feminism
Jill Chuah Masters
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and curation, as its twenty chapters showcase overlooked, excellent work by far-flung filmmakers. Hungarian filmmaker Ildikó Enyedi and Wang Ping, socialist China’s first female director, are featured alongside film-school favourites like Denis and Akerman.The actresses Thandie Newton (pictured below) and Debra Winger are lead narrators now. Their Read more ...
Joseph Walsh
Equally ambitious in scope as his 900min ode to cinema The Story of Film: An Odyssey, Mark Cousins’ latest work, Women Make Film, is a fourteen-hour exploration of the work of female film directors down the decades.Cousins’ Irish brogue no longer narrates the action, having replaced himself with the likes of Tilda Swinton (who also produces the film), Jane Fonda, Adjoa Andoh, Sharmila Tagore and Kerry Fox (at least in the first 20 chapters that this review covers). They, and Cousins, guide us on a self-described ‘road movie’, that shifts from clip to clip, Read more ...
Thomas H. Green
Way into lockdown now and, as the music world adjusts, so what artists are attempting becomes, in some cases, more sophisticated. In others, many impressively make the most of whatever tech they have to hand. Either way it’s always fascinating to check in on the best that’s out there. Below is this week’s pick. Dive in!Foals’ FBC TransmissionsLast Friday Brit Award-winning alt-rockers Foals launched Foals Broadcast Corp Transmissions, a weekly series of short films that will be appearing over 12 weeks on YouTube. Foals are currently poised to become that rare thing, a stadium-level outfit who Read more ...
Veronica Lee
“There are places in India where it's safer to be a cow than a woman” is a seemingly innocuous statement, but for Indian comic Aditi Mittal it was a dangerous one to make in a comedy show. It led to her arrest after a man complained that it was offensive to Hindus (and possibly cows, who knows).Yet Mother of Invention, an energetic and engaging hour about where Mittal's feminism comes from, isn't a political show per se. It's silly and often raucous – she's upfront about her sexual life – but the low value placed on women in Indian society is an ever present underscore, and all the more Read more ...
Gaby Frost
Want to enact mass social change? Make it about children. About their health, their prosperity, their future. Make it about men; their security, their wellbeing. Make it about society. What benefits are there for the economy, the home? Just for God’s sake, remember… it doesn’t work to fight for women alone.In a masterful analysis of the many histories of women’s work in Britain since the mid-nineteenth century, historian Helen McCarthy’s Double Lives intricately broaches issues of class, race, social norms and of course, motherhood. “Slowly but unmistakeably”, McCarthy writes, “the wage- Read more ...
Marianka Swain
The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope that engagement continues with their next offering: Sally Cookson’s dynamic adaptation of Charlotte Brontë’s novel, a Bristol Old Vic and National Theatre co-production which also toured the UK.Cookson’s devised work blows past the problems associated with transferring literature to stage. There is nothing stuffy or static about her version; on the Read more ...
Tom Birchenough
Saudi director Haifaa Al Mansour is back on home territory with her new film, and you’ll recognise much here from her characterful 2012 debut Wadjda, itself the first-ever feature to emerge from her home country. That was about challenging the restrictions that the culture of Saudi Arabia imposed on women, and some really have gone in the intervening years – women can now drive, for one. As if to mark that progress, the opening scene of The Perfect Candidate has Mansour’s doctor heroine, Maryam (Mila Alzahrani), her face hidden except for the eyes by a black niqab, behind the wheel as she Read more ...
Jill Chuah Masters
Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and was nominated for an Oscar. Satrapi adapted and co-directed both films. She also wrote and illustrated the comic books on which they were based. Over the past ten years, Satrapi has parlayed her success as a cartoonist into a formidable career as a filmmaker. Her latest film is her biggest. Radioactive is a wide-ranging biopic about the life of Read more ...
India Lewis
Mieko Kawakami’s Breasts and Eggs is a true novel of two halves and is (excuse the pun) a bit of a curate’s egg. Kawakami’s bio at the beginning of the text explains that the novel was expanded from an earlier novella, made clear by a separation into books one and two. The first book centres on the visit of the narrator’s sister and niece to her house in Tokyo, and the second brings the narrator, Natsume, into the centre of a story about her desire to conceive a child at forty. The first book is excellent, a rough-edged drama that is both hilarious and tragic, and tinged with surreality. The Read more ...
Joseph Walsh
Created in the mould of Made in Dagenham and Pride, Philippa Lowthrope offers up a cheery, kitschy British comedy centred around the 1970 Miss World Contest that was disrupted by feminist protests. Leading this crowd-pleaser are Keira Knightley, Gugu Mbatha-Raw and Jesse Buckley. Rebecca Frayn and Gaby Chiappe divide their screenplay across the trio, but the central perspective is that of Knightley’s character Sally Alexander. As a young mum trying to make it as a mature student, her battles with the prevailing patriarchy are given a stiff kick when she meets Buckley’s Jo Read more ...
Jessica Duchen
Perhaps the most surprising thing is how good natured they all sound. There’s no anger. At least, not much – one can’t help wondering what they say off air. Through a kaleidoscope of vocation, hopes, dreams, inspirations, and worries about stuff that their male counterparts do not have to consider, nine conductors who happen to be female share their stories in this engaging and long-overdue film, with humour, intelligence and an occasional dose of major frustration.Women are increasingly stepping to the fore in the world of orchestral conducting, but my goodness, it has taken a long time. In Read more ...
India Lewis
Rebecca Solnit’s autobiography, Recollections of My Non-Existence, is just as you might expect it to be – tangential, changeable, deeply feminist, and imbued with a sense of hope that undercuts her wild anger at the world’s injustices. It says much for how quickly our thinking about women’s rights and those of minorities has evolved recently that her feminist rhetoric almost feels dated at points. However, Solnit’s energy is still fresh, urgent, and vital, reminding the reader that although the battle seems to be on the way to being won by powers of good, we are still far from victory, Read more ...