In Superman's DC Comics universe, Bizarro World is a cube-shaped planet where everything on earth is echoed in back-to-front form. A smidgen of Bizarro thinking has surely infiltrated the bewildering environment of Fringe, where a special team of FBI agents struggle with incredible paranormal phenomena, impossible inversions of the natural order, and above all the concept of parallel universes, currently the hot topic at the start of series two.

The American remake of Life on Mars was judged a flop by its jumpy network, ABC, and scratched after just one season – which gave the UK premiere less the anticipation of a launch party and more the slightly shameful miasma of a hangover. And given that British audiences are well acquainted with the show’s audacious premise (that of a time-travelling cop in case anyone really has been on Mars) the foremost interest was always going to be ‘let’s see what kind of a hash the yanks have made of this one?’. Well, bad luck, this wasn't any kind of hash. It was great fun.

This review cannot start without a confession. More of a disclaimer, in fact. What you are about to read will not by any reasonable definition pass as a balanced critical response. I began my time at Oxford University in exactly the same week as Boris Johnson and indeed Toby Young, one of the makers of When Boris Met Dave. As a student, I knew or met half the talking heads who took part. As a journalist I know or have met most of the others. They all, to a man (and woman), sound like Prince Charles. So was it any good, this playful account of the birth of the modern Tory party in the cauldron of Oxford in the 1980s? Hard to tell when you’re watching through your fingers.

Considering that Stargate began as a colossally silly Roland Emmerich movie about ancient Egyptians with magic wands and spaceships, it's proving astonishingly resilient. The Stargate SG-1 TV series created a booming fanbase so eager for more that it spun off Stargate Atlantis. There have been straight-to-DVD movies, computer games, books and animated series. Now here's Stargate Universe, which – judging by this double length opener – creators Brad Wright and Robert S.

There’ll always be Austen on the telly. As the Bard is to the boards, so is Saint Jane to the box. The six novels were published (though not all written) in a seven-year period in the 1810s. In a rather shorter tranche of the 1990s they were all adapted for the (mostly small) screen. They’ve now just been done again, on the whole rather less well than the first time round.

Is HBO trying to tell us something? Is the once peerless cable channel signalling a midlife crisis? I only ask because Hung, the HBO comedy-drama that starts on More4 in mid-October, features a marginalised middle-aged basketball coach who turns to prostitution, while Eastbound & Down is about a Major League baseball pitcher who, “several shitty years later”, finds himself teaching PE back at his hometown high school.

The Great Unknown, the Last Enemy, the Big Sleep… it’s death we’re talking about, and Dan Cruickshank’s affectingly personal film succeeded in reaching the conclusion that there is no conclusion he could comfort himself with. “What if after death there’s nothing?” pondered Dan.