book reviews and features
Marie Darrieussecq: Sleepless review - in search of lost sleep
Thursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into... Read more... |
Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy
Tuesday, 15 August 2023
Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following... Read more... |
Masha Karp: George Orwell and Russia review - dystopia's reality
Thursday, 10 August 2023
The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to... Read more... |
Henry Hoke: Open Throat review - if a lion could speak
Wednesday, 09 August 2023
I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it... Read more... |
First Person: Marc Burrows on getting to know Sir Terry Pratchett
Tuesday, 01 August 2023
In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s. My parents had been given copies of two of the earliest... Read more... |
Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next
Thursday, 27 July 2023
Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek... Read more... |
Nick Laird: Up Late review - attention lapses
Tuesday, 18 July 2023
A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back /... Read more... |
Extract: Bacon in Moscow by James Birch
Friday, 07 July 2023
In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet... Read more... |
Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait
Wednesday, 28 June 2023
In 1917, in the face of the Bolshevik revolution closing in on his country estate, Rachmaninoff fled Russia, never to return. He was 44, at his peak as composer, pianist and conductor, but spent... Read more... |
Jacqueline Rose: The Plague review - tracing our response to tragedy
Saturday, 17 June 2023
In The Plague: Living Death in Our Times, Jacqueline Rose makes a surprising pivot from her usual topics – Sylvia Plath, children’s fiction, Zionism, to name a few – to throw a spotlight... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Accountant 2 review - belated return of Ben Affleck...
It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...
The Inseparables, Finborough Theatre review - uneven portrai...
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...
Flintoff, Disney+ review - tumultuous life and times of the...
Documentaries about sports stars are now a dime a dozen, but you can only be as good as your subject matter. We know Andrew Flintoff (usually...
Personal Values, Hampstead Theatre review - deep grief that...
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up...
Album: Jenny Hval - Iris Silver Mist
Had I read the contextual blurb about Jenny Hval's latest album first, I might have assumed it was a perfume company collaboration. The album is...
April review - powerfully acted portrait of a conflicted doc...
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output...
theartsdesk Q&A: filmmaker Miguel Gomes on his latest ex...
It doesn't take much to get lost in a film by Miguel Gomes. In fact, it's required. Multiple layers, timelines, and perspectives unfold in his...
Album: Billy Idol - Dream Into It
There’s always been a goofy charm about Billy Idol. As an implausibly chiselled Adonis shining out from the deliberate ugliness of the original...
Greg Davies, Brighton Dome review - chocolate bars and erran...
Greg Davies doesn’t spare himself in his new show, Full Fat Legend, his first tour in seven years after having been busy being...