French cinema
graham.rickson
Misdirection is at the heart of Le Cercle Rouge. The Buddhist quote that opens Jean-Pierre Melville’s 1970 thriller – "when men, even unknowingly, are to meet one day… they will inevitably come together in the red circle” – is fake, written by the director, whose entire career was spent working under a pseudonym. The casting of André Bourvil as Inspector Mattei would have wrongfooted contemporary French audiences, used to seeing the actor in light comedies. Then there’s the celebrated heist sequence, dialogue-free and playing out in real time, the outcome of which may surprise.We first Read more ...
mark.kidel
Just as British pub and punk rock of the mid-to late 1970's ushered in an era of music that referenced the history of pop and thrived on irony, much of the French New Wave, nearly 20 years earlier, looked back as much as forward, an avant-garde anchored like none other before in a sense of cinema history.Breathless (A bout de souffle), Jean-Luc Godard’s first feature, established the genre. The film broke the rules of conventional cinema narrative, in a manner that changed the seventh art forever: jump-cuts, non-sequiturs in the dialogue as well as in the unfolding story. The ripples from Read more ...
Tom Birchenough
Intriguingly, Summer of 85 could have been François Ozon’s very first film. Back in the mid-Eighties the French director was much taken by Dance on My Grave, the YA novel by Aidan Chambers on which it’s based, its youth-romance, coming-of-age story – one centered on a teenage gay relationship that, unusually for its time, came with no extra complexes for that sexual orientation – obviously attractive. Ozon even wrote a treatment at the time, though he actually hoped he would end up watching an adaptation made by someone else, probably coming from America (Gus van Sant was one of his hopefuls Read more ...
theartsdesk
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchiseEternal Beauty ★★★★ Craig Roberts's fantasy conjurs surreal images and magnetic performancesI'm Thinking of Ending Things ★★★★ Charlie Kaufman's eerie road trip through love and lossLes Misérables ★★★★★ An immersive, morally complex thriller set in the troubled suburbs of present day ParisMax Richter's Sleep ★★★★ Read more ...
Tom Birchenough
This fifth feature from Claire Denis must surely be the director’s most sheerly concentrated film. Scaling back narrative and dialogue alike – story elucidation relies mainly on intermittent retrospective voice-over narration – Beau Travail engages the viewer instead with its sensual elements (“A Cinema of Sensation” is the title of the essay by critic Girish Shambu that comes with this new Criterion edition). It’s absorbing in every sense – from the choreographically stylised gestures of its military protagonists to the parched desert surroundings of Djibouti, a striking presence in itself, Read more ...
Saskia Baron
The only thing confusing with Les Misérables is its pointedly provocative title, as there are no costumed urchins and no singing involved. Searching online to find the UK cinemas where it’s playing this week entails a trek past the execrable 2012 musical of the same name, but it’s well worth tracking down a screen that's showing this exhilarating and intelligent new film.Les Misérables 2019 won festival prizes last year and was a box office hit in France and Hong Kong before covid delayed its UK opening. The action is set over two days in Montfermeil (the location shared Read more ...
Nick Hasted
This sober French space movie is concerned with what a female astronaut leaves behind on Earth, not what she finds in the cosmic dark. Sarah (Eva Green) has been selected for a European Space Agency mission towards Mars, realising a childhood dream. Punishing training prepares her for separation from Earth, and from eight-year-old daughter Stella (Zelié Boulant-Lemesle).Green’s layered performance of female strength rebukes Hollywood's erotic exotic typecasting, letting rage and tears ripple through her then striding on. Men aren’t Sarah’s enemies, but privileged, different and to be Read more ...
mark.kidel
Portrait of a Lady on Fire, a story of impossible love between two young women, takes place in the 18th century, on a wind-swept, wave-battered island off the coast of Brittany. The writer and director Céline Sciamma, who established herself as a unique voice and very capable filmmaker with films like Waterlilies (2008) and Tomboy (2011), explores once again the world of female passion.Marianne (Noémie Merlant) has been commissioned to paint the portrait of Héloïse (Adèle Haenel), who has just been released from convent life and is destined to be married. She is impetuous, introverted and Read more ...
Jill Chuah Masters
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and curation, as its twenty chapters showcase overlooked, excellent work by far-flung filmmakers. Hungarian filmmaker Ildikó Enyedi and Wang Ping, socialist China’s first female director, are featured alongside film-school favourites like Denis and Akerman.The actresses Thandie Newton (pictured below) and Debra Winger are lead narrators now. Their Read more ...
Joseph Walsh
With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth. And it’s a hoot from start to finish. Nebbou’s sixth and most accomplished feature is an adaptation of Camille Lauren’s 2016 novel, ‘Celle que vous croyez’. Binoche is Claire, a fifty-something literature professor, with two children from a failed marriage. We meet her being interviewed by a psychiatrist, Doctor Bormans (Nicole Garcia), the Read more ...
Tom Birchenough
It may offer veteran French star Catherine Deneuve as substantial and engaging a role as she has enjoyed in years, but the real surprise of The Truth is that it’s the work of Japan’s Hirokazu Kore-eda. The director, whose Shoplifters took the Palme d’Or at Cannes two years ago, has made a distinctive move away from his native environment – and, no less importantly, language: apart from a few scenes played in English, this is a French-language piece – in a film that catches the tone and nuances of French cinema with a finesse that’s as delightful as it is convincing.Occasionally it feels Read more ...
Demetrios Matheou
Lest anyone believe that Parasite was the only ground-breaking foreign language film of the past year, Céline Sciamma’s fourth feature, Portrait of a Lady on Fire, arrives to remind us otherwise. Like Parasite, it debuted in Cannes in 2019, where Sciamma won the Palme d’Or for best screenplay and the Queer Palm, a major award on the festival circuit honouring films for their treatment of LGBT themes. Sciamma’s first venture into period drama is set in 18th century Brittany and follows the love affair between a female artist, Marianne (Noémie Merlant) Read more ...