OK, let’s start with a bit of icon-bashing. In some circles, to say that a current Afrobeat band might actually be better than what the originator of the style, Fela Kuti, produced in the 1970s, would be as outrageous and absurd as proclaiming that the Ruttles were better than the Beatles. Fela Kuti is untouchable and beyond criticism, just as John Lennon and Bob Marley are. But Fela’s mythological status is fed by an incongruous mix of the good, the bad and the ugly.
new music reviews
Veronica Lee
What an absolute joy. Two and a half hours of Abba songs performed by a (mostly) stellar line-up with Kylie Minogue topping the bill, and the songwriting duo Benny Andersson and Bjorn Ulvaeus appearing on stage to take the tumultuous applause of a 35,000 crowd gathered in Hyde Park in London. Only the surprise appearance of their erstwhile musical and marital partners Anni-Frid Lyngstad and Agnetha Faltskog could have turned this memorable evening into a perfect one.
robert.sandall
Speech Debelle – and she for one is not surprised. In a feisty speech accepting her nomination for the £20,000 prize, given annually to the best British album of the year, the 25-year-old rapper from South London warned the other 11 acts on the shortlist ahead of last night’s judgment that she planned “to take this one home”. By 10.20 last night the panel of judges agreed that she should, making Debelle the third female solo artist to win the Mercury in this century, following PJ Harvey in 2001 and Ms Dynamite in 2002, for her debut album Speech Therapy.
joe.muggs
Artists who are naturally awkward in their own skin can go in a number of directions. Many, including a good number of The Pastels' 1980s “C86” indie contemporaries, are content to simply be musically awkward, shambolic and ultimately rather pathetic and self-defeating. Others like, say, Talking Heads' David Byrne, charged with hyperactivity, take their awkwardness to the Nth degree and used it as a drive towards diverse creative explorations.
igor.toronyilalic
What exactly is the point of Sir Peter Maxwell Davies? I don't ask this with any malice or hostility, just in a tone of inquiry. It is a question that I think his new Violin Concerto, Fiddler on the Shore, raises. That is, is Davies still here to shock and annoy, or to assuage? The Royal Philharmonic Orchestra under Davies's baton presented the British premiere of the work last night, with Daniel Hope as the soloist, in the first of two proms that celebrated the composer's 75th birthday. Within its single-movement span were representations from the two opposing camps of Davies's life and musical language.
joe.muggs
Dot Allison was one of the true idols of my late teens. As the singer for Glaswegian E-comedown country-dub balladeers One Dove, her platinum bob and ruby lips, and ability to play otherworldly waif and sussed raver at the same time, made her seem impossibly glamorous – and even more importantly, the breathy purity of her voice as she sang “and where it is dark, there are ghosts / that give me hope” (in "White Love" – perhaps the greatest lost pop song of the 1990s) soothed me through endless adolescent traumas.
Adam Sweeting
Oasis have split up, but The Beatles keep getting bigger. This week, in a synchronised splurge of Beatle product of almost D-Day like proportions, their complete remastered albums are being reissued, the group appear in virtual form in the computer game The Beatles: Rock Band, and the BBC continues the Beatles Week which kicked off in a blaze of Kleenex-moistening nostalgia on Saturday.
howard.male
Why do Fol Chen make me feel so happy? To begin with it was just a smile that crept across my face when I stumbled across their barmy animated video for "No Wedding Cake". This mini-epic features a lip-synching fish, some lion-headed dancing girls, and an owl that ends up stealing the bleeding heart of a goat-horned man. Another promo, for the sprightly "Cable TV", has five mini-skirted girls going through the girl-group motions. But, needless to say, Fol Chen are not a girl group, so that made me smile some more.