The rage and bitterness surrounding the Brexit brouhaha have made it immune to comedy and satire, but perhaps change is in the wind. Channel 4’s bogus royal family is back after a two-year gap, charged (as an introductory voice-over explained) by Her Majesty’s government with cheering up the divided nation.

Since Back in Time for Dinner in 2015, this BBC Two social history strand in which families travel into a recreated past to experience ways in which society, leisure and lifestyles have changed has proved a robust perennial.

“Everybody lies," says property developer Tony to his PA and secret lover Natalie. “Even your mum probably.” And of course he’s not wrong.

The comic book of Locke and Key, written by Joe Hill (son of horror writer Stephen King) and illustrated by Gabriel Rodriguez, was first published in 2008, and its mix of multi-generational family drama and supernatural creepiness made it a cult hit.

Apparently network executives initially reacted with alarm to the premise of Hunters, Amazon’s new big-ticket series chiefly (though by no means entirely) notable for hosting Al Pacino’s first full-scale television role.

With prison overcrowding reaching chronic proportions, police in County Durham have developed the Checkpoint programme to try to keep offenders out of jail with rehabilitation in the community. It’s like Felons Anonymous – candidates have to sign a contract confessing their crimes and stipulating that they won’t reoffend. They get one chance, and if they break the pledge they’ll end up behind bars.

Perhaps somebody at BBC Four has had a quiet word with Lucy Worsley, because in this first of a new three-part series she did hardly did any of her usual irritating dressing up. There had to be a bit, though.

It’s all in the timing. Here was David Baddiel beginning a stand-up turn at a gig in Finchley. A Holocaust survivor gets to heaven, and God asks for a Holocaust joke. God says that his joke isn't funny, and the survivor replies “Well, I guess you had to be there.” Baddiel believes there is nothing that is impervious to a joke.

This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many more.

Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit.