Film
Daniel Baksi
There is little denying that the Antarctic continent is no longer possessed of the allure that it once was. By all accounts, particularly those unspoken, Antarctica has been betrayed, usurped, eclipsed.Beyond the sober walls of research laboratories, or the heady enthusiasm of university corridors, people today have scant interest in the icy land mass, twice the size of Australia, on average the coldest, driest, windiest of continents, home to penguins, seals and tardigrades, that 2016 Animal of the Year, though it may be.What has taken its place? “No single space project... will be more Read more ...
Sebastian Scotney
The Duke, directed by the late Roger Michell (1956-2021), is a delight. At its heart is a towering, defining performance from Jim Broadbent and an unforgettably surprising role for Helen Mirren.Broadbent plays a real-life character, the Newcastle taxi driver Kempton Bunton (1904-1976), who stole Francisco Goya's "Portrait of the Duke of Wellington" from the National Gallery in 1961. He returned the picture much later and also confessed to the theft.There is a wonderfully ironic plot-line running through the film. The police pompously, plummily speculate about who might be Read more ...
Nick Hasted
Edmond Rostand’s familiar story of ventriloquised love becomes a sensual, sacrificial tragedy, in Joe Wright’s heady cinematic Valentine, adapted by screenwriter Erica Schmidt from her own stage musical, with music by members of The National.The setting is somewhere between the 17th and 18th century, earthy history and fairy tale. We begin in the boudoir of Roxanne (Haley Bennett), as her maid explains the female facts of life: “Children need love, adults need money.” Cash comes from the sinister Duc de Guiche (Ben Mendelsohn), who sweeps her off to the theatre; en route, Wright builds a Read more ...
Saskia Baron
La Mif is French slang for family - it’s the cool kids practice of reversing key words known as ‘verlan’ (itself l’envers backwards) to create their own language. Director Fred Bailif definitely wants to be down with the kids with this drama that uses many of the tools of documentary filmmaking. Set in a care home for troubled teenagers on the outskirts of Geneva, the cast of feisty girls and well-meaning keyworkers are non-professionals. The script draws on improvisation sessions with the performers, who all have experience of living or working in the care Read more ...
Adam Sweeting
You generally find that a movie with Andrea Riseborough in it is worth a look, and so it proves here. Written and directed by Belfast-born Stacey Gregg, Here Before is a nicely-focused story which plays echoes of the supernatural off against a taut family drama set in a naturalistic, usually rain-dampened Northern Ireland. Refreshingly refusing to outstay its welcome, it profits from recognising its limitations (ie a small budget) and working within them.Laura (Riseborough) and Brandon (Jonjo O’Neill) are maintaining an even strain, keeping the family home ship-shape while bringing up their Read more ...
Adam Sweeting
Even today, Charlie Chaplin still earns glowing accolades from critics for his work during the formative years of cinema, though a contemporary viewing public saturated in CGI and superheroes might struggle to see the allure of his oeuvre as the “Little Tramp”. Nonetheless, his films such as City Lights, Modern Times, The Gold Rush and The Great Dictator are built into the foundations of motion picture history.As its title reveals, this new documentary, directed by Peter Middleton and James Spinney, pitches itself as a quest for the “real” Chaplin, surely something of a wild goose chase since Read more ...
Sebastian Scotney
Publishing this review of In the Realm of the Senses the day after Valentine’s Day feels very strange. Nagisa Ōshima’s 1976 film is about sex and obsession. Sexual games that start with insatiable lust progress to hitting, a choking to death, and a particular kind of dismemberment. What's love got to do with it? Good question.This has to be the film for people in the habit of complaining that what they are watching is not transgressive or provocative enough. Ōshima was setting out to provoke. As Ian Buruma has written, the director's “thwarted political subversion had morphed Read more ...
Saskia Baron
With some films it’s all about the editing, a brisk parade of striking images accompanied by a kinetic score. And then there are films like Hamaguchi Ryusuke’s Wheel of Fortune and Fantasy and the Oscar-nominated Drive My Car, where the camera stays still and watches the performers watching each other talk.Long, mainly static dialogue scenes mean that every small zoom, edit, or pan draws attention to the moment, highlighting the shift in the director’s gaze. Movies like this bring the essential voyeurism of cinema to the fore; in real life you don’t get to stare at Read more ...
Veronica Lee
Lots of drama follows well-worn paths; just as we expect that in a tragedy that Chekhov's gun (or variants of it) will deliver the denouement, so we know that in a romcom the two leads will end up together. So – no spoilers, but you know the drill – Jennifer Lopez and Owen Wilson's characters overcome all sorts of obstacles that could thwart their romance. Only in Kat Coiro's film (based on a graphic novel by Bobby Crosby), it's after possibly the most preposterous set-up yet.But it delivers. Lopez is pop star Kat Valdez, about to marry her equally famous beau, singer Bastian (Maluma), at a Read more ...
Veronica Lee
Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the wait? Not really.Oh, it's as sumptuous as Branagh's first Christie adaptation, Murder on the Orient Express (2017) and boasts more gorgeous scenery, but it's noticeably less star-packed. If the cast of the train whodunit were all comfortably seated in Hollywood's first-class carriage, most of the Nile riverboat passengers are, with no disrespect Read more ...
Saskia Baron
It’s good timing for the release of Flee in UK cinemas. The Danish movie has just made Oscar history by being nominated in three categories – Animated Feature, Documentary, and International Feature and is bound to win in at least one of them. Flee's director Jonas Pohar Rasmussen tells the story of an old school friend, who was smuggled into Denmark in his teens when he was a desperate Afghani refugee. In order to protect his friend, who had a long, traumatic journey and is now a high-achieving academic, Rasmussen has changed his name to Amin, but we’re assured that this is a true story Read more ...