Features
Demetrios Matheou
In his biography The Magic Lantern, Ingmar Bergman recalls his first encounter with the Swedish island of Fårö, in 1960, when location scouting for his next film, Through A Glass Darkly. A last, desperate bid by the film’s producers to find a cheaper setting than Orkney turned out to be fortuitous in more ways than they could have imagined.“If one wished to be solemn, it could be said that I had found my landscape, my real home,” Bergman recalls; “if one wished to be funny, one could talk about love at first sight.” He told his cameraman Sven Nykvist “that I wanted to live on the island for Read more ...
Jasper Rees
“Jodie is a remarkable young woman. She’s game. She’s a good actress, and she’s willing.” So said Peter O’Toole of the first female Doctor Who. Jodie Whittaker, born in 1982, is best known for Broadchurch on the small screen and Attack the Block on the big screen. But there’s a lot more to her than those two roles.At 23 and fresh out of drama school, she starred opposite O’Toole in Venus as a surly teenager from Yorkshire who captivates a withered old actor. The role, written by Hanif Kureishi, allowed her to paint with many colours. Her character Jessie is by turns sullen, unimpressed, Read more ...
Deborah Bruce
My inspiration for The House They Grew Up In, my new play at Chichester Festival Theatre came about five years ago, in the café of an art gallery near my house. This café had a slightly intimidating air, full of its own importance, as if the art in the adjacent rooms elevated it above the normal status of a café. I’m not sure how I had ended up in there myself really, but I noticed two people at the next table that seemed particularly out of place.I have always people-watched, and on that day I felt so drawn to this man and woman.I listened intently to her sentences broken into small anxious Read more ...
ronald.bergan
The sleepy, picturesque Czech spa town of Karlovy Vary (formally Carlsbad) wakes up every July to the noisy bustle of one of Europe's oldest, largest and most vibrant film festivals. Backpack-toting youngsters come from all over the Czech Republic to see as many as six movies a day and then party through the night. In fact, during the festival, the average age in the town is around 22; the day after it closes it shoots up to 72. (It is a favourite watering hole for wealthy, corpulent Russians.)Once you step out after a two-hour drive from Prague, the vibrant atmosphere hits you. What you hear Read more ...
theartsdesk
It’s the best-looking Proms season on paper for quite a few years. That might just be a different way of saying we like it, but no-one could reproach Director David Pickard for lack of original programming or diversity (look at the whole, bigger than ever, and who but a click-baiting controversialist or the more conservative diehards could resent the appearance of Sir Tom Jones, still top of his art?) Enjoy the many European visitors, including the Deutsche Kammerphilharmonie Bremen, the Orchestra of La Scala Milan and the Vienna Philharmonic, while you can; it may not be so easy to bring Read more ...
Roderick Williams
“So, what do you do for a living?” You might think this question, the mainstay of any polite conversation with a new acquaintance, would be just the moment any opera singer would relish. Here is the chance to declare who we are, what we do, and to bask in some adulation. “An opera singer? No, really? That must be so glamorous…” and so on.That may not necessarily be the case, however, at least not for all of us. I was talking to a soprano colleague the other night and she admitted that she tries to keep her profession out of such a conversation as long as possible. It might be her only chance Read more ...
Matthew Dunster
When you are adapting a novel like A Tale of Two Cities, it's a privilege to sit with a great piece of writing for a considerable amount of time. You also feel secure (and a bit cheeky) in the knowledge that another writer has already done most of the work.I always have an eye on the final production, whether I'm directing it or not. I want to always be thinking about what theatre and theatre artists can achieve on behalf of the novel. So the adaptations hopefully aren't like dialogue-led plays, more like scores for the theatre. Tim Sheader, the director, and I, love Dickens. We re-read Read more ...
David Nice
While Merkel's Germany has won back world leadership, Wagner's festival shrine at Bayreuth lost its post-war pre-eminence years ago. There hasn't been a strong Ring there since Kupfer's, which I was lucky enough to see in 1991, and things will only improve with the departure of overweening Katharina Wagner and Christian Thielemann (fine conductor, disastrous people-person). Over the last decade the palm has passed to stripped-back concert stagings vindicating focus on music and character: the Proms spectacular of 2013, the culmination of Opera North's long-term project in full cycles last Read more ...
David Nice
The time is out of joint for Turkey at the moment, but it’s still a country equally split between those looking to the west for the culture of ideas and the more conservative element which at least needs its voice respected. They co-exist peacefully in a great cosmopolitan city like Istanbul, which recently joined Ankara and Izmir in rejecting increased powers for its leader. Facing difficult challenges and late cancellations, the vivacious Yeşim Gurer, director of the 45th Istanbul Music Festival, held a fine balance between the urban intelligentsia's hunger for fine western ensembles and Read more ...
Iestyn Davies
Tomorrow Britten’s opera A Midsummer Night’s Dream will begin a short run at the Snape Maltings, Suffolk in a new production directed by Netia Jones and conducted by Ryan Wigglesworth. It will mark the high point of the Aldeburgh Festival’s summer celebrations half a century on from the opening of the Snape Maltings concert hall. It is therefore more than a happy coincidence that back in 1967 the "Dream" was aired as part of the hall’s maiden season.I shall be performing the countertenor role of Oberon. Alongside me will be soprano Sophie Bevan as Tytania, bass Matthew Rose as Bottom, a Read more ...
theartsdesk
The first of Jiří Bělohlávek’s final three appearances in London, conducting his Czech Philharmonic in a concert performance of Janáček’s Jenůfa, came as a shock. The trademark grey curly hair had vanished. Clearly he had undergone chemotherapy, but we all presumed – since no-one pries in these instances – that what had to be cancer was in remission. By the time of his Dvořák Requiem at the Barbican in April, the assumption was that he would carry on for an indefinite period of time. So his death at the untimely age of 71 last Wednesday came as a surprise even to those who knew him better Read more ...
Ismene Brown
Just as the 200th anniversary is about to be celebrated of the great genius of 19th-century classical ballets, Marius Petipa, the creator of The Sleeping Beauty, Don Quixote, La Bayadère, half of Swan Lake, and many other masterpieces, his oeuvre's most remarkable reconstructor has died suddenly, aged only 55. Sergei Vikharev was the passionate pioneer of a brave new movement to install period sensibilities in an artform that had long become the plaything of its performers and coaches rather than its creators, and his death is devastating timing for ballet as well as for his family and Read more ...