book reviews and features
Glory to Sound: Linton Kwesi Johnson, Brighton Festival 2023 review - a reggae rebel's life in music
Monday, 15 May 2023
Straight-backed at 70, Linton Kwesi Johnson wears the smart garb of a British Caribbean elder – trilby, cream jacket, West Indies maroon jumper and tie, grey trousers, blue socks and grey shoes.... Read more... |
Keggie Carew: Beastly review - the history of animals and us
Monday, 15 May 2023
There’s been an avalanche of books about animals and trees. The more species disappear and forests are felled, the more titles are published: laments, celebrations, extinction alarms and rhapsodic... Read more... |
Noreen Masud: A Flat Place - reflective landscapes
Tuesday, 09 May 2023
On the front cover of Noreen Masud’s startling memoir, A Flat Place, a green square of sky is scored... Read more... |
A. Anatoli: Babi Yar - The Story of Ukraine's Holocaust review - a masterpiece uncensored
Friday, 05 May 2023
The great Russian novelists of the 19th century wrote what Henry James called "large, loose, baggy monsters" out of belief that "truth" was... Read more... |
Max Porter: Shy review - an ode to boyhood and rage
Wednesday, 03 May 2023
Max Porter continues his fascination with the struggles of youth in his newest release, Shy: his most beautifully-wrought... Read more... |
Solmaz Sharif: Customs review - a poetics of exile and return
Monday, 01 May 2023
The language of poetic technique is perhaps weighted towards rupture, rather than reparation: lines end and break, we count beats and stress, experience caesurae (literally ‘cuttings’), and mark... Read more... |
First Person: Sophie Haydock on going beyond the grave
Thursday, 27 April 2023
It was a cold day in Vienna when Egon Schiele was buried in the Ober-Sankt-Veit cemetery. He was just 28 years old. The controversial... Read more... |
Lydia Sandgren: Collected Works review - the mysteries that surround us all
Tuesday, 18 April 2023
Lydia Sandgren’s debut novel, Collected Works, a bestseller in her native Sweden, has now been translated by Agnes Broomé into English, in all its 733-page glory. An epic family saga, it... Read more... |
Jonathan Kennedy: Pathogenesis - How Germs Made History review - a return to the infections that formed us
Friday, 14 April 2023
The Cayapo tribe, a shade under 10,000 strong, lived in South America unacquainted with humans in the wider world until 1903. That year, they accepted a missionary who, along with news of... Read more... |
Loving Highsmith review - documentary focused on the writer's lighter side
Thursday, 13 April 2023
Since her death in 1995, Patricia Highsmith has prompted three biographies, screeds of often conflicting psychological analysis and now this... Read more... |
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latest in today
Lisa Kaltenegger: Alien Earths: Planet Hunting in the Cosmos...
Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...
The Book of Clarence, review - larky jaunt through biblical...
The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...
All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...
An Actor Convalescing in Devon, Hampstead Theatre review - o...
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...
First Persons: composers Colin Alexander and Héloïse Werner...
For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...
Album: Paraorchestra with Brett Anderson and Charles Hazlewo...
Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...
Anthracite, Netflix review - murderous mysteries in the Fren...
Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...
The Comeuppance, Almeida Theatre review - remembering high-s...
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...