Features
simon.broughton
The Ghetto Heroes Square in the Muranow district of Warsaw is a bleak place surrounded by drab apartment blocks. But at its centre there’s now a new building that attracted over 15,000 visitors in the first two days of its opening on 20 and 21 April, the 70th anniversary of the Warsaw Ghetto Uprising of 1943. It’s particularly remarkable as the building doesn’t yet have any exhibits on show. But Daniel Libeskind’s extension for the Jewish Museum in Berlin also opened so people could experience the building itself before the exhibition was installed – and reveals a country that is coming to Read more ...
Mark Dery
Are Anglophiles born or made? Or cultured in a medium of suet and sentimentality, romanticism and Marmite? Inexplicably, this question has gone begging, at least in the States. Perhaps American scholars deem the subject too frivolous to merit academic scrutiny in the same way that camp, kitsch, and cuteness had to wait for freelance intellectuals like Susan Sontag, Celeste Olalquiaga, and Daniel Harris to legitimise their study. Of course, the whiff of Toryism or just garden-variety snobbery clinging to Anglophilia has left it in permanently bad odour with American cultural theorists, most of Read more ...
David Nice
What’s the perfect Glyndebourne opera? Mozart, of course, must have first and second places with Le nozze di Figaro – Michael Grandage’s lively production of country-house mayhem is revived again this season – and Così fan tutte. Then comes Amadeus’s greatest admirer, Richard Strauss, and Ariadne auf Naxos - his most experimental collaboration with his then-established house poet for Elektra and Der Rosenkavalier, Hugo von Hofmannsthal.The life-meets-art drama of a mythic opera seria to be staged in the palatial home of "the richest man in Vienna", whose whims mean that a commedia dell’arte Read more ...
David Nice
It took Sicilian aristocrat Giuseppe Tomasi di Lampedusa, melancholy last scion of a never very reproductive family, a lifetime to get round to writing one of the 20th century’s greatest novels. Publication of The Leopard (Il Gattopardo), based on the life of the author's great grandfather and the changes of the risorgimento, only took place over a year after Lampedusa’s death in July 1957. Events then moved very fast. By March 1959 the book had gone through 52 editions. French and British translations won a warmer critical press than in Italy, but it was there that Luchino Visconti made his Read more ...
Peter Culshaw
Lake Chapalá begins just south of Guadalajara in the state of Jalisco. In case there’s any doubt we’re in Mexico, a mariachi band are propositioning the families who stroll along the waterfront and doing good business in their silver tunics and red cummerbunds. A shoeshine boy with his box and brush is pointing hopefully at dusty footwear, and another boy is selling hammocks. Couples are sweetly holding hands on their Sunday-morning paseo. It’s a tranquil scene.Glittering dark birds skim the surface of the water and waterfowl wallow in the reeds. Swallows swoop and elegant white egrets perch Read more ...
Nick Hasted
Cheltenham is the Dubai of the Cotswolds: a modestly populated town of 100,000 with sufficient wealth and influence to attract disproportionately lavish art and sport to its genteel Georgian streets every summer. Its jazz festival, in its 18th year, has the added advantage of a founder (Jim Smith) and artistic director (Tony Dudley-Evans) with real love and commitment for the music. A mix of vaguely jazz-inflected pop stars and the cream of international jazz, established and on the way, are these days concentrated in tented venues in leafy Montpelier Gardens (pictured below), putting Read more ...
Johnny Tudor
Very few young people know her name today, but Dorothy Squires was the singing sensation of the Fifties and Sixties, and even 30 years ago this talented but difficult star was a regular feature of the headlines thanks to offstage dramas and scandals. But who was the real Dorothy Squires? I first remember meeting Dorothy Squires, as she renamed herself, when I was only three years old. My father, Bert Cecil, a pianist, had befriended her when, aged 15, she had gone to London armed with nothing more than hope and a train ticket.Edna May (her real name) was born in Llanelli in 1915 into a poor Read more ...
Peter Culshaw
Manu Chao isn’t exactly a household name in the UK. In much of Latin America and Europe, however, he’s an iconic figure who is probably the closest thing to Bob Marley there is, a symbol of hope for the dispossessed. He’s a somewhat elusive figure, a wandering artist who for years never had his own place, a mobile phone or a watch, forever on the move, addicted to travel. In the title song of his 1998 multi-million selling classic Clandestino he sings of how “to run is my destiny... lost in the grand Babylon.” The song is not just autobiographical, but is also about the hypocrisy of Western Read more ...
simon.broughton
The work of Alphons Mucha (1860-1939) is immediately identifiable with its decorative flowers, delicate colours and wide-eyed women staring seductively at the viewer. He was one of the pioneers of art nouveau and the art of advertising. In Prague an exhibition recently opened which is packing them in at the glorious art nouveau Obecni Dům (Municipal House) in the centre of the city.Ivan Lendl: Alphons Mucha is the most comprehensive exhibition of Mucha’s original posters and graphic work ever presented – from the collection put together by Czech-born tennis star Ivan Lendl over the past 30 Read more ...
graham.rickson
John Schlesinger’s 1963 film of Keith Waterhouse’s novel is 50 years old. It’s just been reissued in a pristine print by Studio Canal, and looks stunning in its new incarnation. What began as a claustrophobic three-act play was brilliantly opened out by the film’s director, and the widescreen format feels wholly appropriate.Watching the film again after several years, it’s the bleakness which hits home. There are laughs, but the overall tone is so sombre, so downbeat; this is a story about restricted ambition, narrowness of outlook and missed opportunities. Without Waterhouse’s wry humour, Read more ...
Peter Michael Marino
If this native New Yorker were in a relationship with the city of London, our Facebook status would read: “It’s complicated.” We’ve been through hell together. London is one of my favourite cities. I blissfully cross the pond several times a year to teach and to see my mates. But, this fabulous city also bestowed on me the worst reviews I’ve ever gotten in my life. So, why the heck am I coming back to do yet a show about the very show that shattered my dreams? Insane!In 2007, I conceived and wrote the musical version of the Madonna movie Desperately Seeking Susan - which featured the hit Read more ...
Jasper Rees
In recent years theatre has sought assistance from a pair of popular art forms. Shows based either on movies, or on pop groups’ back catalogues, have become mainstays of the theatrical economy. So the latest musical to open in the West End has the whiff of boardroom cynicism. What happens when you randomly select a famous film and an iconic songbook, yoke them together and shove them out in front of the footlights? You get Desperately Seeking Susan, a 1985 film which starred a chubby-cheeked Madonna (pictured below), but featuring the greatest hits of Blondie.In fact the idea has the Read more ...