Features
Claudia Daventry
A year plagued by Coronavirus is surely a time to dust off a seldom-aired poetic form, the Corona of sonnets, which was first dreamed up – officially, anyway – by the Siena Academy. John Donne used the form to illustrate the circularity of existence and our connection with a creator, later expressed – in poetry – in Eliot's "in my end is my beginning".Your basic Corona is seven sonnets long: I’ll say "only" because a step up from this is what’s known as a Heroic Corona - a 15-sonnet marathon in which each sonnet starts with the last line of the previous sonnet until the game is completed with Read more ...
Katherine Hunka
As a musician I spend so much time on the road that a day spent at home is a rarity. And now, with the restrictions we all face, and concerts an impossibility, I am becoming a keen gardener and making a lot of soup. It is also a time of reflection. There is nothing like being told to stay at home to make you think about how home came about, particularly when it’s abroad. My 20-year-old self would never have dreamt of anywhere other than my home city London as base.The invitation to work in Ireland came out of the blue; they were head hunting. I was told I would be put up in the picturesque Read more ...
Matt Wolf
No one can accuse the gods of streaming of failing to cast a wide net. That's even more so with an array of streaming opportunities over the next week that ranges from Off West End Ibsen given a second chance to shine to an online encounter with, yes, The Encounter, and, should you wish, with its protean creator and leading man, as well. There's a reminder onhand of a time before the recent film of Cats when a furry Rebel Wilson wasn't yet a collective memory, while the National's much-traveled Barber Shop Chronicles journeys this time right into your home. For more on these various Read more ...
mark.kidel
The day that Little Richard’s death was announced, my friend the soul singer PP Arnold wrote on her Instagram feed, of a “sanctified boogie-woogie piano style that was just electric”. She went on, recalling first hearing the man’s undiluted craziness: “I loved it when he did that "ooo" thing after the “Tutti Frutti aw Rudi” bit that sounded like one of the high soprano sisters in church”. This recognition of the essence of Little Richard’s unique artistry comes from a soul diva best known for her time as an Ikette with Ike and Tina, her Sixtie’s hit “The First Cut is the Deepest”, and her Read more ...
theartsdesk
At the end of an exhausting day's driving punctuated by disappointments and false leads, the narrator finds herself back at the Israeli town of Nirim where she spends the night. Slipping off early in the morning, she first fills her eyes with the view of Gaza on behalf of her colleagues who grew up there and now live in the West Bank. Driving south, she stops at a cluster of houses that might be a forgotten village.–––––I keep driving, past barren hills that slowly turn into pale yellow sand again, while the traffic diminishes until there are no other cars. Now, the only movement belongs to Read more ...
Matt Wolf
Has anyone else noticed how fulltime this streaming thing has become? Those who were of a mind to (and who never slept) could find enough cultural output to satisfy 24/7, especially if one adds to the free offerings that crop up by the week the ongoing back catalogue made available on sites such as Marquee TV or Digital Theatre, and the like. While those platforms continue to roam freely across productions and even art forms, each week brings with it a fresh supply of intriguing fare. This week's lineup includes curiosities from the very different minds of Andrew Lloyd Webber and David Read more ...
Gerard McBurney
November 1979… and a small group of Soviet composers (dubbed the "Khrennikov Seven") unexpectedly found themselves the targets of a boorish public assault by that once infamous General Secretary of the Union of Soviet Composers, in a speech at the organisation’s Sixth Congress in Moscow, describing them as “pretentious… pointless… sensation seeking… noisy filth… a so-called ‘avant-garde’…” Dima and his wife, Lena Firsova, were among that seven, along with Denisov, Gubaidulina and others. Their offence? That their pieces had been performed in a “modern music” festival in Cologne (in “the West Read more ...
theartsdesk
The second half of Minor Detail is narrated in the first person by a young Palestinian woman who reads an article about the rape and murder of the captured girl. When she finds out the crime took place exactly 25 years before her birth, she determines to visit the archives to find out as much as she can about the girl and the case as possible – but for that, she needs to travel out of the West Bank. The journey is not far in miles, but as a Palestinian it is not straightforward.–––––I call the author of the article, an Israeli journalist, and try to pass myself off as a self-confident person Read more ...
Katherine Waters
Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art, sonic installations – are now all in the same place, namely the internet. In a way, it’s exciting to have so much accessible. In another it’s deeply dreary; when viewed via a screen things are literally flat.However, though we expect words to be 2D, they conjure in different dimensions. Visual Verse is a digital publication dedicated to ekphrasis Read more ...
theartsdesk
The first half of Minor Detail is set in an Israeli military camp in the Negev desert in August 1949, during the conflict celebrated as the War of Independence in Israel and a year after the mass expulsion mourned as the Nakba in Arabic in which around 700,000 Palestinians permanently fled their homes. It follows a senior military officer in charge of reconnaissance. After days of searching among the dunes, his patrol eventually comes across a group of Bedouins at a spring. After the patrol guns down the men and their camels, the commander brings the girl who has survived the slaughter back Read more ...
David Nice
It seems like a different world when the Berlin Philharmonic and Simon Rattle gave a full concert to an empty hall as the world began to go into lockdown. Now, on continental Europe at least, orchestral musician plus the occasional star conductor and soloist(s) are cautiously reuniting in smaller numbers, though still as yet without a live audience. We look on from the UK, behind as we are in possibilities of release from quarantine, but even here there are a few hopeful signs of players being able to do more than join each other virtually from their own homes. Oslo Philharmonic's Read more ...
Sam Yates
I am fortunate to have worked as a director in theatre, film, television and radio, and so it was hugely intriguing to be invited to direct an online reading of Tom Stoppard’s beautiful 1964 play, A Separate Peace.Here was a new form which could certainly borrow from existing forms, and I soon realised the question we should be asking was not, “What is an online reading?”, but “What could it be?”Limitation, like desperation, can be the mother of invention. In the theatre, we can’t afford 20 actors, so we must figure out how to do the play with eight. In film, a location flooded Read more ...