CDs/DVDs
Nick Hasted
Alabaster DePlume, aka Mancunian Gus Fairbairn, has been an antically charming performer, confounding unsuspecting crowds with tenderly comic philosophy, voice Tiny Tim-eccentric yet alive to mental fragility, and attuning listeners to the brave possibilities in their every breath. Operating at a quizzical angle to London’s jazz scene, he surfs his own, sui generis wavelength.Working with West Bank Palestinian musicians during the Gaza War had clearly changed DePlume in gigs in Brighton and Norway’s Moldejazz festival, and A Blade Because A Blade Is Whole. He sometimes found elevated Read more ...
Liz Thomson
For as long as I can remember – back when I was not yet a teenager, listening to Joan Baez first as a way to learn guitar – voices and lyrics have been the elements that have drawn me in. It’s the timbre, the grain of the voice. A voice that is always unique, instantly recognisable. That owes nothing to techno-wizardry. A voice that is at least as good live as it is on audio.Unliked Baez, Mary Chapin Carpenter doesn’t possess a conventionally great voice, but she certainly possesses a very beautiful one. The tone colour is warm and intimate; confessional even. She’s pitch-perfect, utterly Read more ...
graham.rickson
Fantômas was the creation of French pulp novelists Marcel Allain and Pierre Souvestre, whose titular criminal genius made his first print appearance in 1911. An amoral sadist with a talent for disguise, Fantômas made his first film appearance two years later in a five-episode crime serial directed by Louis Feuillade. Feuillade’s sober, stripped-back adaptation was hugely influential and the template for subsequent attempts to put Fantômas on screen. Until the mid-1960s, that is, when André Hunebelle helmed three brightly coloured Fantômas romps which so enraged co-creator Allain that he Read more ...
Katie Colombus
Some albums announce themselves with a roar. Others arrive quietly, kind of casually strolling into your life when you weren’t looking. Returning to Myself did the latter. Brandi Carlile’s most recent record just appeared, like an old friend in the doorway with a bottle of wine and an understanding nod. It is my album of the year not because it is loud or revolutionary, but because it is steady, wise and exactly what I needed.The title track began life as a poem, scribbled alone in Aaron Dessner's studio after years of Carlile supporting other musical legends: Joni Mitchell, Elton John, Read more ...
Kieron Tyler
“The wonderful Mirra exists in its own space.” Back in August, that was the conclusion of my review of Benedicte Maurseth’s then-new album. Living with this “stunningly intense,” “haunting, intense evocation of Norway’s uplands and its wildlife” hasn’t changed this impression. Moreover, over the ensuing months, the impact of this exceptional collection of eight interrelated compositions has increased. Benedicte Maurseth is Norwegian. Her main instrument is the Hardanger fiddle – with its second set of sympathetic, drone-generating, strings. This, together with Mirra’s concern with Read more ...
Mark Kidel
My musical year isn’t primarily made up of albums – there are so many other ways of enjoying “New Music” – not to mention the classical which I follow too. Bon Iver’s SABLE fABLE, offered delightful acoustic-driven sounds, that trod familiar ground, but the best of a wonderful album demonstrated how open he is to collaborations, in this case with artists such as vocalist Dijon, and producer Jim-E Stack, both of whom discoveries for me, and whose own work led me down so extraordinary sonic rabbit-holes. I have returned to this album a great deal, and the inventiveness and emotional power Read more ...
Tim Cumming
Mark Rothko’s colour field paintings invite contemplation, reflection, quietude, association, and in British, Irish and Scottish folk this year, that feeling of an open field, a depth of focus and an appetite to enter arrestingly abstract areas marks out a disparate range of albums of the year.It’s part of the magic and ambience of fiddle-guitar duo Spafford Campbell’s compelling second set, Tomorrow Held. They explore the quiet end of the open field, the title track a haunting 14-minute centrepiece, expanding that sense of space in their music to cosmic dimensions. On opening track “ Read more ...
Thomas H. Green
Yes, I know. Maybe everything bitched about them is true; an eye-watering marketing push, cynically calculated, monied, etc. Maybe it is not. I’ve no real idea.But, but, but, the second album by this London five-piece is my most listened-to of 2025 – and it only came out in October. In the end, all that will be left is the music, the rest history. Just think of The Monkees. The cool kids loathed this manufactured TV group in the 1960s, but who listens to “Daydream Believer” today and froths with the same indignation?From the Pyre is a gem, start-to-finish, a perfect balance of Sparks-like pop Read more ...
graham.rickson
Family crises and relationship breakdowns are familiar subjects for films to tackle. Both are central to Aribam Syam Sharma’s 1990 feature Ishanou (The Chosen One), where divine intervention wreaks havoc on a middle-class family living in India’s remote north-eastern Manipur province. Husband and wife Dhanabir and Tampha (Kangabam Tomba and Anoubam Kiranmala) are celebrating their young daughter’s transition to adulthood by having her ears pierced as part of a Meitei religious ceremony. Tension between the pair is signalled early on when Tampha rebuff’s Dhanabir’s attempts to embrace her. The Read more ...
Joe Muggs
One of this year’s best music books, Songs in the Key of MP3 by Liam Inscoe-Jones, paints a picture of musicians of the “streaming era” having a different relationship to the past, compared to those of… well, the past. He shows how artists like Dev “Blood Orange” Hynes have adapted to mass availability of culture by indulging not in nostalgia for something vague, but using the endless micro detail at their fingertips for reconstructing, picking up unfinished business, creating “alternative presents” from which new lineages might branch off.So it is with a lot of this year’s best records. Read more ...
Guy Oddy
In all honestly, 2025 has not been a vintage year for new recorded music and there certainly seems to have been a significant paucity of high-profile album releases that are likely to be viewed as stone-cold classics in years to come. Nevertheless, there has been gold for those prepared to look hard enough.Swiss electro-rock veterans, the Young Gods unleashed a techno-metal monster, Appear Disappear, that dug deep into an intoxicating malevolence with their muscular, sample-heavy electronics and live percussion. Soulwax brought us the gritty electro-pop flavoured All Systems Are Lying. While Read more ...
Guy Oddy
Among millennials, Taylor Momsen is likely to be primarily remembered as an actor of things relatively sweet and family friendly. She appeared in Spy Kids 2 and TV’s Gossip Girl, but most notably as Cindy Lou Who with Jim Carrey in How the Grinch Stole Christmas at the turn of the century.Since then, of course, she’s reinvented herself as the post-grunge front woman of the very successful Pretty Reckless. As a rock’n’roller, she may like people to believe that she’s something of a replacement Courtney Love but actually she really inhabits Avril Lavigne-like territory. Still, she’s not Read more ...