At first, the opening episode of Sky 1’s enticing new drama Temple looked like it was going to be mostly concerned with a heist gone wrong. A gang of bandits were busily stealing an enormous mountain of money when they were inadvertently locked inside the building they were robbing by their half-witted getaway driver.

September 10 is World Suicide Prevention Day, and Channel 5 marked the occasion with this sobering documentary. Focusing on male suicide – incredibly, now the UK’s biggest killer of men under 45 – it studied six patients at the Riverside Mental Health Centre in Hillingdon, west London. The results were both harrowing and heartbreaking.

“The Troubles” is a polite euphemism for the ferocious storm of sectarian violence and political chaos which convulsed Northern Ireland for 30 years, before being brought to a close by 1998’s Good Friday Agreement.

Ben Chanan's The Capture (BBC One), which he wrote and directed, is a bang-up-to-the-minute dystopian thriller about the increasingly surveilled society we live in.

This was the first of a two-part investigation into... well, I don't know what. The voiceover of High Society: Cannabis Café said it was an experiment “to test the alleged benefits of weed” and the people featured all had “a personal motivation for getting stoned” as they visited an Amsterdam coffee shop, where dope is sold legally.

Is there any challenge that television producers haven't filmed celebrities doing? They won't be happy until they've followed a bunch of them snowboarding down an Alp while baking a cake, conducting an orchestra and researching their family history. And if it involves a little sob followed by a group hug, bonus!

There was a time when a new series of The Affair (Sky Atlantic) would cause the heart to quicken; now, not so much. Actually that sounds like the course of most extramarital affairs – an initial rush to spend time with the object of your affection, only for the desire to dwindle over time.

It may sound perverse to say it, but Albert was the perfect twenty-first century prince. Thrust into the heart of the British monarchy he was simultaneously an oppressed outsider who – despite his reputation as the most handsome prince in Europe (not least when wearing white cashmere pantaloons) – struggled to make his voice and intelligence heard.  

The Bauhaus school and its subsequent influence make an extraordinary story, and this film by Mat Whitecross, which has assembled a whole range of different voices and perspectives and woven them together, told it well.

The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island, in this case Mykanos. It’s not to everyone’s taste. “All I see is water, I don’t see no nail shops,” observes Melissa, whose argumentativeness causes her to fall out with people and who wants to improve her friendship skills.