Dance
Ismene Brown
This week Scottish Ballet opens its new season with a ballet of genius that began life in the bath. The bath is a great place for inspiration. The Greek mathematician Archimedes discovered the law of hydrostatics in it. The choreographer Frederick Ashton also had one of his major lightbulb moments while having a soak, idly listening to the radio in 1947 when a new piece of music came on.“It was the most fascinating and perfect music for dancing,” he thought, but he’d missed the name of it so rang up the BBC, who told him it was from America and there was no English recording. After much toing Read more ...
Ismene Brown
Every time I go to Sadler’s Wells now I come out wondering if there’s something wrong with my hearing, so loud and numbing are their speakers. It’s a blight on a lot of shows, but on none more so than Shoes, because this is the first major London production written by that celebrated musical witsmith Mr Richard Thomas since his Jerry Springer, The Opera, and last night I missed probably half the words that I’m guessing should be the chief merit.So is it fair for me to say how disappointed I am by the production? You may have a better acoustic seat. On the other hand, I’m guessing that a lot Read more ...
Ismene Brown
Richard Thomas wrote Jerry Springer, The Opera, as everyone knows - and he is soon to unveil Anna Nicole, the opera. Can this be the same Richard Thomas who’s written a dance show at Sadler’s Wells, with a cheesy poster, called Shoes? It hardly seems likely. Flames, expletives, scabrous lines, suppurating satire - that’s what makes a Richard Thomas show, not (surely) tap-dancing in platforms and ballet-dancing in flip-flops?The critics will start telling you tomorrow what to think about it after tonight’s press night, but, according to Thomas himself, no one has to tell anyone what they think Read more ...
Ismene Brown
I suspect that more than half the audience that goes to see Dirty Dancing on stage has seen the 1987 movie, and that quite a few of them have seen the stage version more than once. There’s a strange feeling of being at a party where everyone knows everyone, and the party’s held nightly at the same house. It surely is not the misleading title that accounts for the wildly enthusiastic flow of fans - there’s nothing dirty about this squeaky-clean story, and there’s not that much dancing either. No, it must be that eternal celluloid magic, the girlish fantasy of entering a favourite movie and Read more ...
hilary.whitney
For the past five years British stage designer Es Devlin has been creating extraordinarily ambitious and imaginative sets for some of the biggest crowd-pullers in the music industry, from Take That to Lady Gaga. But this week she returns to her theatrical roots with a new play, Pieces of Vincent, by David Watson at the small but prestigious Arcola Theatre in London.Devlin, who is 38, was brought up in Kent and is the second of four children. Her first professional job, on the strength of winning the Linbury Prize for Stage Design, was Edward II at the Bolton Octagon after which her career Read more ...
Ismene Brown
Carlos Acosta is not just a superstar dancer with the Royal Ballet and around the world, he is an avid reader - and indeed writer. After writing his autobiography No Way Home, he has also scripted dance shows and is now writing a novel.Unsurprisingly, his thoughts and memories turn to his native Latin America - to the Chilean Roberto Bolaño (1953-2003) and the Spaniard Carlos Ruiz Zafon (born 1964) - when he chooses what next to read, a marked contrast with the heroes of European ballet dramas such as Swan Lake, Giselle and the Chekov-inspired Winter Dreams that he dances this autumn at Read more ...
Ismene Brown
In the first of a short summer series in which artists and performers tell theartsdesk about what they're reading, ballerina Tamara Rojo talks about the books she's taken with her on holiday, and what she's enjoyed reading. We run short extracts from two of them.Born in Canada of Spanish parents in 1975, Rojo came to the UK to join Scottish Ballet briefly, before becoming English National Ballet's star in the late 1990s. She joined the Royal Ballet in 2000, and since then has become a global star, as famous for her intelligence as for her supreme technical virtuosity and powers as a Read more ...
Ismene Brown
What's the preferred scoff of Moulin Rouge can-can dancers? We found out, rather accidentally, last night, if you watched the final of Celebrity Masterchef. And if the world's dancers don't beat down the doors of Paris to get in, I'll eat my chat.The three celebrity finalists (celebrities, pay attention) - actress Lisa Faulkner (Holby City, Spooks, Burn It), TV presenter Dick Strawbridge (Scrapheap Challenge) and political-scandal wife Christine Hamilton - have a final week cooking ridiculous challenges in increasingly surreal circumstances. Last night’s final-part-1 consisted of cooking Read more ...
Ismene Brown
Charm is as invisible as the circus but as undeniably present in Le Cirque Invisible, an adorable little presentation for which parents should go miles with children to see this month. Charlie Chaplin’s fourth daughter and her husband are not young things any more, and their two-person show is at least 40 years old in its various guises - but they simply keep adding and subtracting gags, costumes, dressing-up box illusions, magic tricks, rabbits, soap-bubbles, locking down a hall of children and parents for two and a half hours in raptures.Victoria Chaplin is a bendy little acrobat with Read more ...
Ismene Brown
English National Ballet turns 60 next week, and nowadays just enduring has to be enough. Smelling of greasepaint and tour buses from the very first, it also smelled of stars - Alicia Markova and Anton Dolin who began it, Rudolf Nureyev and Natalia Makarova who created splendid productions for it, and extraordinary late-career performances by Lynn Seymour. Stars have been born in ENB too, even if they burst into full gleam elsewhere - Trinidad Sevillano, Tamara Rojo, and more than likely the young lad who is ENB’s latest find, Vadim Muntagirov, who danced last night in Cinderella.This Read more ...
Ismene Brown
Strange listening to Sadler’s Wells chief Alistair Spalding timidly defending “cutting-edge” dance on yesterday’s Radio 4 arts debate - having just been to the current SWT dance show, Tanguera. Supposedly giving a smash-hit new international spin on tango (it comes warmly endorsed by its patron Daniel Barenboim), Tanguera is no more than a tepid dansical in soft-focus sub-West End style, with some not great dancing and the kind of dramaturgy that belongs back in the 19th century in dubious improving pamphlets for young women.I am tired and offended by those box-office chestnuts where the Read more ...
Ismene Brown
Two giants of dance died last year: Pina Bausch and Merce Cunningham. Right now audiences aren’t being deprived of seeing why their names are written permanently in lights in dance history (Bausch’s company performs in Edinburgh and London later this year, Cunningham’s is in London in October), but after 2011 they may be. Cunningham’s company will close, while Bausch’s will be in its last of an uncertain three-year grace period. It was in this light that Frances Byrnes made a remarkable programme broadcast last night.A world that carries on with rotten Swan Lakes and interminable Lloyd Webber Read more ...