Revealed: The Nazi Titanic, Channel 5 | TV reviews, news & interviews
Revealed: The Nazi Titanic, Channel 5
How Joseph Goebbels planned to sink the British with big-budget propaganda movie
With the smoke from Julian Fellowes' upcoming Titanic mini-series for ITV becoming visible over the horizon, Channel 5 nipped in with this startling new spin on the tale of the doomed liner. It's not widely known that when the Nazis were riding high in the early part of World War Two, they hit upon a plan to turn the Titanic story into a blockbuster propaganda film, designed to throw contempt and ridicule over Britain's ruling elite.
Using a variety of film historians and critics from Germany, Britain and the USA, as well as the recently rediscovered production diaries kept by the film's art director, The Nazi Titanic offered intriguing glimpses into the value the Nazis placed on propagandist film-making, as well as on the way Hitler's regime viewed the British. Joseph Goebbels, the Third Reich's Minister of Propaganda, considered Britain to be "a sham democracy ruled by plutocrats" (not much change there then). The Nazi film would use the Titanic, with its upper decks versus lower decks class structure, as the perfect metaphor for a Britain being driven to destruction by its entrenched ruling elite.
From his experiences with making anti-Semitic films like Jew Süss, Goebbels had learned that dramatised stories were more effective at seizing the popular imagination than documentaries, so bags of creative licence would be taken with Titanic. The narrative was cast as a stark fable of rampant capitalism versus the proletariat. It opened with a scene in which J Bruce Ismay (pictured above in movie), chairman of the White Star Line which operated the Titanic, addressed a room full of shareholders, telling them that their holdings would rocket in value as the ship broke the transatlantic speed record. Caution would be thrown to the winds to achieve that objective, with the ship's captain to be incentivised by bonus payments for every hour by which he broke the record.
To bring this fiendishly cunning concept to fruition, Goebbels had recruited his favourite film-maker, 38-year-old Herbert Selpin, who had already pleased the great propagandist with a couple of successful action movies. Goebbels was determined to out-do Hollywood, and no expense would be spared for the Titanic project. The boat would, as it were, be pushed out, to the tune of 4 million Reichsmarks (about £100m). Selpin hurled himself into the spirit of the operation by ordering enormous studio sets to be built in Berlin as well as a 20-foot replica of the Titanic for the sinking scenes, while also demanding the use of a full-sized ship for exterior sequences.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Twitter votes no but Scotland puts out a cheerful welcome mat
Return of 19th-century industrial saga is dingy, drab and didactic
Beethoven, Berry and Black Sabbath: cracking the rock'n'roll code
More drama than musical in TV adaptation of the inspirational true story
Maritime series washes up on screens at the wrong time of night
Dennis Kelly's tortuous spine-chiller roars back in lethal form
A generic mutation has come back from the grave, and it still sucks
Stories of the tunes the Beeb refused to play
The inside story of the biggest fraud in sporting history
Jimmy McGovern shines a light on both the humanity and legality of joint enterprise
Television's premier dramatist on righting wrongs in his new courtroom drama Common
In which Hugo Blick tackles the personal and political complexities of the Israeli-Palestinian question