sat 23/09/2017

Strauss

Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasies

No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Even Richard Strauss's chaste nymph Daphne, achieving longed-for metamorphosis as a tree, finds darkness among the roots; and though Renée "The...

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Prom 10 review: Aurora Orchestra, Collon – a revolution taken to heart

When a trail-blazing orchestra takes on a world-transforming work, it would be pointless to leave the staid old rules of concert etiquette intact. Not only did the Aurora Orchestra under Nicholas Collon stretch their repertoire of symphonies...

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Jette Parker Young Artists Summer Performance, Royal Opera review - vocal promise, poor stagecraft

They get to work with the best music and language coaches in the business. They make their mark in small parts throughout the Royal Opera season and showcase their art more prominently at the end of it, proving to the world that there are major...

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Ariadne auf Naxos, Glyndebourne review – seriously compelling revival

It’s often said that Ariadne auf Naxos is all about The Composer – not only Richard Strauss but an affectionate parody of his younger self – and Katharina Thoma takes this idea seriously in her Glyndebourne production. In the role, Angela Brower...

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Der Rosenkavalier, Welsh National Opera review - hard to imagine a stronger cast

Der Rosenkavalier, you might think, is one of those operas that belong in a specific place and time and no other. “In Vienna,” says Strauss's score, “in the first years of Maria Theresia’s reign” (i.e. the 1740s). But this, of course, is a...

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10 Questions for Conductor Paavo Järvi

Now at the very top of his game and master of sundry great orchestras around the world, Paavo Järvi is the conductor students of the art like to follow for his perfect technique. Time was when he seemed like the cooler version of his peerless father...

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Classical CDs Weekly: Strauss, John Bullard, Tania Stavreva

Strauss: Suites from Elektra and Der Rosenkavalier Pittsburgh Symphony Orchestra/Manfred Honeck (Reference Recordings)Manfred Honeck’s extended slice of Richard Strauss's Elektra was made in collaboration with the Czech composer Tomáš Ille, Honeck’s...

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Alan Bennett’s Diaries, BBC Two

Gather round the fire, friends: no Santa down the chimney this Christmas Eve, but the curiously comforting Alan Bennett, with his sardonic and occasionally optimistic diaries. The latest published instalment has the slightly wry title Keeping On...

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Der Rosenkavalier - Cast 2, Royal Opera

Fiftysomething may well be the new 32, the age Strauss and Hofmannsthal made the central figure of the Marschallin in their "comedy for music" Der Rosenkavalier. Hearts and minds no doubt still move with Renée Fleming, senior doyenne of the role in...

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Der Rosenkavalier, Royal Opera

Der Rosenkavalier is an opera of thresholds. Characters are caught between states – girlhood and marriage, lover and lover-no-more, woman and whatever lies beyond sexuality and desirability – while around them a city and a nation are also poised on...

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Trevigne, CBSO, Chauhan, Symphony Hall, Birmingham

Bruckner’s Third Symphony doesn’t so much begin as become audible. A steady heartbeat in the bass, oscillating violas lit from within by clarinets, and in the middle, slowly pulling clear of the texture, the proud, sombre trumpet motif to which...

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Classical CDs Weekly: Michael Nyman, Stravinsky, Emily Pailthorpe

Michael Nyman and The Tempest – Prospero’s Books and Noises, Sounds & Sweet Airs (MN Records)Think Michael Nyman and one inevitably thinks of the 1980s, and it’s quite possible that Nyman’s scores for Peter Greenaway will prove more enduring...

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