The Borrowers, BBC One | TV reviews, news & interviews
The Borrowers, BBC One
A warm, satisfying Christmas update of the children's classic
“For three weeks the Beans leave rich pickings for us Borrowers”. It’s probably not how most of us see the Christmas season, but if you’re a miniature person living under the floorboards, the seasonal treasures of the full-size humans – Beans – are irresistible. Setting this lovely one-off adaptation of Mary Norton’s books about the tiny recyclers over the advent count-down and bringing it up to date might have been obvious, but it charmed.
The Clock family live under the floorboards of the house lived in by Human Bean Granny Driver. Living with her is lonely James, her grandson. His mum has recently died; Dad comes and goes, racked with guilt, working part time and trying to find jobs. Money is tight and Christmas is coming. Granny discovers the Clocks, so they have to scarper. At the same time, Professor Mildeye (pictured above, played by Stephen Fry) – a specialist in miniature creatures – is convinced tiny humans are out there and he’s intent on capturing some. He gets his specimens and is ready to unveil them in lecture theatre, but it doesn’t go quite as he hoped. Naturally, all ends well for everyone else.
The bar had to be set high as The Borrowers has a history on TV, albeit a surprisingly recent one considering Norton's books have been firmly lodged in the collective consciousness since the early Sixties. The BBC first took on The Borrowers as a series in 1992, and made a one-off special the following year. America had been quicker on the uptake with a 1973 TV movie. Although another film was made in 1997, last year’s The Secret World of Arrietty, the (suitably) otherworldly animated adaptation from Japan’s Studio Ghibli, is a tough act to follow: despite being redubbed for its British and (forthcoming) American cinema releases, it retained its magic.
Thankfully, this Christmas’s Borrowers raised no thoughts of other versions. The question it did raise was whether its big names would become distractions. Christopher Eccleston’s Pod Clock was bluffly Ecclestonian, but not overly so. As Granny Driver, Victoria Wood (pictured left, with Fry) was a warm, snug fit, but Fry was always going to be a question mark. Ubiquitously over familiar, could he be accommodated without this becoming another Stephen Fry vehicle? Amazingly, his Professor Mildeye wasn’t a giant sore thumb, even though he was rapidly turning into Gérard Depardieu. His buffoonish, self-aggrandising professor was deft, natural and funny. As young James, Charles Hiscock from CBBC’s Combat Kids, also shone.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Vicki McClure takes charge in pulsating showdown to round off gripping series
How did all the roads in the ancient world end up leading to Rome?
Sympathetic documentary throws new light on a woefully familiar topic
How the Bard has become part of our collective movie memory
Racism, mutual mistrust and murder in fraught Swedish drama
Slightly wearisome jog down memory lane with the royal home movies
She was the most gifted comedian of her generation, male or female
Veteran entertainers recall the music that changed their lives
Posh doc about East Anglian farmer clinging to the wreckage provides blameless fun
Franglais 'tecs battle baffling epidemic of Euro-crime
Nick Robinson tiptoes cautiously through the minefield of Britain's relations with Europe
Seven-disc collection of the prophetic Seventies sci-fi show