book reviews and features
Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach
Tuesday, 22 August 2023
Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins... Read more... |
Marie Darrieussecq: Sleepless review - in search of lost sleep
Thursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into... Read more... |
Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy
Tuesday, 15 August 2023
Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following... Read more... |
Masha Karp: George Orwell and Russia review - dystopia's reality
Thursday, 10 August 2023
The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to... Read more... |
Henry Hoke: Open Throat review - if a lion could speak
Wednesday, 09 August 2023
I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it... Read more... |
First Person: Marc Burrows on getting to know Sir Terry Pratchett
Tuesday, 01 August 2023
In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s. My parents had been given copies of two of the earliest... Read more... |
Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next
Thursday, 27 July 2023
Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek... Read more... |
Nick Laird: Up Late review - attention lapses
Tuesday, 18 July 2023
A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back /... Read more... |
Extract: Bacon in Moscow by James Birch
Friday, 07 July 2023
In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet... Read more... |
Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait
Wednesday, 28 June 2023
In 1917, in the face of the Bolshevik revolution closing in on his country estate, Rachmaninoff fled Russia, never to return. He was 44, at his peak as composer, pianist and conductor, but spent... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
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Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...
Good One review - a life lesson in the wild with her dad and...
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...
E.1027 - Eileen Gray and the House by the Sea review - dull...
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...
Album: Rico Nasty - LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...