Quilts 1700-2010, Victoria & Albert Museum | reviews, news & interviews
Quilts 1700-2010, Victoria & Albert Museum
Quilts 1700-2010, Victoria & Albert Museum
Private lives and hidden histories revealed in stunning exhibition exploring British quilt-making
Wednesday, 24 March 2010
This 18th-century bedcover was probably a professional commission, yet amateur examples are just as impressive
The notion of women’s work has undergone a revolution, and yet that revolution has, in many ways, come comfortably full circle. We may now celebrate the work of generations of women who, limited to the domestic realm, were perhaps also liberated by the creative potential of the domestic crafts, and specifically, needlecraft. Which is a fairly radical notion in itself.
The notion of women’s work has undergone a revolution, and yet that revolution has, in many ways, come comfortably full circle. We may now celebrate the work of generations of women who, limited to the domestic realm, were perhaps also liberated by the creative potential of the domestic crafts, and specifically, needlecraft. Which is a fairly radical notion in itself.
Explore topics
Share this article
more Visual arts
Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits
One of Switzerland's greatest photographers celebrated with a major retrospective
Stephen review - a breathtakingly good first feature by a multi-media artist
Melanie Manchot's debut is strikingly intelligent and compelling
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Add comment