tv reviews
Jasper Rees

Five Daughters is “based on the personal testimony of those most closely involved”: family, friends, the last people to see the women alive. What we are watching - the story of the murder of five sex workers in Ipswich - has the stamp of truth. When one girl missed her appointment at the methadone clinic, her mother tried to collect her prescription for her. The mother, played by Sarah Lancashire with the washed-out complexion of the terminally worried parent, would in effect have been a script consultant.

Peter Culshaw

Bearing in mind this had been cobbled together in the two weeks since Malcolm McLaren’s death, and was fronted by the ubiquitous Alan Yentob, it could have been a dog’s breakfast of a programme. But it did manage to pinpoint various elements about Malcolm rather accurately, for those of us lucky enough to know him. One aspect which came through was his rather child-like quality. Probably the best story about him that his assistant for many years Sarah Bolton told me at a dinner after his funeral last week was how Malcolm was a huge fan of The Sooty Show – whenever it came on, work would stop and they would quite often find themselves rolling on the floor in hysterics.

Bearing in mind this had been cobbled together in the two weeks since Malcolm McLaren’s death, and was fronted by the ubiquitous Alan Yentob, it could have been a dog’s breakfast of a programme. But it did manage to pinpoint various elements about Malcolm rather accurately, for those of us lucky enough to know him. One aspect which came through was his rather child-like quality. Probably the best story about him that his assistant for many years Sarah Bolton told me at a dinner after his funeral last week was how Malcolm was a huge fan of The Sooty Show – whenever it came on, work would stop and they would quite often find themselves rolling on the floor in hysterics.

Jasper Rees
No sign of Anita Ekberg: Griff visits the Trevi Fountain
You always know where you are with Griff. You may be up a mountain or on a river or visiting any of the various topographical options the various TV companies deem it essential to send him. You may be doing up his house with him in Wales, where he freely admits he doesn’t really come from, or nosing round London, Paris or New York, as he did in the last series of Greatest Cities of the World. You may, as with the new series, be in Rome. But in the end, you never leave the Land of Griff.
Adam Sweeting
Same guys as last week, in a slightly different order
It's difficult to reach a rational verdict in the midst of the blog-barrage, Twitter-frenzy and crass party point-scoring that surround our new national pastime, but as the party leaders neared the 90-minute time limit, it was at least obvious that this second debate had brought feistier and more committed performances from all three of them. David Cameron and Gordon Brown wasted no time in demonstrating how well they'd learned Nick Clegg's trick of looking straight into the camera and addressing us viewers, though frankly you'd have thought that should always have been pretty bleeding obvious to the swarms of media handlers these people have on tap.
Adam Sweeting
Tim DeKay, Matt Bomer and Tiffani Thiessen star in Bravo's smart new comedy crime drama
The opening episode of a new series is always an awkward blighter. You have to introduce the characters and establish the required tone, while squeezing in enough plot to keep the thing moving. Even mega-budget epics like FlashForward have struggled to make it work.
Adam Sweeting

"The ultimate battle! Jesus versus Magneto!" raved one sci-fi blogger (ironically), on seeing that this Anglo-American remake of The Prisoner stars Jim The Passion of the Christ Caviezel and Sir Ian X-Men McKellen. If only. Unfortunately the new Prisoner's dominant characteristics are its sluggish tempo, limited vision and inability to drag itself out of the shadow of the Patrick McGoohan original.

Adam Sweeting

The way the pundits were jumping up and down hailing a historic night in British politics, you'd think nobody had ever seen Nick Clegg, David Cameron and Gordon Brown on TV before. This, we were told, could be a historic 90 minutes that would transform our nation's political discourse. "The leaders' debate will be a direct confrontation with the voters that could change the election", according to a man wearing glasses in The Times.

graeme.thomson

When it first aired in 2007, Outnumbered finally allowed viewers to see children on television really being children (hitting each other, lying, being naturally witty, shouting “Dad attacked that lady” in public), while ruthlessly exploiting the child’s unerring ability to say aloud what we’re really thinking, whether it's about terrorism (“What other religions have blown up planes, Mummy?”) or other cultural hot potatoes.

howard.male
Heavy load in Lagos: a woman carries a whole cow head away from the market
You might think that an hour-long documentary mainly shot around a slaughter yard and rubbish dump might not make for particularly agreeable television, but trust me, this opener of a three-part series is by turns amusing, life-enhancing and gripping. Producer Will Anderson and director Gavin Searle have done an excellent job of getting under the surface of one of the worlds great megacities. A place that in the space of 50 years has grown from a population of about 300,000 to 16 million today.
gerard.gilbert

At around the same time that Oliver Postgate, that singular genius of children’s television, was knocking up new worlds in his garden shed in Kent, so, in a garden shed in Wiltshire another remarkable maverick, Professor James Lovelock, was assembling a new world of his own. Postgate’s was a moon inhabited by Clangers, while Lovelock’s was a re-imagining of Earth as “Gaia” - and what is perhaps unexpected is that it is children’s entertainer Postgate who comes across as the more melancholy of the two men.