Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won the Man Booker Prize in 2009. Three years later its successor, Bring Up the Bodies, became the first sequel ever to win the prize in its 44-year history. Then came the RSC's stage adaptation of both novels, while the BBC adapted Wolf Hall, with Mark Rylance (pictured below) in the title role.

After leaving school at 14, Tom Davis spent 10 years working as a scaffolder on building sites, while always harbouring what he thought was the impossible dream of getting into comedy. Hailing from Sutton in south London, he had a go at standup and for a time found himself in drag, singing Disney songs. His luck changed when his childhood friend James De Frond got a job on Leigh Francis’s sketch show Bo’ Selecta.

Isabella Pappas was nominated for an Olivier Award seven years ago – before she’d even started secondary school. The 18-year-old now stars in ITV’s new comedy-drama about grief, Finding Alice, opposite Keeley Hawes, Joanna Lumley, and Nigel Havers.

Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how she could fit her waist "into the size of an orange and a half" when she was the same age.

She's not quite a household name yet, but Leeds-born Gemma Whelan is heading speedily in that direction. Having started out as a standup comedian, winning the Funny Women Variety Award in 2010, Whelan began notching up film and TV roles, en route to making a significant breakthrough by being cast as Yara Greyjoy in HBO's Game of Thrones.

Apparently in Denmark they pronounce screenwriter Adam Price’s surname as “Preece”, but its English-looking spelling stems from the fact that his ancestors moved from London to Denmark in the 18^th century.

In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge. “When they wrote that Daphne is a working girl from Manchester," explained Mahoney, "they had no idea what that meant.

Like a lot of people, I came late to Peaky Blinders, bingeing on the first two brutal, but undeniably brilliant, series like the proverbial box-set sensation it quickly became.

“I’m mad as hell and I’m not going to take this anymore!” In 1976 American anger about the state of the nation was channelled into Network, in which cinema satirised its kid sibling television as vapid and opportunistic. Paddy Chayefsky’s script, directed by Sidney Lumet, starred Peter Finch as Howard Beale, a news anchor who has a nervous breakdown on screen in which he starts preaching and becomes the news. The failing network’s ratings soar, and an ambitious young executive Diana Christensen (Faye Dunaway) latches onto his potential to boost the network’s stock value.

“He has something of Dillane about him.” Thus Patrick Marber on David Oakes. “I rate him very highly indeed. One of the very best of his generation.” Audiences at the Theatre Royal Haymarket will be able to judge for themselves this autumn. Oakes, 34, stars opposite Natalie Dormer in Marber’s production of Venus in Fur, a sizzling two-hander by David Ives.