book reviews and features
Derek Owusu: Losing the Plot review - the finest perfume
Thursday, 10 November 2022
Derek Owusu’s debut That Reminds Me won the Desmond Elliot Prize in 2020. When asked what it was that she loved most about Owusu’s semi-autobiographical 117-page book, Preti Taneja, chair... Read more... |
Science Fiction: Voyage to the Edge of the Imagination, Science Museum review - travel to a galaxy not so far away
Wednesday, 26 October 2022
Scenes that stay in the mind: Arnold Schwarzenegger as the Terminator peeling back the skin on his forearm to reveal the gleaming machinery within; a beady-eyed, new-born Alien bursting from John... Read more... |
Annie Proulx: Fen, Bog & Swamp review - defending the wetlands' bounty
Wednesday, 26 October 2022
Annie Proulx’s Fen, Bog & Swamp sees the Pulitzer-winning novelist join a number of authors decrying the ecological devastation we’re wreaking on the planet. James Rebanks’ ... Read more... |
Cormac McCarthy: The Passenger review - abstruse, descriptive, digressive
Tuesday, 25 October 2022
Cormac McCarthy’s first books in over a decade are coming out this year, a month apart from one another. The Passenger tells the story of deep-sea diver Bobby Western, desperately in love... Read more... |
Mariana Enriquez: Our Share of Night review - delving into a violent, erotic world
Monday, 24 October 2022
Tense with horror and the sticky darkness of the Argentinian night, Mariana Enriquez’s writing is rich and occult. Her epic novel, Our Share of Night, vividly translated from the Spanish... Read more... |
William Boyd: The Romantic review - historical soap opera, anyone?
Saturday, 22 October 2022
Writing in the Edinburgh Review in 1814, Francis Jeffrey began his review of Wordsworth’s The Excursion with a provocative denunciation of romanticism: “This will never do,” he... Read more... |
Andrew Murray: Is Socialism Possible in Britain? review - what went wrong and why Corbynism failed
Tuesday, 04 October 2022
The title of Andrew Murray’s new book poses a question that also vexed Friedrich Engels over 130 years ago. The German co-... Read more... |
Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal
Thursday, 29 September 2022
Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin that enters English by way of German – ... Read more... |
Yiyun Li: The Book of Goose - fame, reality and two teenage French girls
Wednesday, 28 September 2022
The Book of Goose, Yiyun Li’s fifth novel, is the gripping story of two teenage French girls and their... Read more... |
Bronwyn Adcock: Currowan review - a fire foretold, a warning delivered
Tuesday, 27 September 2022
In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires and pyro-connective storms that swept the country... Read more... |
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Stephen review - a breathtakingly good first feature by a mu...
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Jonn Elledge: A History of the World in 47 Borders review -...
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DVD/Blu-Ray: Priscilla
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Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...
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Banging Denmark, Finborough Theatre review - lively but conf...
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Album: Fred Hersch - Silent, Listening
The previous solo piano solo album from Fred Hersch, one of the world’s great...
Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...
Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...
London Tide, National Theatre review - haunting moody river...
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...