Dance
judith.flanders
When the subject of funding for the arts arises, the phrase “allowed to fail” is frequently heard: artists must be enabled to try new things, press against the outer edges of what they know. Enter Anne Teresa De Keersmaeker and Jérôme Bel, two of contemporary dance’s thinkers. They have tried, and failed, to choreograph the final section of Mahler’s Das Lied von der Erde, and in that attempt, they have produced an extraordinary evening: the anatomy of a failure.As much discussion as dance, it begins with De Keersmaeker playing the famous 1950s Kathleen Ferrier/Bruno Walter recording. Halfway Read more ...
judith.flanders
“Over the top” is a curious expression. Originating in World War One, to mean going over the edge of a trench and into battle, it has altered by degrees to mean anything extravagant or outrageous. And Gloria, which is arguably Kenneth MacMillan’s masterpiece, has both the literal and figurative meanings of going over the top layered upon each other.The spare, terse set by Andy Klunder, a skeletal structure in front of a small slope, in sere, dying yellows and dried-blood reds, gives us our no-man’s-land, where soldiers (the Tommy’s tin hat is the only indication of occupation or period) Read more ...
Ismene Brown
On Saturday one of the master ballets of the Royal Ballet genius Frederick Ashton returns to the Covent Garden stage, Enigma Variations. Its owner is an architect, one of Ashton’s last friends, and one of the handful to whom the choreographer left the small number of ballets he felt would be of financial benefit to them when he died in 1988. But as time goes by, those ballets' ownership passes on to others, and worries have been mounting about their vulnerability in an art form written in ephemerality.Now that architect, Tony Dyson, has succeeded in constructing a Foundation to protect the Read more ...
judith.flanders
Rambert is making a thing of acquiring classic works from the 20th-century contemporary repertory – and a very good thing, too. First staged by them last year, RainForest, a minor Merce Cunningham piece from 1968, was recently performed by the Cunningham company itself, in London on its final tour. And yet, while that performance was straight from the horse’s mouth, I think Rambert (whisper it) in reality do it better.This is partly because they don’t have the Cunningham neutrality down pat. Cunningham’s dancers were trained to be affectless, to perform as cogs in the Cunningham machine. Read more ...
Ismene Brown
Some of the bravest people in theatre operate in the dance world. Lloyd Newson’s new DV8 production, Can We Talk About This?, tackles just as contentious and satirically explosive a subject as Javier de Frutos did in Eternal Damnation to Sancho and Sanchez, the luridly anti-Papist work that got him death threats and a BBC ban in 2009. Newson takes on Islamic fundamentalism, confronts head-on the Salman Rushdie fatwa and the multiculturalism chimera, and in doing so may have forced himself to prepare for possible reprisals - not least when he shows this at the National Theatre next spring.The Read more ...
judith.flanders
Manon is the planet around which a series of moons orbit, locked in place by her gravitational pull. There is Des Grieux, who gives up his seminary studies for nights of pleasure; there is her brother Lescaut, who translates her into cash; and there is Monsieur GM, the aristocrat who wants her body, both to possess it and to display it. They all see her as an object of desire, and their desires set the plot in motion, spinning ultimately to destruction.Sergei Polunin as Des Grieux and Gary Avis as Monsieur GM circle each other warily, and they have good cause. Polunin was making his debut in Read more ...
Ismene Brown
What lies ahead for dance as arts spending cuts bite? Can it survive the withdrawal of public funds that support dancers' training, choreographers' creativity, employment costs and health care? Is protest necessary? A panel of the British dance world's leading figures was brought together by theartsdesk for a major debate last Friday in central London, as dance faced its own Question Time.Royal Ballet ballerina Tamara Rojo and English National Ballet's managing director Craig Hassall led the ballet troops, choreographer Rosie Kay and Val Bourne, founder of Dance Umbrella, headed the Read more ...
Ismene Brown
The Sleeping Beauty was the ballet that kissed the then Sadler’s Wells Ballet into stardom in 1946; after a string of poorly conceived Beauty productions, today’s Royal Ballet hurtled back 60 years in 2006 to try to recapture some of that historic Forties magic in its current staging of this most awesome and enchanting of the classical ballets. A half-cock production resulted with an unlikely liaison of sherbert-chiffon new costumes inside picturesque Oliver Messel period sets. Now, damn the expense - here are ornate new costumes that also finally pay tribute to that historic production, and Read more ...
Ismene Brown
Port Talbot’s staging of The Passion with Michael Sheen won the highest accolade at the Theatre Management Association Awards yesterday, which honour the best of work touring Britain beyond London during the 2010-11 season.The adventurous Welsh community production, a National Theatre Wales/Wild Works collaboration put on over three days last Eastertide, won the Best Director gong for Sheen and co-director Bill Mitchell. Sheen told the awards lunch at Banqueting House, Whitehall: “This was the most meaningful and powerful experience of my life. I know this is the best thing that will ever Read more ...
Ismene Brown
As great changes happen in the British arts economy, what lies ahead for dance? What are the questions to ask about what we will watch in future, what we will create for others to see, what we will perform, what we will pay for?theartsdesk and the national dance lobby organisation Dance UK bring together seven leading arts figures for a unique and pioneering live debate on Friday, 4 November at 1.15pm at The Riflemaker Gallery in Soho. The event will be filmed and streamed on theartsdesk. UPDATE: Find the report and film of the debate here.The panel will address the crucial issues that Read more ...
Ismene Brown
The title is a warning, as is the cheesy grinning poster - this is going to be Fun with a capital F, and Feel-good too, and Family Friendly. And it is going to clean up hip hop’s badass image. I was already prejudiced against it before I sat down.Most of the best hip hop I’ve seen has been feel-bad, because anger and frustration is where all that ferocious physical articulacy, that satirical and defiant jousting with balance and tempo, comes from, and I haven’t fully bought into Kate Prince’s ZooNation and her team of dancers who always tend to look as if they're on children's telly. This new Read more ...
Ismene Brown
Wallets have been emptied by the proliferation of outstanding dance evenings in the past month - Akram Khan’s Desh, Lucinda Childs, the Merce Cunningham farewell - but increase your overdraft, for here is a heart-lifting and ingeniously ingenuous Irish dance night from Michael Keegan-Dolan and Liam Ó Maonlaí that could beat all for pure delight. Rian brought Sadler’s Wells to its feet last night in full-throated roaring and you have only tonight to catch it this time (though I'd bet my dog that it’ll be back very soon, given that kind of reception).Rian is the title of Ó Maonlaí’s 2005 album Read more ...