New music
Sebastian Scotney
From This Place (Nonesuch) is a complex, meticulously produced and many-layered album which demands concentrated and repeated listening. In many ways, it is all the better for it. Pat Metheny himself has written an essay or “Album Notes” of no fewer than 2,020 words to explain how the concept of the album evolved, as it went through a several-stage process of conception, recording, arranging, production. He also explains its significance in his oeuvre: he calls it “a kind of musical culmination, reflecting a wide range of expressions that have interested me over the years.”There Read more ...
Lisa-Marie Ferla
What’s going to make you fall in love with Tami Neilson? Will it be the way she cackles her way through the chorus of “Ten Tonne Truck”, her foot-stomping rags to riches daydream about a down-on-their-luck performing family who head for Nashville with dreams of country stardom? Will it be the cheeky euphemistic “woo-hoo” that punctuates the litany of women’s work that is never done on “Queenie Queenie”? Or perhaps the little smile she gives when she stumbles, all high heels and higher hair, into the model village representing the view from the back of a tour bus in the “Hey, Bus Driver!” Read more ...
India Lewis
Angel Olsen’s show at the Eventim Apollo has been much hyped and publicised over the past weeks, an indie chanteuse reinventing herself, recasting herself with a darker, more rocky sound. Her set was clearly and obviously "rock", a sound and atmosphere that often detracted from her wonderful voice, with its brilliant mix of soft warmth and clear, piercing heights. There was something a little off, too, with the sound itself – it was too loud, and at times made both Olsen and her band appear a little sharp. It was a sound that would have worked well in a festival but could be jarring in an Read more ...
mark.kidel
There is natural logic in the unholy marriage between heavy metal and Mongolian throat singing. The Hu are not to be confused with The Who – although John Entwistle’s vocals on “Boris the Spider” were an early manifestation of the "death growl" in death metal, but perhaps not a major source of inspiration for this new band from the East. “Hu” in Mongolian signifies the human realm or race, as opposed to the world of animals and their spirits. The Ulan Bator band have taken the world by storm, as the armies of Ghengis Khan, their distant ancestors, before them, with over 30 million views on Read more ...
Thomas H. Green
Huey Lewis and the News were an unlikely mid-Eighties phenomenon. Their Sports album was a mega-success for a band already approaching early middle age. Their Fifties feel, given a contemporary polish and boosted by association with cinematic juggernaut Back to the Future, sat comfortably (yet incongruously) alongside the likes of Madonna and Duran Duran. They were, however, always shorthand for middle-of-the-road, their appeal satirized by Brett Easton Ellis who made them a favourite of American Psycho's Patrick Bateman. It should, then, come as no surprise that their latest album is Read more ...
mark.kidel
Alabama-born Lonnie Holley, the seventh son of 27 children, more or less abandoned as a child, comes from a tradition of African-American visionaries who reach back through the generations to a culture of great aesthetic and ethical sophistication, one which the slaves’ horrific voyage across the Atlantic wasn’t able to obliterate. He is so much himself, that any comparison risks reducing his extraordinary qualities to something so much less than their true worth.On this rare solo appearance, he played grand piano and Nord digital keyboard – and sang. The songs evolve quite naturally from Read more ...
Miranda Heggie
Few will forget back in 2012, when Canadian singer Carly Rae Jepsen came crashing into the airwaves of pretty much every pop station on the planet, with the sugary synth-pop sounds of Call Me Maybe. With a track as big as that – even Jepsen herself has said she was sick of hearing it on the radio – it would have been easy to assign the singer to one-hit-wonder status. Instead, Jepsen has released a steady stream of highly credible pop music, proving herself to be musician first, celebrity second, building up a serious and loyal fan base. Her return to the UK saw her playing a far bigger Read more ...
Owen Richards
And so, Tame Impala’s evolution from riff-laden psych-mongers to dancefloor-fillers is complete. It’s undeniable from the opening drum machine on “One More Year” supplanting Kevin Parker’s trademark kit-work. The band’s music has always been built from the groove up, but now the head banging has been replaced with waves of rhythm that flow through the body. The Slow Rush is an apt name. This is an album that replicates the wash of a narcotic come-up. Unstoppable, inimitable, and highly addictive.A sense of joyous adventure carries through the songs, less concerned with the destination than Read more ...
Guy Oddy
In the times long before Oasis and certainly before indie music made much of an impression on the public consciousness and wallet, Alan McGee’s Creation Records carved something of a niche for itself, by championing fey psychedelic guitar-pop revivalists. Rishi Dhir’s Canadian space cadets, Elephant Stone clearly have quite a fondness for those times, by immersing themselves in that sound with their latest album, Hollow. However, not content in tipping their collective hat to McGee’s acid eaters from the 1980s, Elephant Stone have flown even further into the psychedelic firmament, by making Read more ...
Kieron Tyler
Any knowledge of the Hank Williams narrative heavily influences how he is perceived. He died at age 29 on New Year’s Day 1953, in the back of a car while travelling to a show in Ohio. His schedule was punishing. A day earlier he had played in West Virginia but a storm meant he could not fly from one show to the next.He had spina biffida and was in constant pain. There were prescribed painkillers, self-medication and a long-standing problem with alcohol. He missed shows. Contracts were cancelled due to drunkenness. He had married Audrey Sheppard in 1944 but they fought. Divorce came in 1952. Read more ...
Miranda Heggie
In its seventeenth incarnation, Transatlantic Sessions - a concert comprising music from some of the finest names in Scottish, Irish and American folk - had its penultimate night of its UK tour in a packed-out Symphony Hall, Birmingham on Friday evening. At first it might feel like an overly large venue for a group of around fifteen musicians. After all, as the name suggests, the hall’s been designed with a symphony orchestra in mind. However, the velvet curtain which hid the organ gallery, clever use of lighting, and some seriously good sound engineering all came together to lend to the Read more ...
mark.kidel
There is something deliciously normal about Tennis, the Denver husband and wife team of Alaina Moore and Patrick Riley. Steeped in the best pop of a bygone age, the couple’s lyrics seem so simple and yet unpack hidden depths on repeated listening. Moore and Riley met as analytical philosophy majors - with a shared love of great and often little-known music - and they bring to their crystalline songs of love a sophistication that never gets too clever.This is their fifth album, and they never let up. As time goes by, Tennis seem to refine their art, leaving most traces of indie rock behind. Read more ...