New music
Russ Coffey
When Ray Davies released his Americana LP last year, much was made of how the the ex-Kink's lyrical focus had shifted from English villages to the mid-western plains of the big old USA. Really, though, Davies was just looking back over his life. America had always loomed large in Kinks' songs - if only in the imagination of the English characters - and after their infamous touring ban, they played there relentlessly. Our Country - Americana Act II, completes the story.As before, the album is largely inspired by Davies autobiography, Americana: The Kinks, the Road and the Read more ...
Thomas H. Green
Norwich is remote, out near the Norfolk Broads, doing its own thing on Britain’s eastern-most edge. It’s not renowned as a place that’s contributed much to rock and pop. This may be about to change. The music of Let’s Eat Grandma, 19-year-old lifelong friends Rosa Walton and Jenny Hollingworth from Norwich, could only have developed in isolation, cultivated unhindered by the taste-arbiters of the outside world. They’re a fascinating unit and, happily, also engagingly off-the-wall.Where their debut album, 2016’s I, Gemini, was an intriguingly bizarre oddity, their new one moves towards Read more ...
caspar.gomez
Daft Punk! Kendrick Lamar! The Kinks! Yes! We blew the lid off!What? No! There IS no Glastonbury Festival 2018, I hear you cry. You think that’s going to stop Caspar Gomez? Never! I need my fix. If they’re not going to have Glastonbury this year, I will. In my head. And it will be on Worthy Farm. I call Loki, Glastonbury’s bearded archiving anarchist and trickster, and arrange to camp there. You can’t just plot up, it’s a working farm. I quickly pull together a reconnoitre unit; one of my usual Pilton partners-in crime, Finetime, and GE (pronounced “Jee"), a youthful understudy. We clamber in Read more ...
Thomas H. Green
Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the assembled that, “People pay for vinyl not because they have to but because they want to - they want a physical representation of their emotional connection with an artist." There was a general agreement that vinyl collectors and fans account for the majority of sales, but also that things are still stable and/or rising. Here at theartsdesk on Vinyl, we cover collectible artists of yesteryear (below are boxsets by Buffalo Springfield, Brian Eno, Read more ...
Peter Culshaw
Forgive the sports metaphor, but David Byrne knocked this one out of the park. Coming out of the concert at the Eventim Apollo, you felt that the presentation of popular music had changed - that to go on stage with a conventional band with the usual clichéd movements - everything from the wince of a complicated guitar solo to the vocalist waving to the crowd to join in - all should be banished to history’s dustbin. Likewise the whole set up on stage was new - Byrne’s band were entirely untethered to wires and able to move around the stage in complete choreographed fluidity. It is Read more ...
Ellie Porter
Concluding a trilogy of releases that began with the EPs Not the Actual Events (2016) and Add Violence (2017) – Bad Witch is being called an LP despite its six tracks clocking in at only 30 minutes, a discrepancy that reportedly led an exasperated Trent Reznor to sound out a pernickety fan in an online forum. Short and sharp opening track "Shit Mirror", despite lyrics that speak of "new world, new times, mutation", does feel a little like the NIN of old – that familiar industrial groove and shouty vocal combo – but as soon as that’s done and dusted, it’s swiftly followed by "Ahead of Read more ...
Tim Cumming
Eel Pie, the tiny eyot in the Thames, is not too a long walk from Twickenham stadium – within hollering distance, almost, if you had that kind of voice. And if anywhere could lay claim to being the nursery that provided the perfect growing conditions for The Rolling Stones, then Eel Pie and The Crawdaddy in Richmond would be it. Mick Jagger name-checked them both during the gig, and George Melly once said of its legendary music venue, “You could see sex rising from Eel Pie like steam from a kettle”.That head of steam pumped out the 1960s spirit of sex and liberation into the local and then Read more ...
Matthew Wright
It would always be difficult to follow The Epic, the 2015 release which turned LA saxophonist Kamasi Washington from leader of the local scene to international star. So this musical and spiritual journey lifts off into the heavens, the 16 pieces divided equally into firstly Earth - the external world perceived by Kamasi - then Heaven, which Kamasi describes as the world he sees inwardly. He’s always been in the West Coast spiritual jazz tradition, though this time the mood, in places, is positively hymnal. The music’s passion, energy and momentum is irresistible, even in the more Read more ...
theartsdesk
Are you a young blogger, vlogger or writer in the field of the arts, books and culture? If so, we've a competition for you to enter.The Hospital Club’s annual h Club100 awards celebrate the most influential and innovative people working in the UK’s creative industries, with nominations from the worlds of film and fashion, art, advertising, theatre, music, television and more. For the second year running they are teaming up with theartsdesk – the home of online arts journalism in the UK – to launch a hunt for young talent.This year the Special Award is for theartsdesk / h Club Young Influencer Read more ...
Peter Culshaw
Many of us recognise that rather striking modernist building in Cromwell Gardens near South Kensington tube, having seen it on the way to the V&A or perhaps a Prom at the Albert Hall but not been sure what it is exactly. I hadn't actually been inside until last week when I was given a guided tour. The space was discussed at one point as a potential site for the National Theatre. It’s actually the Ismaili Centre, the first of six throughout the world (pictured below, the latest in Toronto) and was built by the Casson Cander Partnership and opened (by Margaret Thatcher and the spiritual Read more ...
Russ Coffey
Scorpions stepped on stage wearing leather jackets and shades, and launched straight into "Going Out With a Bang". For a band who, only a few short years ago, were tempted by retirement, the song was a statement of intent. "No sign of slowing down," went the words. And boy did they mean it. Saturday night's concert was a thrilling, high-octane show full of dry-ice and guitar pyrotechnics. There was even a flying drum-kit.The evening, though, was not just about Scorpions. The band were appearing with Megadeth, as part of the Stone Free Festival. It was virtually a double-headline, and the two Read more ...
Katie Colombus
There is a real festival ambience to this quintessentially English field-gig, set amidst the stunning forests of Bedgebury Pinetum as part of the Forestry Commission’s Forest Live concert series. Groups of 40-something chino-clad daahhlings lay out their Joules picnic blankets and luxury camping chairs as visions of the local Waitrose being positively looted for champers and strawbs dance in my mind.Paloma Faith pirouetting onto the stage in a bright yellow wig and rainbow dress is the perfect performance to match a stunning pink sunset, as she bursts forth with “Architect”, the first track Read more ...