as the Weeknd, is getting straight to the point. “I want to get on top, London!” This may of course simply be a metaphor for his and mentor Drake’s meteoric rise to fame, but Tesfaye does seem to like saying naughty things.All sleaze aside, though, his sleek, futuristic brand of R&B tonight is bolstered by a backing band of considerable talent, making songs from his recent Kiss Land project sizzle and pop in the cavernous O2 arena Read more ...
Matthew Wright
Zara McFarlane’s rise to jazz eminence has taken the scenic route, especially in these days of the super-educated jazz prodigy. From a Jamaican home where reggae was always in the air, via a love of musical theatre, and a degree in pop performance, McFarlane studied jazz and improvisation at the Guildhall. With the support of Gilles Peterson, who signed her to his Brownswood label, she released a debut album, Until Tomorrow, in 2011. This was warmly reviewed, and received a MOBO nomination, but her second album, If You Knew Her, which came out earlier this year, is a further breakthrough. Read more ...
Lisa-Marie Ferla
Thinking back, it was with 2010’s Heaven is Whenever that I stopped recommending my favourite band to the people who didn’t already get it. It wasn’t that it was a bad album – in capturing the world-weariness of the party band once the world moves on it was almost exactly the one that they needed to make – but by that stage you probably knew yourself whether you were the type of hopeless barroom romantic likely to learn lessons from the one who’d seen it all in the corner. On first listen Teeth Dreams comes across as more of the same, but there are so many moments of magic here I’m half Read more ...
Russ Coffey
Talk about not going gentle into that good night. In the year or so since Wilko Johnson announced he had terminal cancer, he has stunned doctors and fans alike by giving a string of blistering concerts and candid interviews. But Going Back Home - a retrospective LP featuring Roger Daltrey on vocals – is, surely, his final parting shot. It's also an ambition fulfilled. For the two men have long admired each other and Daltrey remarked in a recent interview how they were inspired by the same American R’n’B.Johnson then chipped in, “Don’t matter how hard you try, you can’t sound like you’re from Read more ...
Kieron Tyler
Various Artists: Lou Adler – A Musical HistoryLou Adler is more than a stitch in rock’s rich tapestry. Akin to a whole spool of yarn, he helped Carole King realise the monumental Tapestry, was integral to making 1967’s epochal Monterey Festival happen, brought The Mamas & The Papas to the world and co-wrote Sam Cooke’s “Wonderful World”. Adler is a towering figure in music. Lou Adler – A Musical History is an overview, collecting records he masterminded. A reminder that the achievements did not spring from nowhere, the disc frames this man within the world he operated in.Many names Read more ...
Thomas H. Green
Belinda Carlisle (b. 1958) grew up in Los Angeles, one of seven siblings. In her late teens she was lured into California’s nascent punk scene, becoming briefly involved with one of its premier bands, The Germs. She went on to form The Go-Go’s with singer-songwriter Jane Wiedlin (and eventually a long-term line-up consisting of Charlotte Caffey, Gina Schock and Kathy Valentine, the last leaving last year in acrimonious circumstances). After spending time in the UK in 1980, touring with various 2 Tone bands, they released a single on Stiff Records, “We Got the Beat”.Returning to LA, the Go-Go’ Read more ...
Thomas H. Green
Out on the fringes of rock there ain’t half some noisy bastards. It’s not just Wire magazine-friendly, supposedly cerebral sorts who push the boundaries, not just avant-garde industrialists, Finns making “tone music” and Japanese gentlemen with vast arrays of effects pedals, every one bearing a manifesto quoting Deleuze, Nietsche et al. Nope, sometimes there’s just a visceral joy in pushing music far over the edge, and it can be done on the cheap after a few pints, just for kicks.Gabber does it, or used to, and certain varieties of puerile yet enjoyable drill’n’bass too, but there are more Read more ...
Guy Oddy
Liars are well known for trying different musical styles. In times past, we’ve had the punk funk of 2010’s "Proud Evolution", the industrial noise of 2007’s “Dear God”, 2006’s freak folk “The Other Side of Mt Heart Attack” and the psychedelic garage rock of 2008’s “Freak Out”, to name a few. On their last album, 2012’s WIXIW, Liars tentatively dipped their collective toe into the world of electronica. Mess sees the band expand on this by giving their keyboards a good kicking, dropping their guitars and coming out with some seriously dark electronic sounds, reminiscent of Black Strobe’s Read more ...