Film
Mark Kidel
Claude Sautet’s gripping noir thriller “Classe Tous Risques”, originally released in 1960, was an inspiration for Jean-Pierre Melville’s collection of peerless films set in the French underworld. Not surprising, as the script was written by the novelist and ex-cop José Giovanni, who also supplied the story for Melville’s classic “Le Deuxième Souffle”. As the excellent TV series "Braquo", written by another ex-policeman, Olivier Marchal, has shown, experience of a profession in which the boundaries between good and evil are blurred makes for convincing and emotionally engaging stories. Read more ...
Tom Birchenough
The lakeside beach that is the only scene of action in Alain Guiraudie’s Stranger by the Lake is a concentrated crucible of desires. The sense of languid summer and the limpid beauty of the lake itself, beautifully and compellingly caught throughout in Claire Mathon’s widescreen cinematography, are deceptive: this gay cruising area is a place of urgent, largely silent action, and deadly undercurrents, where sexual fascination can become potentially fatal.The film opens with the arrival of the goodlooking Franck (Pierre Deladonchamps), who parks his car, strips down, and goes into the water. Read more ...
Katherine McLaughlin
Unique, dreamy, super cool and splendidly silly, just like its maker Jim Jarmusch, Only Lovers Left Alive is a vampire flick packed full of romanticism, wit and enchanting, fuzzy music. Tom Hiddleston and Tilda Swinton are perfectly cast as a pair of vampires named Adam and Eve entangled for eternity by the bonds of love. They don't prowl around town searching for victims, instead they live peaceful existences surrounded by the “human zombies” who are slowly ruining their beloved planet.LA is “zombie central” according to Adam (Hiddleston), an ex-rock star who now hides away from the Read more ...
Katherine McLaughlin
Hopelessly devoted women queuing up for hugs and to cut a rug with a playful John Travolta all dressed in black were just two of the highlights of an often pensive and surprisingly serious discussion, hosted by film critic Barry Norman, but one that still came littered with moments of real fun. “I want to make love to you all!”, Travolta exclaimed as he came out on stage to rapturous applause and screams of adoration.Preceding Travolta’s lively "Stayin' Alive"-flanked entrance to the Drury Lane stage where the dimple-cheeked actor gamely struck his famous pose from Saturday Night Fever, the Read more ...
Thomas H. Green
The primary DVD extra with Captain Phillips is an hour-long behind-the-scenes featurette. Most heavyweight Hollywood films have these but they’re often backslap-fests with little true revelation. The Captain Phillips featurette bucks the trend with genuine insight into the film-making methods of Paul Greengrass.Captain Phillips is classic Greengrass, close in flavour to his shockingly powerful United 93. He combines earnest attention-to-detail coverage of the minutiae of extreme situations with a fat-free forward-driving narrative and enough glimpses of real humanity to keep the emotions Read more ...
emma.simmonds
Long before the stars had begun walking (and working) the red carpet, this year's British Academy Film Awards were a hot topic. Unfortunately it was for all the wrong reasons. A whistleblower writing for the Daily Mail alleged that many of the Academy's 6,500 members make little effort to consider the full gauntlet of options, often voting for the big-budget American favourites sight unseen. Furthermore, the dubious inclusion of Saving Mr Banks, Rush and Gravity in the Outstanding British Film category edged out smaller, less controversially British efforts (the excellent For Those in Peril Read more ...
Jasper Rees
Nowhere near enough was said by James Gandolfini before he died at the age of 51 in 2013. His monument is of course Tony Soprano, but in this late role he unveiled a charming doughy side as the bruised romantic lead in Nicole Holofcener’s lo-fi autumnal romcom.Enough Said was conceived as a vehicle for Julia Louis-Dreyfus, formerly of Seinfeld and latterly of Veep. She plays masseuse Eva, who ticks all the genre’s boxes: goofy, kooky, adorable and borderline desperate. She and big slobby Albert (Gandolfini), both with daughters about to desert the nest for college, swiftly laugh each other Read more ...
Demetrios Matheou
Stranger by the Lake is something of a wonder, a superbly made amalgam of Hitchcockian psychological thriller and explicit homoerotica, whose very presence in commercial cinemas defies convention. Yet the sheer quality of Frenchman Alain Guiraudie’s film can’t be denied. Since proving one of the must-sees of Cannes in 2013, where Guiraudie won a directing prize and his film the Queer Palm, it built a word-of-mouth momentum that led to it featuring high on critics’ best-of-year film lists.The location is a pebbly lakeside beach and surrounding woodland; the beach is nudist, exclusively male Read more ...
james.woodall
He cuts a dash, that man Cave. Very tall, gangly, with his idiosyncratic snub nose and upside-down-U-shaped hair, the Australian is a one-off. His growly music isn’t always easy to like. In his fury days with the Birthday Party and the Bad Seeds, he was a post-punk rock poet. He has, of course, oceans of fans. It goes without saying that they will be a-quiver at 20,000 Days on Earth (20,000 was the number of mortal days Cave had notched up three years ago when this documentary started: he’s now 57).You'd probably have to be pretty hard core to relish much of the twiddling and impro of the new Read more ...
Tom Birchenough
The Chinese thriller Black Coal, Thin Ice by director Diao Yinan won the Golden Bear at the closing ceremony of the Berlinale last night, as well as picking up the best actor prize for its star Liao Fan.It was a night for Asian cinema in general, with the best actress award given to Japan’s Haru Kuroki, playing in veteran director Yoji Yamada’s The Little House, while Chinese cinematographer Zeng Jian came away with the Silver Bear for outstanding contribution in the technical categories for his work on Lou Ye’s Blind Massage.Expectations were high for 'Boyhood' by Berlin favourite Richard Read more ...
Tom Birchenough
You couldn’t imagine The Kidnapping of Michel Houellebecq (****) coming out of anywhere except France. Three years ago the enfant terrible of French literature vanished for some days from a book tour, giving rise to rumours as extreme as that he had been kidnapped by Al-Qaida. Guillaume Nicloux’s wry and eccentric comedy, playing in Berlinale’s Forum programme, recycles that legend, only in his film Houellebecq is vanished to a gypsy compound outside Paris where he’s held in circumstances that couldn’t be friendlier.Nothing then of the atmosphere of Houellebecq’s most recent Goncourt Prize- Read more ...
Tom Birchenough
Back in the 1950s the Zurich underground club Der Kreis was a rare beacon of tolerance of homosexuality in Europe. Fitting then that Swiss director Stefan Haupt’s drama-documentary of the same name, The Circle (****), won this year’s Teddy award at the Berlinale, in the documentary category: the Teddies have been going since 1987, making them no less of a pioneer in the gay world, their brief to acknowledge and support LGBT cinema from around the world. (The maelstrom that is the Berlinale’s programming meant I missed the Portugese drama, Daniel Ribeiro’s The Way He Looks that took the Teddy Read more ...