Imagine: Ian Rankin and the Case of the Disappearing Detective, BBC One | TV reviews, news & interviews
Imagine: Ian Rankin and the Case of the Disappearing Detective, BBC One
Bestselling crime novelist on his decision to bring back the character who made him famous
Over the past couple of years, since my husband’s first book was accepted for publication, I have had the dubious privilege of becoming intimately acquainted with the behind the scenes day-to-day workings of the crime novelist. For that reason Miranda Harvey, the long-suffering wife of Ian Rankin, is now something of a hero of mine. As she tells Imagine’s Alan Yentob, she is now so used to her husband’s writing patterns she can predict the “pause” that will hit, around page 65, when the UK’s most successful crime writer has run out of notes and has no idea what to do next.
As a documentary, The Case of the Disappearing Detective has plenty of promise. At its heart is footage filmed by Rankin himself, documenting the creation of his latest novel. Beginning on 2nd January 2012, the same day the author began The Impossible Dead the year before, Rankin promises to bring us every stage of the writing process. Cut to six days later, and the promise that he will “start tomorrow”. This is already starting to sound familiar.
Rankin has always prided himself on the realism of his work and cringes at the idea of contrivance
The Edinburgh-based author of the Rebus novels generally writes one book a year, a practice which he says means having “one good idea a year” is all he needs. He keeps a folder of clippings and notes, scribbled on post-its and napkins from hotels, to be mined when the need for inspiration strikes. This year’s discarded choices included the church and NHS working together on exorcisms, a deaf child who saw something that he shouldn’t have and a doctor who saved lives on 7/7 who turned out not to be a doctor at all. In the end, however, it started with a funeral.
Five years after being forced to retire the curmudgeonly Inspector, having aged him in real time, Rankin has already written a couple of books centred on a new character - Malcolm Fox, a straight-laced Internal Affairs officer who couldn’t be more different from the author’s more famous creation. Thanks in part to hugely successful television adaptations starring John Hannah and Ken Stott - performances that Rankin confesses he has still never seen - Rebus retains a devoted following. Still, retiring the character hasn’t affected Rankin’s rare pull as a big-name author, if the queue for a signing of The Impossible Dead just before last Christmas is any indication.
To hear Rankin explain it though, his decision to bring back his most famous character isn’t a surprising one. For this new book, Standing in Another Man’s Grave (and if you’ve seen the book’s cover, pictured above right, you’ll forgive me the spoiler), the ex-cop now working cold cases was the perfect protagonist. Inspired by a real-life funeral attended by the author, the book opens with a man watching a funeral from the back of a cemetery. As the man contemplates his own mortality - and craves a cigarette - his identity becomes obvious.
That isn’t to say that the author isn’t aware that reviewers and interviewers will see the return of his most famous character as a failing or a moneyspinner. Rankin, who sees crime fiction as “a means of chronicling our times,” has always prided himself on the realism of his work and cringes at the idea of contrivance. At the back of his head is of course that other famous Edinburgh-connected writer, Sir Arthur Conan Doyle, who brought his own Sherlock Holmes back from the dead. The comparison is as overly-dramatic as it is all too obvious, given that Rankin was on record as far back as 2007 saying that Exit Music was Rebus’s "retirement" rather than "final" novel, and it is far less contrived to bring a character back in from the Oxford Bar rather than up a sheer cliffside.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Austin Powers meets Tim Vine meets a script of breathtaking flimsiness
Comic book heroes battle for control of the small screen
The story of the cruel aftermath of war told in bruising documentary
Oscar-winning actor proves that he did learn something as a Cambridge art history student
An adaptation that feels like a children's drama dressed up in adult clothes
Epic Danish drama about the human cost of nationalism
An ode to 'la chanson française' that proved a fascinating lesson in love
Documentary about dating apps fails to ask penetrating questions
Acclaimed American infidelity drama hits the ground running
Oral history shines a light into another age
A night of exit polls, caveats and Ashdown’s marzipan hat
Astounding revelations about the 510 species of the ocean's top predator