Features
ash.smyth
So, Birdsong is over, and for all the arts-crit ink spilled upon it I am still none the wiser vis-à-vis my three main points of concern. First: it is a truth universally acknowledged (I asked around) that the most memorable episode in the Faulks novel was the one about the blowjob. This scene was not so much absent from the TV version as, er... cunningly re-gendered. Why?! Second: there was, in the first few minutes of the "drama", a superfluous and sarky line (by a Frenchman, obviously) about modernist composers who can only work around four notes. Which was not Read more ...
graeme.thomson
Exactly three years ago, late in the morning of 29 January, 2009, the news began to circulate that John Martyn had died at the age of 60. I spent the following 24 hours or so talking to many of his cronies to help assemble a tribute feature for a music magazine. Chris Blackwell, the man who had signed him to Island in 1967, had just stepped off a plane in Jamaica. He sounded fuzzy and uncertain. He knew Martyn was dead but needed details. “What happened, I haven’t heard?” he asked. Pneumonia, I told him. “Ah, God, that’ll do you in.”Bert Jansch sounded even more doleful and lugubrious than Read more ...
ronald.bergan
The news that work is to begin in February on a major renovation of the 122-year-old Eiffel Tower reminds us that no other monument in the world, including the Statue of Liberty, the Houses of Parliament or the Coliseum, conjures up a city with such immediacy, and none with so much romance. According to Roland Barthes, “the Eiffel Tower is nothing but a place to visit. Its very emptiness marked it as a symbol, and the first symbol that it called to mind, by logical association, was inevitably that which one ‘visited’ at the same time as the tower, namely, the city of Paris. It is Paris by Read more ...
Lisa Dillon
I have never seen another Kate so I didn’t have any preconceived ideas about the role. I was incredibly excited to play this woman in a play which is regarded as so heavily misogynistic and very much a battle of the sexes - to make this Kate very specific and individual and not just a sweeping generalisation of what it is to be a “woman” living in a patriarchal society.How do you go about doing that? I do believe it’s in the play, that she is as much a victim of her own behaviour as she is of the society she lives in. She has to take responsibility for that. Nobody can exist in a patriarchal Read more ...
theartsdesk
The latest in the live events staged by theartsdesk aims to shed light on controversies and myths about the value and purpose of contemporary visual art. Taking place at the heart of the London Art Fair, where more than 100 galleries will present work this week, this double debate, chaired by our visual arts critic Fisun Güner, is the place to come and ask the tough questions about the relationship between artist and viewer.But What Does It Mean? considers how much we should take into account an artist’s intention. Is the viewer’s response more important than what, if anything, the artist Read more ...
Jasper Rees
Witnesses will have been puzzled. In a southern suburb of Paris, a group of maybe 16 figures trudge with purpose along the pavement at the witching hour of half past four in the morning. Some are carrying rucksacks. We are mostly male. Mostly tattooed. We loiter, attempting anonymity.In groups of five we are instructed to march across a main road, then slip furtively out of sight behind a low barrier. The grammar of the covert military operation is unmistakable, it occurs to me, as we scuttle into position and skulk behind the wall at this ungodly time before dawn. I look at the faces around Read more ...
Jasper Rees
Wanted: classic novel, preferably 19th-century but 18th will do, or early 20th. Anything reeking of period before television acceptable, though preferably not too working class. English if poss. Barnaby Rudge need not apply.Is there a crisis in the adaptation industry? Is inspiration running dry? This Christmas a new adaptation of Great Expectations became the fifth – yes, the fifth – version of the work put out by the BBC. In a nanosecond or two the movie will follow with Helena Bonham Carter as Miss Havisham and Mike Newell (Four Weddings, Harry Potter 4) at the helm. No matter that Dickens Read more ...
Joe Muggs
Against all the odds, I find myself going into 2012 with a strong sense of optimism. And the reason? I am a born-again rave zealot. I saw it at Outlook Festival in Croatia, I saw it at Sónar in Barcelona, and I saw it at the Big Chill where I was running a stage; participatory, constructive, creative partying, where the crowds go not just to be entertained but to plug into something bigger, to be part of something.Now, I love Kanye West's music with all my heart, but the sight of his latest whining pseudo-breakdown on stage at the Big Chill just seemed like the latest peeling away of the Read more ...
Peter Culshaw
The Mayans say 2012 is The End, so this may be the very last round-up of the year. I saw possibly the best Shakespeare I’ve ever seen – a chamber version of King Lear at the Donmar Theatre directed by Michael Grandage with Derek Jacobi as the mad old King, presenting a perfectly credible mix of vanity, vulnerability, craziness and tenderness. The final scenes with Lear and Cordelia were among the most affecting I’ve seen in a theatre.I don't actually have a TV at the moment and I'm not really missing it. The television I watch these days tends to be either news viewed on a computer – Al Read more ...
theartsdesk
Competition alert! Start 2012 with a surprise arts trip. On theartsdesk we love crossing the borders - "Surprise me," was the edict of the great impresario of theatre, music, art and dance, Serge Diaghilev, and it's one we hold to here, because we believe in the pleasure of surprises. So please enter our competition, and a pair of tickets to one of the splendid events listed below could be coming your way, but you will take pot luck with which one you win, and who knows? You could discover a new passion.We will email winners on Sunday 1 January - New Year's Day - with details of how they Read more ...
howard.male
2011 was an excellent year for highly original music from female musicians, two of whom brandished ukuleles yet found quite different ways of using them.New England’s Merrel Garbus (otherwise known as Tune-Yards) put her foot down on the effects pedal and made that humble four-stringed instrument sound like a Fender Strat, while singing her Broadway meets avant-garde post-punk songs in half-a-dozen different voices on the brash and brilliant Whokill. Angry and tender, aggressive yet vulnerable, Garbus was a bolt from the blue, whereas Old England’s Mara Carlyle was more like a slowly rising Read more ...
Sarah Kent
For me, 2011 will go down as the year in which the fact that artworks have become luxury goods – playthings for the rich – could no longer be ignored. In response Damien Hirst, one of the first artists to turn himself into a brand, is sprinkling the globe with spot paintings (pictured below left). In January, 300 of the 1,400 produced so far will be shown across the world in all 11 Gagosian galleries, from New York to California, London, Rome, Paris, Athens and Hong Kong. It's the art equivalent of saturation bombing, a tactic employed to stifle any lingering hint of resistance. Shock Read more ...