Italy
Guy Oddy
The psych scene is one that has never seemed to really go away since its birth in the mid-60s under the guidance of bands such as the Thirteenth Floor Elevators and Pink Floyd. It may have faded into the background from time to time, but every few years it comes back with something new and interesting added to the recognisable template. Out of the present incarnation of this crowd, which includes the likes of Swedish tribalists Goat, the hypnotic Wooden Shjips and a slew of bands that have featured on the excellent Reverb Conspiracy compilations, comes Italian duo Sonic Jesus. Their debut Read more ...
David Nice
Filming in bombed locations around Italy and Germany, the immediate evocation of wartime and post-war moral zeros, ordinary Italian locals and American GIs playing themselves alongside professional actors: all these assets would be enough to make Rossellini’s gritty films made between 1945 and 1948 essential to the history of cinema. But cinema as vibrant life itself breathes in the pace and in most of the performances.You’ll probably be familiar with Anna Magnani’s passionate mother and lover and Aldo Fabrizi’s heartbreaking Father Pietro in Roma citta apertà (Rome, Open City). These were Read more ...
Thomas H. Green
This concert is called My Life in Music and the Italian film composer Ennio Morricone seems determined to take us on a journey from his origins in Italian B pictures to inarguable and gigantic orchestral opulence. In the 1960s he put together iconic and resonant music on a tight budget, with limited ensembles and quirky instrumentation. These made his name, along with that of the director Sergio Leone. Tonight, clad in black, wearing a polo-neck, conducting the Czech National Symphony Orchestra and a mighty choir, he revels in hugeness. Now 86, this is Morricone’s rescheduled global tour, Read more ...
David Nice
"The fantastical should come so close to the real that you must almost believe it," declared Dostoyevsky on Pushkin’s ghostly short story The Queen of Spades. Emmanuel Demarcy-Mota and his superb French ensemble have brought off the feat twice now at the Barbican: two years ago with the pachydermal transformations of Ionesco’s masterpiece Rhinocéros, and now through the intrusion of Pirandello’s nightmare family into a rehearsal of one of his plays.In a way, it’s a tougher task than the scary metaphor of man-into-beast. Pirandello’s ghostly six (pictured below) become beasts, or at least Read more ...
David Nice
It’s quite a distance from the first performance of Monteverdi’s operatic cornucopia under the Mantuan Gonzagas’ imperious eye to this democratic celebration at the Roundhouse – 408 years, to be precise. Michael Boyd’s production takes us back even further, to those ancient Greek festivals of poetry and music which inspired the intellectual Florentines to fashion the art of opera in the late 16th century.One third of the Roundhouse seating is blocked by a grand edifice with a contemporary court seated half way up, the orchestra at its base, leaving us in a near-perfect amphitheatre with the Read more ...
David Nice
Covent Garden’s masked balls circling around the New Year feature not the seasonal bourgeois Viennese couple and a bat-winged conspirator but a king, his best friend’s wife and – excessively so in this production – the grim reaper. Big voices are what’s needed if it’s Verdi rather than Johann Strauss II, and if we can’t have Jonas Kaufmann, who’s committed his energies to a lesser protagonist, Giordano’s Andrea Chénier, this coming January, then much-trumpeted Maltese tenor Joseph Calleja will have to do. Sadly conductor Daniel Oren is no substitute for Antonio Pappano, also Chénier-bound, Read more ...
Nick Hasted
Italy’s nominee for next year’s Foreign Language Oscar is an ambitious satire on the ruinous machinations of the super-rich, symbolised by the overworked waiter clipped by a speeding SUV in the opening minutes. Three perspectives on the events tangentially leading to his death follow, giving writer-director Paolo Virzi (transplanting Stephen Amidon’s US novel to northern Italy) a broad canvas.The innocent, snuffed-out waiter isn’t served much better by Virzi, though. He’s a convenient metaphor, around which the film’s intricate puzzle-parts spin. Valeria Bruni Tedeschi’s Carla, the beautiful Read more ...
David Nice
One queen is much like another in so-called “historical” Italian early to mid 19th-century opera. Elizabeth of England, Christina of Sweden, take your pick, they all fall for a tenor courtier who loves Another (the seconda donna, soprano or mezzo). With Donizetti, the musical drama is almost as disposable as the plot until a stonking number or two rolls up. Jacopo Foroni, more or less unknown until Wexford resurrected him a year ago, has a few more felicitous orchestral touches but nothing as memorable as Donizetti's best. Cristina, regina di Svezia served at Wexford, and last night in Read more ...
Nick Hasted
Circuses were a regular touchstone for Fellini, and clowns, as this 1970 TV movie confirms, their troubling core. I Clowns’ first 25 minutes are a dry run for Amarcord’s raucous flashback to Fascist Rimini. Beginning with the boy Fellini woken in the night by a circus's arrival, his camera takes a ringside view of the hoarse bluster and escalating mania of a Twenties show, orchestrated by clowns who frighten Fellini. His observation that their grotesquery was in those days common in Italian small towns allows an aside into sketches of such characters: a horse-drawn carriage driver, huge like Read more ...
David Nice
“If this isn’t nice, what is?” Kurt Vonnegut’s vow to repeat his Uncle Alex’s mantra when things were going “sweetly and peacefully” has been much on my mind during various idylls this war-torn summer. It certainly applied to hearing three boys and a girl in their early teens play a cloudless early Haydn string quartet in the beautifully restored small neoclassical theatre of a perfect Umbrian hill town. But as so often with troubles elsewhere always at the back of our minds, nothing was quite that simple.The young people were totally focused on the work in a performance of astonishing Read more ...
David Nice
Saleem (born 1976), having dropped the "Abboud" from his name, is one of the world’s most individual top pianists: his recent disc of Mendelssohn concertos with Riccardo Chailly and the Leipzig Gewandhausorchester is bound to make my “best of year” list. Nabeel, his brother and junior by two years, has served for some years as a violinist in the West-Eastern Divan Orchestra, first-rate peacemaking brainchild of Daniel Barenboim and Edward Said. Yet the siblings would surely agree that the bigger picture established by Nabeel, which Saleem has been part of for the past year or so, means more Read more ...
David Nice
Some of us have witnessed Traviatas where single stars were born: Angela Gheorghiu for Solti at the Royal Opera nearly 20 years ago springs quickest to mind. Some would claim a dream couple in Anna Netrebko and Rolando Villazon on peak form at Salzburg. Yet how often in a lifetime do you catch an evening like this, where all three principals are not only up to the very highest vocal standards but also work as one with the conductor to make sense of every phrase, every word, in an intimate space for which Verdi's chamber opera might have been crafted?Mark Elder, conducting a London Read more ...