Italy
David Kettle
Skeletal horses; piles of newborn babies smothered in a bloody sheet; a whole garden centre of prickly pears. There’s no denying that Italian director Emma Dante’s new production of Verdi’s Macbeth, which Turin’s Teatro Regio brings to the Edinburgh International Festival, is visually dazzling, even at times hallucinatory.There’s a nagging concern, however, about what all the visual flamboyance actually adds up to – those perpetually procreating witches, seemingly modelled on the long-haired ghoul from Japanese horror film Ring; the imposing crown-formed decors; the circus fire eaters and Read more ...
Tom Birchenough
Winner of the Palme d’Or at Cannes in 1978, Ermanno Olmi’s The Tree of Wooden Clogs (L’albero deli zoccoli) is a glorious fresco that reveals, over the course of an unhurried three hours and with a pronounced documentary element that virtually eschews narrative development, 19th century Lombardy life in all its hardship and paradoxical beauty. It’s a world defined by labour on the land and Catholicism, in which the details and rituals of existence appear unchanged over centuries. Yet its opening scene, in which a priest convinces a peasant couple that their young son ( Read more ...
David Nice
Unless you're an undiscriminating fan of bel canto, the lesser Italian and French operas of the 1830s and '40s - that's to say, not Verdi's Nabucco and Macbeth or Berlioz's Benvenuto Cellini - need to be approached with caution. Once you've lowered expectations to a simpler level of compositional style, you then have to hope for stylists of the first order to make it work. That doesn't happen too often these days, but the inspirational company Opera Rara, responsible for this often spectacular programme of operatic excerpts, knows where to find them. In soprano Joyce El-Khoury, tenor Michael Read more ...
Kieron Tyler
A well-known internet sales site currently offers seven previous home cinema editions of The Bird With the Crystal Plumage. Some are DVD or Blu-ray only, others are on both formats – increasing the amount of packages on offer. Only a brave company would enter such a crowded market with another version of the film to take the total to eight. Yet, here we are with a new dual format DVD/ Blu-ray edition.Despite the spiffy packaging – including a limited-run configuration with a 60-page booklet, a poster and postcards – and fresh extras – including a new interview with director Dario Argento, a Read more ...
Alison Cole
As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment. Michelangelo – Love and Death, directed and edited by David Bickerstaff, which is timed to coincide with the National Gallery’s Michelangelo/Sebastiano exhibition (just! – it closes on 25 June) duly attempts to rise to the challenge, with the publicity promising a “dramatic retelling of the life and creative journey of the original celebrity artist” and a film Read more ...
David Nice
Hitting the essence of a Fellini masterpiece in a different medium is no easy task. Try and reproduce his elusive brand of poetic melancholy and you'll fail; best to transfer the characters to a different medium, as the musical Sweet Charity did in moving the action of Le notte di Cabiria from Rome and environs to New York. The film version even managed to find in Shirley MacLaine an equivalent to the unpredictable charm of Giulietta Masina, Fellini's wife, a great actor. But no one can really rival Masina’s most compelling role, the waif Gelsomina sold to a travelling strong man in La Strada Read more ...
Alison Cole
The wonderful Estorick collection, tucked away in Highbury Fields in London, is internationally renowned for its collection of modern Italian art, with a core of major Futurist works. Its new temporary exhibition focuses on one of these Futurist enfant terribles, Giacomo Balla, with a joyous assembly of works spanning the artist’s entire career (1904-51), drawn from the private collection of the fashion designer Laura Biagiotti and her husband Gianni Cigna.The show, which is the first to be dedicated to Balla’s work in Britain, features 116 works from their 300-strong collection, and includes Read more ...
Nick Hasted
This is the Italian cinema Berlusconi suppressed. Elio Petri directed broadsides between the crossfire of the Sixties and Seventies’ Years of Lead, as fascists, communists and ill-defined fifth columns brought ideological violence to rock gigs and terrorist murder to, most notoriously, Bologna train station. Petri was the pulp politician among the era’s film Maestros. His early Seventies work was a committed enquiry into his country’s corrupt, Janus-faced soul.Investigation of a Citizen Above Suspicion (1970) won the Foreign Language Oscar, and by this 1973 release, capitalism’s iniquity was Read more ...
Alison Cole
A lovely, scholarly and gently revelatory exhibition, Madonnas and Miracles explores a neglected area of the perennially popular and much-studied Italian Renaissance – the place of piety in the Renaissance home. We are used to admiring the great 15th- and 16th-century gilded altarpieces and religious frescoes of Italian churches, palace chapels and convents, but this exhibition – one of the main outcomes of a generous four- year European funded research project – shows how the laity experienced religion in the context of their everyday domestic lives, as well as during extraordinary Read more ...
Adam Sweeting
From Jimmy Savile to the Rotherham scandal, child sexual abuse has become a recurring nightmare of our society, and thus is inevitably grist to the TV dramatist’s mill. It has been a crucial component in The Missing, National Treasure and Line of Duty, to name merely three recent examples.It gradually emerged again, like a monster from the deep, as the dominant theme of this second series of Unforgotten (★★★★) and writer Chris Lang had been skilful enough to thread it through the very different lives of his protagonists and deliver a finale that lived up to all that had Read more ...
Arifa Akbar
The 2003 first, Italian edition of La Frantumaglia begins with words from Elena Ferrante’s publisher, Edizioni E/O, about why the book of collected writings was published: “To satisfy the curiosity of [Ferrante’s] exacting yet generous audience, we decided to collect here some letters from the author to Edizioni E/O; the few interviews she has given; and her correspondence with particular readers. Among other things, these writings should clarify, we hope conclusively, the writer’s motives for remaining outside the media circus and its demands, as she has for 10 years.”Even if the writer Read more ...
Florence Hallett
Cheekily bottom-like, their downy skin blushing enticingly, these must be the sexiest apricots ever painted. If you held out your hand, you might just be able to touch them, there in the foreground of what is thought to be Caravaggio’s earliest surviving painting. Echoing the skin tones of a boy absorbed in the act of peeling fruit, the light highlights his hands and his downcast eyes make us voyeurs in a scene of unexpected sensuality. As setting the scene goes, it’s an excellent choice, and its somewhat tentative attribution is fitting for an exhibition dominated by the work not of Read more ...