New music
Russ Coffey
Albert Hammond might not be a household name but he's still, undeniably, one of the world's greatest living songwriters. His songs have sold 360 million copies, ranging from Starship's soft-rock classic "Nothing's Gonna Stop Us Now" to Julio Iglesias' "To All the Girls I've Loved Before". Hammond's own singing career includes "It Never Rains in Southern California", and last June he released In Symphony – a career retrospective arranged for voice and orchestra. On September 19 he will be performing these arrangements at London's Cadogan Hall.Hammond was born in London in 1944, his family Read more ...
Liz Thomson
A striking and memorable debut made possible by a combination of crowd-funding and an Arts Council grant, Stories of the Sky combines 31-year-old Kev Minney’s twin obsessions, music and astronomy.Born in Northampton, and Brighton-based these last few years, he’s created an unusual and distinctive sound world in which his own impressive acoustic guitar playing is to the fore. The songs are thoughtful, unformulaic, but what makes Stories from the Sky stand out from the pack is the fact that it’s scored for a wide variety of instruments – and real instruments at that, not synthesised. There are Read more ...
Thomas H. Green
The second decade of the 21st century will undoubtedly be remembered for huge innovations in accessing music, just as much as for the music itself. As well as acknowledging upfront talent, then, the Hospital Club’s h.Club 100 Music shortlist for 2017 makes it clear what’s going on behind the scenes is currently as important as what’s out front. It’s an era of fast and vast change in the music industry, and, over the last year, a select few have stood out at the forefront, demonstrating shrewd, even visionary awareness of where things are headed.Richard Davies, for instance, and his ticket Read more ...
theartsdesk
Sue Steward, who died suddenly last week from a brain haemorrhage, was one of theartsdesk’s most loved members, her free spirit and her double specialism in world music and photography making her an intrinsic asset to this pioneering critics’ site in 2009. Her unfussy eye for colour and composition also influenced the early design of The Arts Desk and traces remain today.With her talent for friendship she naturally drew other new music explorers into her circle of enthusiasm, as well as the photographers whose work she wrote about and curated with lilting sympathy. She made friends wherever Read more ...
Barney Harsent
It’s telling that, on their 2014 debut LP, Ballad of the Ice, Dori Sadovnik and Niv Arzi covered Bauhaus’ epic proto-gothic ode “Bela Lugosi’s Dead”. The 1979 single, with its incessant shuffle, dubbed-out tape delay and post-punk guitars, straddled the worlds of rock and dance with perfect balance and fine judgment. It has, quite clearly, been an influence on Tel Aviv’s Red Axes, who, with their second full-length offering, The Beach Goths, have delivered a collection that shares a similar sense of poise and purpose. After a slew of single releases on labels including their own Garzen Read more ...
Kieron Tyler
TV Tube Heart, the debut album from The Radiators From Space, was issued on 21 October 1977, a week before the Sex Pistols’ Never Mind the Bollocks. Each was a punk rock album and one, inevitably, has been subjected to greater historical analysis and many more reissues than the other. Of course, Johnny Rotten and co’s first and only long-player was significant but the other band’s album was important too. The Radiators From Space were the Republic of Ireland’s first punk band –The Boomtown Rats, if they were punk at all, were relative Johnny-come-latelies – and TV Tube Heart remains a Read more ...
Kieron Tyler
The brass band/electronica interface is not a seam which musicians have previously mined regularly. Or, for that matter, at all. Mary Casio: Journey to Cassiopeia is probably – nothing else springs to mind – the only album teaming pulsing analogue synths with trombones, trumpets and tubas. Add in its creator Hannah Peel’s ploy of adopting the alter-ego Mary Casio, an elderly, small-town, north of England stargazer who travels to Cassiopeia, and it’s clear this is a high-concept album.It could, so to speak, be all concept and no trousers but Peel has form in this area. She’s part of the meta- Read more ...
Matthew Wright
Think Charles Mingus, and it’s unlikely that a neon-coiffed saxophonist playing acoustic house while doing a solo can-can around the stage will come to mind. A highly original, introspective figure whose best music is a thrillingly rumbustious fusion of bluesy melody and gruff rhythmic experiment, Mingus is a bold choice for the usually lush-toned Metropole Orkest. Yet conductor Jules Buckley assembled a stellar line-up of mostly young soloists, and he oversaw a Prom of extravagantly entertaining music - sometimes faithful to the spirit of Mingus.The programme included Mingus’ best-known Read more ...
Javi Fedrick
Across their 17-year career, Liars have become renowned for both their genre-jumping and for making good music wherever their stylistic tent is pitched. With founding member Aaron Hemphill leaving the Los Angeles band on amicable terms earlier this year, sole Liar Angus Andrew was left with the task of maintaining their momentum, and with TFCF, he’s made a uniquely strange album that encompasses this stripped-down band in both its music and its production.Making almost unprecedented use of the acoustic guitar throughout, TFCF feels rawer and more intimate than their previous album, the dance- Read more ...
Kieron Tyler
Nine hours after meeting up in a Shoreditch courtyard to discuss her new album Music for People in Trouble, Norway’s Susanne Sundfør is on stage elsewhere in the district at a theatre called The Courtyard. It’s a sell-out and the room she’s playing is over-full and over-hot. A few days before the album’s release, most of the new songs are unfamiliar to the audience. Yet connections are made instantly. Although her songs twist and turn unpredictably, the lyrics and grand melodies are immediately impactful.It helps that Sundfør is an extraordinary singer and the solo setting – she switches Read more ...
Russ Coffey
Queens of the Stone Age frontman Josh Homme recently declared that, while recording Villains, his intention had been to redefine the band's old sound. His recent work with Iggy Pop, he said, had recharged his imagination and now he wanted to make some changes. Two objectives seem to have been uppermost in Homme's mind - to keep things fresh and to make people dance. To achieve these he hired none other than producer Mark "Uptown Funk" Ronson.On paper, the combination sounds pretty mind-boggling. But on record, the results are less radical. Certainly, there are no disco-rock tracks Read more ...
Phoebe Michaelides
After the gruelling five-hour coach journey to Powys, Wales, we strolled over a bridge into Glanusk Park, through two security guards, and into Green Man with only so much as a sing-song “Bore da”. Satisfied, we picked a spot and set up camp in the intense heat. Young Welsh scholars waved their A-level results in the air and cracked open that first bottle of cider, quaint middle-class families eagerly discussing the multitude of vegan opportunities.On Thursday nothing played on the main Mountain Stage, an impressively large set-up in the dead-centre of Green Man, and the camping fields were Read more ...