It’s all in the timing. Here was David Baddiel beginning a stand-up turn at a gig in Finchley. A Holocaust survivor gets to heaven, and God asks for a Holocaust joke. God says that his joke isn't funny, and the survivor replies “Well, I guess you had to be there.” Baddiel believes there is nothing that is impervious to a joke.
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit.
The return of screenwriter Abi Morgan’s series about a largely-female London law firm is no doubt in tune with our gender and equality-conscious times, but that doesn’t mean it’s great television. Its legal storylines are counterpointed against episodes of sentimentality and self-congratulation, as if it wanted to be The Good Wife but ended up as Doctors.
You could sometimes begin to believe that the notion of original TV drama is dying out, replaced by an interminable stream of adaptations and remakes. Did somebody mention Dracula?
The L Word originally ran for six seasons between 2004 and 2009, and its then-revolutionary depiction of the lives of a group of lesbians in Los Angeles won it both a fanatical audience and acclaim for its game-changing content, exploring such topics as same-sex marriage, gay adoption and female sexuality which weren't being seen elsewhere on TV.
The benefits system is feared for its resemblance to a vast poisonous swamp, from whose clutches many travellers fail to return. Universal Credit began to be rolled out in 2013, having been announced in 2010 by Conservative work and pensions secretary Iain Duncan Smith, and was supposed to bulldoze a path through the welfare jungle. However, it remains mired in controversy.
Inspector Muhsin al-Khafaji of the Iraqi police may be set to become one of those classically dog-eared, depressed and down-at-heel detectives who have proliferated in crime fiction. He could join a lineage that includes Martin Cruz Smith’s battered Russian sleuth Arkady Renko, or Bernie Gunther, anti-hero of Philip Kerr’s Berlin Noir trilogy. Or he may create his own category of one.